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Snake Line (2025) - 映像作家: omnibus-japan-inc
Art workIllustration

Snake Line (2025)

2025
00:06:00
Snake Line A video installation by filmmaker Shinichi Yamamoto and musician Tetsuji Ohno (Intercity-Express). Set at the biotope located at the edge of the forest within the expansive grounds of Nagaoka Institute of Design, the work features a 20-meter screen constructed from 40 connected LED displays. Positioned at the forest's margin — visible from the campus buildings — it unfolds amid the falling leaves of late autumn. From 9 a.m. to 9 p.m., the work continuously shifts in response to the changing quality of daylight, rain, and the darkness of night reflected across the water's surface. Emitting vivid, high-saturation color, the installation neither confronts nor overwhelms its natural surroundings, but settles quietly into the landscape. The sound, composed by Ohno, builds an ambient sonic environment rooted in field recordings of a suikinkutsu — a traditional Japanese water instrument. Snake Line was produced as part of VideoListening, a media art program directed by Shinichi Yamamoto.
To Future Scientists #19 "Halbach Array" - 映像作家: EUPHRATES
Short film

To Future Scientists #19 "Halbach Array"

2024
00:07:16
"To Future Scientists" series is a science video published on the official YouTube channel of the National Institute for Materials Science (NIMS), a Japanese public research organization. It is produced to promote NIMS and to widely share the fascination and appeal of materials research. The theme of #19 is the "Halbach array." By simply changing the arrangement of magnets, the magnetic force changes, revealing the profound nature of magnets—something familiar, yet not widely known.

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8 Works
Algorithms from A to Z - 映像作家: kitasenjudesign
Generative ArtMotion graphics

Algorithms from A to Z

2026
00:00:57
I searched for algorithms whose names begin with each of the 26 letters from A to Z, and used them to create animated typography. Since the rise of NFTs, the genre of generative art has been undergoing renewed reevaluation. Although I have spent many years writing code and making works myself, when asked, “What is generative art?” I often find myself unsure how to answer. At the core of generative art are algorithms. Of course, one can create one’s own, but there are already many “masterpiece” algorithms in existence. In this work, I reimplemented those algorithms in JavaScript. Through this project, I want to think about the appeal of coding and algorithms, apart from art or design. It is also an attempt to place value on the process, which is often overlooked in the age of AI, and to once again draw out the joy of implementation.
20 Works
The Beast Tale - 映像作家: keisukesatoh
AnimationConcept MovieExperienceExperimental filmMotion graphicsOriginalPaper craftR&DShort filmSocial project

The Beast Tale

2026
00:02:15
This video is a re-edited vision piece based on the invasive species Reeves’s muntjac, which causes agricultural damage and affects ecosystems on Izu Oshima, and on the practices and narratives surrounding the regional utilization of its meat. It reconstructs, as a single story, the narratives gained through an interactive workshop consisting of a booklet-based understanding of the current situation and problem-posing, a dissection demonstration, tasting, and dialogue, along with insights obtained through fieldwork. It visualizes, in narrative form, signs of aversion, hesitation, reevaluation, and sharing, depicting the process of rethinking a pest not merely as a target for extermination, but as part of the region’s food culture through the act of gratefully and deliciously consuming life. It presents the issue surrounding the Reeves’s muntjac as a subject for reconsidering the relationship between the region, life, and social coexistence.
Nabtesco Corporation: “Nabtesco, by Everyone’s Side! (Cacao Edition)” - 映像作家: keisukesatoh
3DCGAnimationBrand movieConcept MoviePromotionWebWeb CM

Nabtesco Corporation: “Nabtesco, by Everyone’s Side! (Cacao Edition)”

