Using the pufferfish as a motif, the design is born, repeatedly splitting and multiplying, and ultimately is released into the world as an entity that embodies both poison and beauty.

132 5. ISSEY MIYAKE’s 2025/26 AW concept movie. With “POSITIONS” as its theme, it expresses the beauty of the patterns created by a structure that folds while rotating a square in three dimensions.

132 5. ISSEY MIYAKE’s 2025 SS concept movie. With “CONTINUITY” as its theme, it unfolds in three parts—“continuity of planes,” “continuity of solids,” and “continuity of curves”—using motion graphics to express how each motif expands into garments.

We created the lyric animation for Official Hige Dandism’s “Rashisa.” This lyric animation was used for the Official Audio (lyric movie), live performances such as SUMMER SONIC 2025, and the teaser trailer for the animated film Hyakuemu.

Prologue video for “en live art performance,” presented as a special program of the Century-After Art Festival

“もじともっとじゆうに”のタグラインをもとに、さまざまな環境に適応しながら従来の様式に捉わない文字との自由なコミュニケーションを描いたモーショングラフィックス。

Concept movie for Ono Pharmaceutical’s corporate slogan, “BREAK THROUGH.” It depicts, second by second, Ono Pharmaceutical’s more than 300-year history of taking on the challenge of drug discovery, and the spirit and determination behind its unwavering commitment to a single drug.

An opening movie produced as an impact video for Chugai Pharmaceutical's nationwide lecture series.

Year-of-the-Snake New Year’s greeting video 2025. While walking around town at the end of the year and thinking through the concept for this work, I could feel snakes everywhere, so I borrowed the phrase “God is in the details” to depict it.

An introductory movie for “FRIENDSHIP.DAO,” a community tool that “everyone who supports artists and music” can access directly.

CROSSTECH, a blockchain project looking ahead to Web 3.0. A concept film depicting a new world in which all things and services are tokenized and exchanged for value in internet and metaverse spaces.

渋谷の大型ファッションストアが一体となって開催する共同キャンペーン "渋谷ファッションウイーク"、そのためのプロモーションムービー。 規則的に組み上げられたロゴデザインをジオメトリックに分解・再構築しながら、渋谷の街の賑わいや人々と文化の交流などの様子を描いている。

「日」をモチーフにしたモーショングラフィックス。文字の形・言葉の意味から与えられるイメージ、他の文字と組み合わさった時に見られる単位性などを作品の中で表現した。

光と影、静と動、実像と虚像。三拍子にのせた映像と視覚のイメージあそび

“33 minutes and 33 seconds needed before the world ends” A dying Earth. A strange game played by the survivors: “Mood Hall.” A mysterious middle-aged gentleman and a beautiful woman, appearing and disappearing. Little people. Giants. A party. A desert. The bottom of a pool. Dance. Day and night, repeated again and again. Experimental, artistic, adventurous, half sci-fi, half mystery: a densely layered labyrinthine world made of sketches. A masterpiece of film that strips away words and leads you into a world of seeing and hearing alone! ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ In 2016, “Mood Hall” was presented as the latest installation in Kawaiokamura’s retrospective exhibition. It was Kawaiokamura’s first new work in nine years, with sound direction for the entire solo show handled by Mariko Harada. In 2019, “Mood Hall” was completed as a film work, and in 2020 it was released theatrically at Demachiza, a cinema in Kyoto. The music, of course, was by Mariko Harada. It brought the richly layered 33-minute-and-33-second world of image and sound to the screens and speakers of the movie theater. In 2022, the music for “Mood Hall” was completely rewritten by Kazumichi Komatsu. It was made neither as an installation nor for a cinema, but as a composition intended for streaming. Reading the visuals like a score, he struck the sound against the images so powerfully that they changed, and linked each segment through a distinctive sense of floating weightlessness. Reconstructed through Komatsu’s bold interpretation, “Mood Hall” was named “Mood Hall side B.”