Motion graphicsMusic Visualization

hololive 3rd Generation "Aiai Aiai♡I Love You" MV

2026

00:03:52

Since the song had a poppy, lively feel, I built the motion to match that upbeat image as well. While keeping the animation of the illustrations placed at the center of each cut as the main focus, I made sure the motion of the 2D design did not look too flat when arranged alongside the animation.

Motion graphicsMovieOpening movie

TRIGUN STARGAZE OP "Picaresque Hero"

2026

00:01:31

The anime visuals and design are combined so pleasantly with the music’s tempo through motion, with the movements of the anime characters taking center stage, and the motion of the design created to complement and enhance them.

Motion graphicsMusic video

"M.A.D." Official Music Video "AIMARINE PROJECT++" vol.1

2022-2026

00:03:22

I aimed to create motion that would serve as a pleasing point of attention in relation to the flow before and after it. Within the short shot length, I focused on using subtle movements and dynamic camera work to present the dense, intricate design more three-dimensionally.

PV

Attack ZERO x Blue Lock Collaboration PV

2022-2026

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I edited it with a strong focus on the sheer pleasure of the rhythm between the animation and the music, and on accelerating the build-up toward the second half through motion inserted in short cuts along the way. Even amid the sense of speed in the visuals, I experimented with different patterns to test which parts would most refreshingly convey the intent of the project within the flow.

Motion graphicsMusic video

THE LUV BUGS, Madobe Rika, TORIENA / bootleg wonderland (Music Video)

2022-2026

00:04:28

Collaboration track “bootleg wonderland” by virtual singer Madobe Rika and TORIENA Planning and composition were handled by Toshitaka Shinoda. The video direction was divided among the three of them—Toshitaka Shinoda, Yonayona graphics, and Natsuki Tatematsu—each taking on different cuts. Shinoda conveyed the story concept to me, built around the imagery of Heisei-era internet horror and the deep web, connected with 9mm film footage shot in the mountains, and from there the cut concepts, imagery for each person’s assigned parts, and editing were all produced independently. For the cuts I was in charge of, I aimed to create sequences in which countless elements rush by like a flashback, drawing on the pleasant distortions and the layering of innumerable sounds that I felt in the music, as well as the project’s imagery. I also aimed to create cuts whose contrast with the live-action footage would remain as a sense of discomfort when placed side by side in the overall progression. Rather than delicate, detailed effective movement, I focused on inserting a variety of rough, miscellaneous effects, and I created the illustrations myself to add subcultural imagery to the material’s variety.

2D animationMotion graphics

【Oshi no Ko】 Serialization Finale PV “Comic End Roll”

2024

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I was responsible for the motion and offline editing. While taking advantage of the structure of showcasing different design styles for each part in the end credits, I focused on keeping the pacing brisk.

2D animationMotion graphicsMoviePV

JUMP CH 2 Million Subscribers Commemorative Special PV | Thank you for your JUMPLOVE.

2025

00:01:36

I was in charge of directing and editing. I aimed to create a video that lets viewers experience the Jump CH content catalog in a lively, fast-paced way.

2D animationMotion graphicsMovieMusic video

YOASOBI "UNDEAD" Official Music Video / "Monogatari Series Off & Monster Season" Theme Song

2024

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I was responsible for the motion. The design, composed of animation data and lyrics, is packed with information even though each cut is short. Within the fast-paced editing, I carefully planned where to place priority when adding motion so that the lyrics, the characters’ emotions, and the roles they play would come across clearly. I also considered what should be moving to feel good at a moment’s glance.

2D animationCMMotion graphics

【emojam】TVCM | SEGA Fave

2024

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Motion design was handled by me. I focused on how to make the still image materials appear three-dimensional and spatial.

2D animationMotion graphicsMovie

Special PV for The Demon Castle’s Cook: “They’re All Scary-Looking Demon Folk, but It’s a White-Hat Workplace”

2024

00:01:57

We aimed to create a visual presentation that conveys the work’s lively pacing and the appeal of each character.

2D animationMoviePVTV

Blue Box: Every Page Is Youth. [Jump Animeism]

2023

00:01:43

I aimed to craft the visuals so that the world of the work would come across.

2D animationMovieMusic video

JUMP MV / "Gintama" x "Samurai Heart (Some Like It Hot!!)" | SPYAIR

2023

00:01:33

Commentary: We aimed to create a video that conveys the story, the appeal of the characters, and the lively energy of the work.

2D animationMovieMusic videoPV

"Ao no Hako" × "Calpis" Collaboration Video / Soraru "Aoi Tsubomi"

2022

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A work serialized in Weekly Shonen Jump called Ao no Hako, which captures a sense of “youth” that resonates with today’s teenagers through club activities and romance in high school life. While translating that work into film with refreshing visuals and expression, we also linked it with Calpis so that viewers would come away feeling that Calpis is part of “youth.”

2D animationMotion graphicsMovie

Youth Loop: A Love Story of High School Girls Across the Heisei and Reiwa Eras

2024

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Commentary: I aimed for motion that preserved the rhythm of the illustration animation and music while also highlighting the stylishness of the design.

2D animationMotion graphicsMovieMusic video

JUMP MV / "Haikyu!!" × "Orange" | SPYAIR

2024

00:01:48

We aimed for visuals that would leave a lingering sense of unease when combining live-action backgrounds with manga-style illustrations, and for an immersive emotional experience created by linking the speed of the scenes with the music.

2D animationCMMotion graphicsMovie

Shueisha Shonen Jump+ “World’s End Harem: Spy Princess Arc” / “World’s End Harem: Kaiju Dandadan Arc” TV CM

2021

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When lining up many works in 30 seconds, I aimed to preserve the flow as a single piece of video while still conveying each work’s world, content, and appeal in each part.

Motion graphicsMovie

CALL OF DUTY WARZONE MOBILE Lyric Video

2024

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While emphasizing the coolness of the lyrics and the momentum of the game footage, I focused on noisy motion and visual composition.

2D animationMotion graphicsMovieMusic video

VVS / ChroNoiR

2024

00:04:20

I aimed to create energetic, noisy motion and lighting that would highlight the coolness of the music, illustrations, and design.

Motion graphicsMusic video

tuki. "Inferno Love Letter" Official Music Video

2024

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I adjusted the colors in each scene so that the world envisioned by the director could come across even in a single still image, while also aiming for motions that could ride the momentum of the music.

2D animationMotion graphicsMovieMusic video

Masayoshi Oishi Is Dead!

2023

00:03:47

When presenting design and illustration animation in motion, I focused on creating movements with a sense of depth and on structuring it so that it would make a strong, lasting impression even in a short runtime.