2026
00:00:31
This project was designed to deliver Nabtesco’s “move and stop” technologies—those indispensable, behind-the-scenes strengths—as a visual experience that the general public can grasp intuitively. In this work, the Nabtesco Monsters were brought to life in 3DCG, and the structure was designed so that viewers could receive the message as something personally relevant, beginning with a family conversation. Kakao, who is incredibly large and strong; Pista, who is dexterous, flexible, and even capable of transforming; and Berry, who uses long arms to carry out detailed tasks with speed, all appear in a composition that connects technologies working behind the scenes of society to familiar everyday scenes.
Nabtesco Corporation: “Nabtesco, Close to Everyone! (Pista Edition)” - 映像作家: keisukesatoh
3DCGAnimationBrand movieConcept MoviePromotionWeb CM

Nabtesco Corporation: “Nabtesco, Close to Everyone! (Pista Edition)”

2026
00:00:31
This project was designed to deliver Nabtesco’s “Moving. Stopping.” technology—an unsung, behind-the-scenes force—as a visual experience that the general public can understand intuitively. In this work, the Nabtesco Monsters were rendered in 3DCG, and a pathway was designed to help audiences take it in as something personally relevant through a family conversation as the entry point. Kakao, who is very large and strong; Pista, who is dexterous, flexible, and even capable of transforming; and Berry, who uses her long arms to handle detailed tasks briskly, all appear in a composition that connects the technologies working behind the scenes of society to familiar everyday scenes.
Nabtesco Corporation: “Always by Your Side, Nabtesco! (Berry Edition)” - 映像作家: keisukesatoh
3DCGAnimationBrand movieConcept MoviePromotionWeb CM

Nabtesco Corporation: “Always by Your Side, Nabtesco! (Berry Edition)”

2026
00:00:31
This project was designed to deliver Nabtesco’s “move, stop.” technology—an unsung but essential force—through a visual experience that the general public can grasp intuitively. In this installment, the Nabtesco Monsters were rendered in 3DCG, and a pathway was designed to help viewers receive the message as something personally relevant, using a family conversation as the entry point. Kakao, who is extremely large and strong; Pista, who is skillful, flexible, and even capable of transforming; and Berry, who uses long arms to efficiently handle delicate tasks, all appear in a composition that connects technology working behind the scenes of society with familiar everyday scenes.
12 Works
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.
11 Works
Coloso Bloom - 映像作家: tsubasamurahama
2D animationAnimationArt workConcept MovieMotion graphicsOriginal

Coloso Bloom

2026
00:00:35
Dive into a treasure chest of knowledge and absorb inspiration. This motion graphic captures the positive learning experience on Coloso. By making full use of After Effects 2026’s new “Parametric Mesh” feature, it creates a highly flexible abstract and dreamlike space. In the end, the built-up energy bursts all at once, translating the moment your own originality blooms into a pop-inspired visual world.
Marketing AI Agent "ENSOR" Concept Movie - 映像作家: tsubasamurahama
2D animationAnimationConcept MovieMotion graphicsOriginalPromotion

Marketing AI Agent "ENSOR" Concept Movie

2025
00:01:01
Description: With the product launch, we were commissioned to create a video that expresses the brand’s world view. 1. A dynamic, immersive visual experience that expresses the worldview of the new brand and instantly draws viewers in. 2. A feature introduction that clearly explains what the product can do, which is essential for a launch. We created a video that blends these two elements in a 50:50 ratio.
RENDER - 映像作家: tsubasamurahama
2D animation3DCGAnimationCompetition workMotion graphicsOriginal

RENDER

2025
00:00:16
This work was submitted to the VGT category of the VGT Motion Award 2025. The theme was “Create a promotional video that conveys the appeal of VGT ONLINE 2025, centered on Create Synergy.” The concept links the anticipation of people waiting for the event to begin with the excitement creators feel in the moment before a render is complete. By incorporating an expression that combines 2D motion graphics in After Effects with physics-based simulations in Blender, the work embodies “synergy” through a new approach to the production process as well.
7 Works
18 Works
Expo 2025: Wakayama One Hundred Views — “Blending, Connecting.” - 映像作家: YusukeMurakami
Audio visual performanceCodingEventExperienceGenerative ArtInstallation

Expo 2025: Wakayama One Hundred Views — “Blending, Connecting.”

