This work is an animated music video set in a forest at night. While preserving the adorable forms and colors, it was created with visuals that evoke a sense of instability, with the intention of gently accompanying the complex emotions contained in the song.

I was responsible for some of the illustrations in the music video for Akami Karubi’s debut single, “ABEKOBE.” I drew various scenes of little Karubi.

Today's weather forecast ********************** This video work was exhibited in the group exhibition Character Matrix (2024), held at BUG, an art center operated by Recruit Holdings Co., Ltd. This work is an animation themed around "television," and it was created as three programs broadcast by the fictional TV station "Hoshinyan Broadcasting": "Nyan TV Weather Forecast!," "Nyan TV News," and "Angel TV Shopping." Hoshinyan is a character wearing a cat-shaped hood, with twin tails styled like shooting stars. All of the characters are drawn freely and intuitively, without any particular obsession with detail, but they are all easygoing and carefree in temperament. Also, the memory of the game "Domo-kun no Fushigi Terebi," which I was obsessed with in childhood, remains very strong, and its "cute yet slightly unreasonable worldview" and "easy, casual fun" also influenced this work.

Inspired by Japanese festivals and shrine fairs, I depicted angels dancing.

The music video for the duet song “A Doodlin' Song” by Tomoyo Harada and Haruomi Hosono. When I first heard the song, it gave me the impression of a quiet expanse of twinkling stars. Inspired by the curve of the moon, the title logo and the whimsical, free-flowing animation invite you into a dreamy moment. This is a dream-filled music video where dance and magic unfold at midnight.

Music video for Quruli’s “Tokyo OP.”

Set to a song that feels like wordplay, it repeatedly transforms and branches from one form to another. The content depicts days that loop from morning to night. The image blurs and collapses into soft, squishy distortions, yet the way it keeps changing shape and moving forward is, for me, a kind of dynamic equilibrium. No matter how much I think of myself as me, the person I was three minutes ago and the person I am now may be completely different. No matter how much joy or sorrow there is, it is only part of a larger process of change, and yet we still have to keep living—that is what makes this world feel a little like hell.