This is the music video for the collaboration song by WurtS and Yorushika’s sui.

This is a branding commercial accompanying the rebranding of the Nikkei CNBC logo.

This is a commemorative video for the launch of the Kagurabachi portal site. We translated the enthusiasm from around the world into the video. It also became a video that received a great deal of reaction from overseas.

Using BONJIN’s signature chaotic collage style, I created a work centered on the theme of a zoetrope. It expresses the way everyday life appears to repeat endlessly, and yet deep within the heart, the hidden light and ideals still remain. By employing an observer-like perspective to portray the structure within the jacket artwork for “Ubugoe,” I also tried to create the impression of looking down upon even that everyday life from above. Even if the treasure within oneself falls apart, one must still keep running forward—I tried to express the melancholy of that feeling and the aesthetics of it itself.

An educational project conceived as a way to explore, discover, catch, observe, gather knowledge, and expand curiosity with one’s own body. In the Forest of Extinct Animals, extinct animals live. When you approach or touch the animals, they run away or turn around. You catch various kinds of extinct animals, observe them, and build your own collection encyclopedia. Using the smartphone camera, you look at the animals walking through the space, and when you cast the “eye of observation” at the animal visible on the screen, it flies into the real space. When the “eye of observation” hits the animal, it disappears from the space and enters your smartphone, where it is collected. When you swipe a captured animal to a place visible through the camera, it is released and returns to that spot. Also, if you cast an “observation net” wherever you like, an “observation net” will be spread at your feet. Working together with the people around you and using your body to drive the animals into the “observation net,” the animals disappear from the space and are collected in the encyclopedia in the same way. The collection encyclopedia fills in more detailed information the more times you catch the same animal. Work page: An educational project conceived as a way to explore, discover, catch, observe, gather knowledge, and expand curiosity with one’s own body. In the Forest of Extinct Animals, extinct animals live. When you approach or touch the animals, they run away or turn around. You catch various kinds of extinct animals, observe them, and build your own collection encyclopedia. Using the smartphone camera, you look at the animals walking through the space, and when you cast the “eye of observation” at the animal visible on the screen, it flies into the real space. When the “eye of observation” hits the animal, it disappears from the space and enters your smartphone, where it is collected. When you swipe a captured animal to a place visible through the camera, it is released and returns to that spot. Also, if you cast an “observation net” wherever you like, an “observation net” will be spread at your feet. Working together with the people around you and using your body to drive the animals into the “observation net,” the animals disappear from the space and are collected in the encyclopedia in the same way. The collection encyclopedia fills in more detailed information the more times you catch the same animal. Work page: https://www.teamlab.art/jp/ew/collecting-forest-planets/planets/

Description: “Multi Jumping” is an elastic floor that lets you bounce. The ground beneath you sinks, and you can jump higher than usual. When you step on “Multi Jumping,” the floor beneath your feet sinks, creating a distortion in space-time where stardust gathers and a star is born. If you bounce on the star, it begins to move. By continuing to bounce on the moving star as you chase it, the star grows and you experience the life of a star. When a star reaches the end of its life, it turns back into stardust, becoming the source of a new star. When it grows extremely large, the star becomes a black hole, drawing in the surrounding stardust and stars. Background of the work The life of a star Stars that emit their own light, like the sun or the stars shining in the night sky, are called “stars.” In the universe, there are many different kinds of stars, such as “planets,” like Earth, on which we live, and “satellites,” like the moon, that orbit around them. Here, however, we will talk about “stars” that emit their own light. A key factor in the life of a star is “gravity.” According to Einstein’s theory, in the universe, the mass of objects creates distortions in space-time. The force that causes surrounding objects to gather as if drawn toward these distortions in space-time is called “gravity.” The birth of a star In the universe, vast amounts of stardust and gas drift about, and when they gather under gravity, they form the embryo of a star. The state immediately before something becomes a star is called a “protostar.” The evolution of a star A “protostar” gathers surrounding stardust and gas through gravity and evolves into a shining star. A star at this stage is called a “main-sequence star.” Stars spend most of their lives as main-sequence stars. The sun we see is currently at this stage. As it evolves further, the star begins to swell and becomes a large red star called a “red giant.” The end and rebirth of a star If a star has a mass less than about eight times that of the sun, it releases gas and ends its life. If it is more massive than that, it ends its life in a “supernova explosion.” A star is blown apart by a supernova explosion, turning back into stardust and gas, which then becomes the material for the birth of the next star. Work page: https://www.teamlab.art/jp/ew/multijumpinguniverse-planets/planets/

Description: “High-Speed Spinning Bounce Balls” are spherical objects that people can step on to bounce into the air. The spheres spin rapidly, but when people approach, they stop spinning and become stepable. If you step on spheres of the same color in succession, the inside of the sphere bursts open and spreads into the space. If you continue stepping on them, caterpillars are born. If you keep bouncing on spheres of the same color all the way to the end, all the spheres in the space burst open and many caterpillars are born. Work page: https://www.teamlab.art/jp/ew/collecting-forest-planets/planets/

XG初のワールドツアー【XG 1st WORLD TOUR “The first HOWL”】のファイナルとして行われた東京ドーム公演。COSMIC LABはライブカメラをモーショングラフィックス、リアルタイムVFXと自由度高く融合させる独自のシステムを構築してコンテンツを制作。 約1年に渡るワールドツアーのファイナルに相応しい熱気あるステージに、生カメ演出の未来を感じる一夜となりました。