2025
00:01:00
Description: Set against Wakayama’s profound history and magnificent natural scenery, this 30-minute audiovisual installation explores the theme of “mixing and binding” — the fusion of different religions and genres, as seen in shinbutsu-shūgō. It offers a visual and musical experience projected onto eight totems, each 4 meters high, evoking the towering ancient trees of Kishu, and reflects Wakayama’s “spirit of tolerance” found in places such as Koyasan, the Kumano Sanzan, and in the thought of Minakata Kumagusu. Drawing inspiration from the Kumano pilgrimage, the work portrays Wakayama’s character — its acceptance and coexistence beyond differences in religion, social status, nationality, and ideology — as a journey through future, past, present, and once again into the future. This journey is an experience of “rebirth,” a space where Japanese tradition and digital expression, the real and the virtual, the West and the East intersect, reflecting the spirit of shinbutsu-shūgō.
There, Minakata Kumagusu’s belief that “truth lies in between the two” comes alive. Drawing inspiration from the Kumano pilgrimage, the work portrays Wakayama’s character — its acceptance and coexistence beyond differences in religion, social status, nationality, and ideology — as a “journey of rebirth” through future, past, present, and once again into the future. Symbolic order of the Kumano pilgrimage and its blessings Kumano Hongu Taisha — Future Kumano Hayatama Taisha — Past Kumano Nachi Taisha — Present Kumano Hongu Taisha (Return) — Future / Rebirth The video installation is composed of these four parts. 01. FUTURE The opening moment where anticipation and spirituality intersect.
Through flickering light, pulses, and shifting colors, it depicts a world on the verge of creation. 02. PAST A journey into the origins of Wakayama.
Tracing the land’s deep memories through historical elements such as volcanic activity, nature, and mandala scrolls. 03. PRESENT A chapter that moves through the diverse landscapes that could be called the hundred views of Wakayama.
It captures the culture, daily life, and beauty alive in modern Wakayama. 04. FUTURE / RESURRECTION A dreamlike finale centered on the theme of “rebirth” leading into the future, using reverse-playback imagery.
As a symbol that transcends the boundaries of religion, gender, and nationality, totems appear and visually embody the “spirit of tolerance.” About the event movie The five great elements of esoteric Buddhism at Koyasan — fire, water, wind, void, and earth — are translated into visual expression,
making visible the flow by which they merge to form the universe.
It conveys the spiritual depth of Wakayama in a visual and sensory way. What does “Mixing, Binding.” mean? The word “musu,” found in Takamimusubi-no-Kami and Kamimusubi-no-Kami, two of the three creator deities in Japanese mythology,
means “to give birth” or “to produce,” and represents the power to generate new life and relationships.
As seen in words such as musuko and musume,
“musu” has long been a core concept in Japanese, meaning “generation” and “bonding.” Shimenawa and shide, seen at shrines and sacred sites, are symbols of “binding” that sanctify space and invite the gods. We chose this “musu (Musubu)” as the theme of this work because it is a word that symbolizes the spirit of Wakayama, which has passed down Japan’s oldest culture to the present day.
Soul/Soil by Ricoh: Soul Motion - 映像作家: YusukeMurakami
AnimationCodingDataExperienceGenerative ArtInstallationInteractiveMain VisualMotion graphicsReal-time Graphics

Soul/Soil by Ricoh: Soul Motion

2025
00:01:12
SOUL MOTION is an interactive map that uses location tags embedded in uniforms. The sensors capture real-time data and also display records of the past three days, such as weather, total communication volume, visitor numbers, and individual trajectories. When visitors approach the “soil” or “sofa” zones, virtual microbes swarm to those locations, showing how they multiply or decline depending on environmental conditions. A light touch on the sensors makes them scatter, revealing a constantly changing, dynamic map. By visualising invisible processes such as microbes, technology, and the delicate rhythms of human relationships, SOUL MOTION prompts us to reconsider the hidden environments around us and creates an opportunity to rethink the connections between people and between people and nature.
19 Works
Like a Daydream - 映像作家: okadaakinori
Art workFashion filmMusic videoOriginalShort filmStopmotion

