江原彩子

Saeko Ehara

CONTACT
Profile
江原彩子は東京を拠点に活動する、アーティスト・VJです。彼女は、主にキラキラした宝石、花、最近では子供の頃に夢中になって見ていたアニメにインスピレーションを受けた作品や、AIを使用した作品を制作しています。

彼女のインスピレーションは、主に幼少期の記憶と当時のワクワクした感情から来ています。子供の頃、絵を描くこと、キラキラしたアニメのカード、シール、おもちゃ、おもちゃの宝石、ガラス小物を集めること、花の図鑑を見ることが大好きでした。好きなことをしているときは、時間が過ぎるのをいつも忘れてしまうくらい熱中していました。

彼女は、一つのソフトウェアや表現に限定せず、キラキラとした表現を追求するために、様々な技術を研究し続けています。作品制作を通して、世界中をキラキラしたものやワクワクする感情で溢れさせることが彼女の活動の目的です。
Biography
2023 Performance Anxiety - Part II, verse, online exhibition
2023 Bright Moments, 'JAPANESE CONTEMPORARY COLLECTION', Digital Garage, Tokyo (JP)
2023 Unfold, 'NYC EXHIBITION 2023', New York (US)
2023 NEW ENERGY TOKYO, Shinjuku Sumitomo Building Sankakuhiroba, Tokyo (JP)
2023 Project 22, The Opus by Zaha Hadid, Dubai (AE)

2022 Art With Me, Miami (US)
2022 Noor Riyadh, Riyadh (SA)
2022 OpenLab Future Pass Collection, Aures, London (GB)
2022 REFRACTION 02, NYC ZeroSpace, New York (US)
2022 PIXELBLOOM, ARTECHOUSE DC, Washington, D.C. (US)
2022 The Agency for Cultural Affairs presents CULTURE GATE to JAPAN '+A+', Tokyo International Cruise Terminal, Tokyo (JP)

many more

Work

Part of "Spring, Summer, Autumn, Winter - Flowers in Season" - 映像作家: saekoehara
Art workGenerative ArtInstallationSignage

Part of "Spring, Summer, Autumn, Winter - Flowers in Season"

2024
00:06:53
I was born and raised in Tokyo. In “Spring, Summer, Autumn, Winter,” I express the changing seasons by combining AI and generative art, focusing on flowers that are familiar in everyday life, under the theme of flowers in the city and flowers in memory. The reason I chose flowers as a motif is that I felt there is a commonality between flowers and digital signage, which is the exhibition format of “Poems in Code — The Present of Generative Art / Moving Images Generated by Programming.” When you go to the center of Tokyo, there are eye-catching signs everywhere, and even waiting for a traffic light can feel like it passes very quickly. In daily life, when walking outside, it becomes a habit to focus on “getting to one’s destination,” and we end up forgetting to walk while noticing the changing seasons. Flowers that color the seasons are very colorful and beautiful, much like the signage in the city. However, I think we rarely take the time to observe those flowers closely or stop to look up their names. Likewise, we also do not often stop and carefully look at what is written on or displayed by signage. In this sense, I felt that flowers in the city and digital signage have something in common. All of the 3D flowers in the work are created by first generating 2D images with generative AI, then measuring their depth using AI functions and converting them into three-dimensional forms. The images are generated to resemble real flowers as closely as possible. Generative AI is good at capturing the characteristics of what it creates, but it is not perfect. By comparing them with real flowers, observing the differences, and recognizing flowers anew, I chose realistic images in the hope that they could link with the viewer’s memory and sensations. In addition, the AI-generated videos in the work use images of seasonal flowers created with generative AI. By re-outputting them as video, the shapes and colors of the flowers harmonize and begin to look like new flowers, becoming nameless flowers. I felt this process was close to how flowers are recognized in memory, so I incorporated this expression. Flowers in the city may exist in our memories as something vague and blurry, like AI-generated video. I created “Spring, Summer, Autumn, Winter” with the hope that even in busy times, there can be moments to stop and enjoy the present.