From a microscopic perspective, what emerges is an internal structure that seems both mechanical and alive. A geometric structure moves in sync with the sound, beginning to operate according to a single logic. This is the opening movie for a DREAMS COME TRUE live concert held by STAR CHANNEL.

Nature grants “blessings” and brings “disasters” — such stories are nothing more than human perspectives. Phenomena that can be “blessings” or “disasters” to us are, in the natural world, akin to the impermanence of all things, and before their presence, we are powerless. The connection of beautiful “life” that creates such a vast and seemingly futile “nature” is confined within a sphere. The life contained within transforms in form and becomes a great surge. A station break for “Geo-Cosmos,” the symbol exhibit of the newly reborn National Museum of Emerging Science and Innovation. The video projected onto the 6-meter-diameter spherical display has no seams vertically or horizontally, and can be viewed from any position. We were responsible for the project from planning and composition through final production. *For screening information, please contact the National Museum of Emerging Science and Innovation.

A VR installation work with the concept of a “space of sound.” It recreates the spatial dimension of music, with the aim of transporting one’s audiovisual perception into that space through an HMD. Music always possesses space and time. The groove created by one sound and another is the “ma” (interval), and what emerges from that is a “vast space.” By immersing oneself in that immense space, the work seeks to create an experience of being more fully enveloped by the spatiality of music.

In 2021, when the Delta variant of COVID-19 began to emerge, this work was created with the concept of warning against the growing sense of complacency in society. The entire production process, from filming onward, was carried out remotely from home. With support for medical professionals in mind, the design uses blue in a way that makes it stand out and catch the eye. The characters and floating clouds, as well as other objects, were created in 3DCG, while everything else was filmed on the dining table at home.

「音の空間」をコンセプトとしたVRインスタレーション作品。音楽の持つ空間を再現し、HMDを通してその空間へと、自分の視聴覚を移送することを目的とした。 音楽は必ず空間と時間を有している。音と音が生み出すグルーヴが「間」であり、そこから生み出されるのが「巨大な空間」である。その巨大な空間に自ら没入することで、より音楽の空間に包みこまれるような体験を目指した。

4面のLEDパネルと重量センサーを利用したインタラクティブインスタレーション作品。加重センサーにのって、体重を移動させることで夜光虫の海のような光のパーティクル空間を前後左右に進んでゆく。