Like a Daydream

2026
00:03:46
Thank you for watching. ◻︎Concept / Overview From an everyday life that feels somehow cramped and hard to breathe, to a daydream world of my own where I can breathe a little easier. I didn’t really find anything I was looking for, and yet my heart felt full, and it seemed like I caught a glimpse of a tiny ray of hope. …This kind of inner landscape is expressed through hand-made stop-motion (pixilation). By spending time filming analog-style in the creator’s hometown, I wanted to capture the atmosphere of the city, the gentle sunlight, and the soft breeze— things that cannot be fully conveyed by AI works generated in an instant— and bring into the film that somewhat nostalgic feeling that exists in everyone’s heart. While calculating changes in the weather and the timing of the sunset, filming frame by frame was challenging, but through dialogue with nature, I was able to rediscover the joy of creating as a human being. This work is an independently produced original short film. Including the preparation period, it took about five months to complete (October 2025 to February 2026). A lyric-driven MV version is also currently in production. I also post short videos on Instagram, so please check them out if you’re interested. Instagram: @New age ESPer Thank you very much!
Traveler of 10 Billion Light-Years - 映像作家: okadaakinori
Art workMusic videoShort filmStopmotion

Traveler of 10 Billion Light-Years

2018 ~, 2025
00:10:36
Description: A bird wanders through the forest, continuing to search for precious memories. Before long, it gets lost in a mysterious world inside a tree hollow. There, it finds a strangely shaped dead tree. On that tree, the bird begins fishing toward the sky, trying to catch a star where memories sleep. Using its own feathers as bait... The finite body, and the world of memories and imagination, invisible to the eye yet holding infinitely expanding possibilities. Which, after all, is more important? The work is expressed through special stop-motion techniques, including puppetry, flat sand art, and casting paint shadows onto washi paper. Production began independently in 2016. After editing, it was completed in 2025.
4 Works
Rakuten GirlsAward 2025 SPRING/SUMMER OPENING MOVIE - 映像作家: 小野哲司Tetsuji Ono
2D animationAnimationMotion graphicsOpening moviePixel Art

Rakuten GirlsAward 2025 SPRING/SUMMER OPENING MOVIE

2025
00:01:13
Opening video for "GirlsAward 2025 SPRING/SUMMER," one of Japan’s largest fashion and music festivals. Theme: "Play Your Style −8bit Dreams−" Inspired by the world of 8-bit games, the excitement of a fashion show is expressed through pixel art animation. The stage leading to the runway is treated as a "game stage," using dot-based characters, UI, effects, and transitions to create an immersive experience that makes the audience feel as if they have stepped into a game. By combining the nostalgic texture of 8-bit visuals with a contemporary sense of pop culture and street style, the message of "choose your own style and play it" is brought to life visually.
JUMP MV /『Dr.STONE』×『Good Morning World!』| BURNOUT SYNDROMES - 映像作家: 小野哲司Tetsuji Ono
2D animationMusic videoPVWeb movie

JUMP MV /『Dr.STONE』×『Good Morning World!』| BURNOUT SYNDROMES

2024
00:01:39
A collaboration MV project between Weekly Shonen Jump and Sony Music. This work reconstructs the story of the anime Dr. STONE around a single axis of time: the time shared by the protagonist Senku and his father, Byakuya. Thousands of years of time, severed by petrification. And yet what was passed down was knowledge, will, and hope. The visuals were designed around the theme of “the future” handed down from father to child.
4 Works
Komyaku’s Dancing Garden, Komyaku’s Farewell - 映像作家: hirai
3DCGCo-CreationGenerative ArtInstallationProjection mappingReal-time Graphics