∈Y∋とC.O.L.OによるA/V Live ユニット。世界各都市で公演を繰り広げる。 ■ Performances (2025-) Art Week Tokyo— Tokyo, Japan November 15, 2025 / FACETASM MUTEK.JP — Tokyo, Japan November 21, 2025 / Nocturne 1 Powerhouse: International — A New Arts Festival — Brooklyn, New York, USA December 5, 2025 Powerhouse: International A New Arts Festival CTM FESTIVAL — Berlin, Germany January 24, 2026 / Berlin, at Haus der Visionäre REWIRE FESTIVAL —The Hague, Netherlands April 10, 2026 Variations festival — Nante, France April 11, 2026 ∈Y∋は1986年にBoredomsを立ち上げ『Super æ』や『Vision Creation Newsun』などジャンルを打ち壊す作品を世に送り出し、世界中にファンを持つ存在となっている。また、ドラマーを集めて挑んだ壮大な「Boadrum」シリーズでも知られている。Sonic YouthやJohn ZornのNaked Cityのほか、Puzzle Punksなどのプロジェクトにも参加している。 本プロジェクトは、マルチメディアA/VコレクティブCOSMIC LAB創設者でもあるビジュアルアーティストC.O.L.OとのA/Vショーである。C.O.L.Oはテクノ元祖Jeff Millsとの合作『THE TRIP - Enter the Black Hole』や、∈Y∋との『FINALBY()』などで未知のAV体験を作り上げてきており、ヴィジュアルの構造がサウンドを生成し形作る統合システムを開発してきた。音と映像を切り離せない一つのメディアとして扱い、その場ならではの、人を変容させるような体験を生み出している。 AV/DJ/LIVE という枠を超えた加速的なハイブリッド、マキシマイズの先に立ち顕れるミニマライズ 。拡張されたシンゲリフューチャリズムや地殻原子オーディオ・ヴィジュアル・リアクティブで映像・光の不可分を加速。 A swarming bundle of chaos and fun surrounds Yamantaka Eye, aka ∈Y∋, the visionary founder of legendary avant-noise groups Boredoms, Hanatarash, and Puzzle Punks. Working since the 1980s, ∈Y∋'s output has influenced and shaped experimental music in his native Japan and across the globe. From noise and psychedelia to performance art and visual art, ∈Y∋'s career is a collage of creative mischief and devilish collaborations. He has performed with the iconic Sonic Youth, on John Zorn’s Naked City (1990), and with the influential South Korean artist Nam June Paik, among many others. Expect a face-melting and mind-warping audiovisual battery as the mutant cyberkinetic noise of ∈Y∋ is combined with the rampant visuals of C.O.L.O from Osaka’s Cosmic Lab to birth an immersive audiovisual performance. Through projects such as FINALBY( ) with ∈Y∋, C.O.L.O has developed integrated systems in which visual structures generate and shape sound, treating audio and image as a single, inseparable medium to create site-specific, transformative experiences.

A music video created based on a song inspired by photographer Munehide Ida’s photo book “EXPRESSWAY.” In this work, depth maps were generated from Munehide Ida’s photographs to give them three-dimensional movement, challenging the idea of “photographs coming to life once again.” While actively embracing the characteristics of the source material, including blur and noise, the piece intricately synchronizes them with piano sounds evoking a camera shutter and fast-paced developments. Through a unique approach, it reconstructs the tension and sense of speed inherent in the “moment” captured in photographs taken while driving on the Shuto Expressway at 100 km/h.

A music video work created for the AI creative contest “Corotech supported by LIVE DAM WAO!” hosted by the Nippon Columbia Group (NCG) on February 21–22, 2026. Starting from my own sense of motion graphics, all motifs were individually generated by AI as video assets for chroma key use, then constructed through compositing and synthesis. Rather than generating everything at once, the video was structurally designed through a process of generating, selecting, placing, and animating each element as separate assets. Within the context of an AI contest, I deliberately chose a time-consuming production method in an effort to imbue the video with “brushstrokes” and “life” that cannot be achieved through one-shot generation. Rather than relying on AI’s generative power alone, this work explores the possibilities of expression through collaboration between AI and humans by selecting, composing, and assigning relationships to the materials through human intent. Instead of presenting AI’s inorganic output as is, it aims to create an emotionally resonant visual expression by reconstructing it through human intervention.

An independent character animation project

To celebrate reaching 100 followers on X

Second self-produced work

TOYOTA FACTRY HEROES DIRECTORS CUT Grand Prize-winning work With the theme, “Create a movie that turns Toyota’s factories and the people who work there into heroes,” this piece was crafted into a comic-style video from approximately 300 pieces of live-action footage provided. Note article https://note.com/ymmt_hr/n/n8ae3591bbaf1?sub_rt=share_pw

Created in AE, printed out, and then brought back into AE.

Trailer for a hidden-object picture book-style game based on ballpoint pen drawings. The game graphics were created from ballpoint pen drawings, and the line art was divided in Adobe Photoshop to create the animation one frame at a time. Gameplay footage was captured and edited in Adobe Premiere Pro. The game is currently available on Steam.