Since the song had a poppy, lively feel, I built the motion to match that upbeat image as well. While keeping the animation of the illustrations placed at the center of each cut as the main focus, I made sure the motion of the 2D design did not look too flat when arranged alongside the animation.

I aimed to create motion that would serve as a pleasing point of attention in relation to the flow before and after it. Within the short shot length, I focused on using subtle movements and dynamic camera work to present the dense, intricate design more three-dimensionally.

Collaboration track “bootleg wonderland” by virtual singer Madobe Rika and TORIENA Planning and composition were handled by Toshitaka Shinoda. The video direction was divided among the three of them—Toshitaka Shinoda, Yonayona graphics, and Natsuki Tatematsu—each taking on different cuts. Shinoda conveyed the story concept to me, built around the imagery of Heisei-era internet horror and the deep web, connected with 9mm film footage shot in the mountains, and from there the cut concepts, imagery for each person’s assigned parts, and editing were all produced independently. For the cuts I was in charge of, I aimed to create sequences in which countless elements rush by like a flashback, drawing on the pleasant distortions and the layering of innumerable sounds that I felt in the music, as well as the project’s imagery. I also aimed to create cuts whose contrast with the live-action footage would remain as a sense of discomfort when placed side by side in the overall progression. Rather than delicate, detailed effective movement, I focused on inserting a variety of rough, miscellaneous effects, and I created the illustrations myself to add subcultural imagery to the material’s variety.