Komyaku’s Dancing Garden, Komyaku’s Farewell

2025
00:01:41
This work is a video piece that was exhibited and screened as part of an ambient projection-mapping presentation at the EXPO Hall “Shine Hat” and the Popup Stage East Outside at Expo 2025 Osaka, Kansai. Taking as its motif the “EXPO 2025 Design System” IDs, affectionately known as “Komyaku” at Expo 2025 Osaka, Kansai, and with Kohta Hikichi, a representative member of the team that created it, serving as an advisor, we drew on the expertise in artificial-life ecological systems that HiRai has long been researching to create a real-time video simulation system and visuals. In producing the video, we referenced the design system’s history of being prototyped based on metaballs, and developed a real-time simulator in which the Komyaku behave as if they were alive while retaining the identity of the design itself. By using GPGPU to calculate the interactions among large numbers of Komyaku in real time, we built a system that can be flexibly expanded to support a wide range of possibilities, including interaction and the generation of one-of-a-kind videos. At the Popup Stage East Outside, we also took advantage of the architectural characteristics of a structure in which the projected image is interrupted by support columns, and created visuals that made it look as though each steel beam were packed full of Komyaku. We pursued video production that made the most of the characteristics of the projection surface. The name “Komyaku” naturally spread as a nickname referring to the IDs that make up the design system. Taking into account this derivative, fan-created cultural expansion, this work intentionally uses the term “Komyaku.”
Asase Town - 映像作家: hirai
CodingExperienceGenerative ArtInstallationInteractive

Asase Town

2024
--
Created as an internal simulator for “Interface Prototype for Different Natures,” exhibited in “Surprisingly Heartful,” the third installment of the 8th KUMA EXPERIMENT, a group exhibition by KUMA Foundation grantees. Based on an artificial ecosystem simulator that uses GPGPU technology to calculate the real-time interactions of large numbers of artificial life forms, it was designed to create a space in which artificial life living in computational space and humans (viewers) living in physical space could interact on equal terms. To that end, I built a system using hardware and sensors that enabled both sides to interact spontaneously with one another. From the perspective of the video work itself, I also incorporated expressions such as the surface of a liquid, exploring ways to make the boundary feel less apparent when exhibited on a touch display.
Born, Involved, Born Again, - 映像作家: hirai
CodingExperienceGenerative ArtInstallationInteractive

Born, Involved, Born Again,

2024
--
Exhibited at NTT ICC Kids Program “Kimi ( ). Code ( ). Sekai ( ).” This program was an event for children during summer vacation, and this work was also created with elementary school children and younger viewers in mind. Using bubbles, a “boundary” commonly found in nature, as its motif, the work creates a simulation that expresses an ecosystem composed of multilayered enclosed regions. This simulator runs in real time using GPGPU technology, enabling interaction with viewers. Sensors installed at the floor level detect the movements of children, allowing interaction between the artificial ecosystem and the children. In addition, a new projection sheet was installed for this work, and by instructing viewers to step onto it barefoot, the experience was designed so that they could engage with the artificial ecosystem on a life-size scale while feeling the raw texture through the soles of their feet.
Gene Parallel Computation - 映像作家: hirai
CodingExperienceGenerative ArtInstallationInteractive

Gene Parallel Computation

2022
00:01:24
Exhibited at PARCO P.O.N.D. 2022. A swarm of artificial lifeforms, each with distinct genes and intelligence, formed groups for their own survival and the preservation of their genes, preying on other species and reproducing through mating; this behavior was simulated in real time using GPGPU technology. The activities of each lifeform produce changes only in their immediate vicinity, but those effects spread through a network of interactions, forming a diverse ecosystem. This work was exhibited on a human-height touch display on the fifth floor of Shibuya PARCO, enabling life-size interaction. The touch display was installed midway along a route traveled by people with a wide range of attributes as they moved through the shops, creating unpredictable encounters between the ecosystem and viewers, while also becoming a place for unexpected communication among viewers mediated by the work. As part of “Katawara,” a project to make artificial life exist alongside everyday life, the simulator was run continuously for more than a week in 2024, and the process was streamed on YouTube Live.

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