劇場映画

Special Preview Theatrical Version "Kami-sama no Saikoro" - 映像作家: tamura_bsk
劇場映画

Special Preview Theatrical Version "Kami-sama no Saikoro"

2024
00:01:01
An original work directed, based on, and written by Jyoji Iida of “NIGHT HEAD,” this is a theatrical preview version of the TV drama “Kamisama no Saikoro,” which began airing on October 9, 2024. It depicts five video streamers who are caught up in a life-or-death escape game. Akagi, a music streamer, is growing impatient as his number of channel subscribers fails to increase. At that moment, he hears from Shiraishi, a former colleague who is now a hugely popular cooking streamer, about a “doll that grants wishes.” It is a magical doll handed down among a small ethnic group in Africa, and if a ritual is performed using the doll, any wish can be granted, though an equivalent price is demanded in return. In order to perform the ritual, Akagi reaches out to Shiraishi as well as Kurotani, Aoyama, and Midorikawa, with whom he once worked as the streamer group “Five Colors,” and the group reunites...。 Masanari Wada, who is active across film, stage, musicals, and more, plays the protagonist Akagi. Shunta Sono of the dance-vocal unit “M!LK” plays Shiraishi; Yo Maejima of “Kamen Rider Amazons Season 2” plays Kurotani; Keito Sakurai, known for stage productions such as “Touken Ranbu” and “World Trigger,” plays Aoyama; and Raiga Terasaka of “Ultraman Trigger” plays Midorikawa. In addition, Yuka Hyoudo, Tetsu Watanabe, and others appear, and the popular three-member idol group “Task have fun” makes an appearance as themselves.
Trokko, the Rookie Reporter: If I Don’t Do It, Who Will? - 映像作家: tamura_bsk
劇場映画

Trokko, the Rookie Reporter: If I Don’t Do It, Who Will?

2024
00:01:05
Fujiyoshi Natsurin of the idol group Sakurazaka46 stars in her first leading film role in this social entertainment drama set in a high school newspaper club, depicting a group of students who expose the darkness of adults from the margins of society. Keiichi Kobayashi, director of Momoiro Sorao and Koi wa Hikari, is at the helm. Yui Tokoro, a first-year high school student and literature enthusiast, enrolls in the prestigious Sakuraba Gakuen High School, where her beloved young author, Konoha Midorimachi, is said to be attending, only to learn that Konoha is an unknown, mysterious figure. Asked by the president of the literature club, which she had hoped to join, to uncover Konoha’s true identity as a condition for membership, Yui decides to infiltrate the newspaper club, which is said to have the information. Though she is constantly tossed about by the club’s eccentric members, Yui gradually becomes fascinated by the appeal of newspapers and the work of reporters as she serves as a rookie newspaper club journalist. Before long, the hidden darkness within the school begins to come to light, forcing Yui to make a decision. Fujiyoshi plays the protagonist, Yui Tokoro, nicknamed Torokko, while up-and-coming young actors such as Akari Takaishi, Rinka Kumada, and Tomo Nakai co-star as members of the newspaper club and literature club. Shotaro Miyagawa, the original creator who was enrolled in the Film Department of Nihon University College of Art, turned an idea he came up with in high school into an original film proposal for a university class assignment, and it caught the attention of Takatomo Naoi, known as a producer behind projects such as Alps Stand no Hashi no Hō, who was then a part-time lecturer at the same faculty, leading to the film’s realization. Based on Miyagawa’s original concept, the screenplay was written by Daisuke Ohno, known for Tsujiura Renbo and Sayonara Elymantos.
Walking Time: Waiting for That Day - 映像作家: tamura_bsk
劇場映画

Walking Time: Waiting for That Day

2023
00:01:36
I can’t know what the future holds, so for now, let’s just decide that something good will happen. In 2020, when behavior was restricted by the COVID-19 pandemic, it became difficult even to gather with friends, and I found myself growing used to a reality in which the things I wanted to do would not come true. Those were painful days, filled with anger that had nowhere to go. Yet because “everyone in the world” was in the same situation, the pace of society naturally slowed, and while spending quiet time confronting myself and my family, I began to think about “what has been” and “what is to come.” Perhaps that slow, strolling kind of time was itself something “good.” This film captures one night in 2020, when the Leonid meteor shower fell, as experienced by people of different generations and professions. In the unassuming scenes of everyday life, both difficult moments and good moments are captured. The romantic phenomenon layered over them becomes light, and seeing the protagonists shoulder to shoulder, it is impossible not to hope that “the future will surely bring good things.” It has become a new work that records the “present day” we are living through with perseverance, without forgetting hope. The director is Akihiro Toda, known for his skill in directing young actors and ensemble dramas, including the film Name, based on an original story by Naoki Prize-winning author Shusuke Michio, 13 Moon Girls, and We Will Wake to the Same Morning. The screenplay is by Gaku Kawasaki, who was chosen to co-write with Koki Mitani for the drama Someone’s Watching starring Shingo Katori. The young actors who serve as the protagonists of the ensemble include Kaho Maehara, who has appeared in a series of notable works such as Ah, Wilderness by director Yoshiyuki Kishi and A Girl with a Lehman’s Scale by Yujiro Harumoto; and Karen Otomo, who continues to appear in films by distinguished directors including The Bride of Rip Van Winkle by director Shunji Iwai and Let Me Eat Your Pancreas by director Sho Tsukikawa. Other cast members include Ayumu Nakajima, Yurina Yanagi, Ryo Shinoda, Megane, Soma Sanjoh, Yuuka Sasaki, Hidenobu Abera, and Tsutomu Takahashi, among many others ranging from trusted young talents to veterans. Actors with experiences closely tied to their characters delivered remarkably authentic, breathing performances.

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