This is a fully animated music video. It tells the story of a girl who has been trapped, and a boy who is trapped.

"The one in that house isn’t my sister." In the distant future, Kagamimi Village is a mountain village on the outskirts, left behind by the densely developed science and technology of urban areas. “If you’re not a good child, your double will come for you.” Akane Higurashi, a middle school student living in this village steeped in old legends, has been looking forward to reuniting with her older sister, Sui Higurashi, who has just been discharged from the hospital after a year. But soon after her sister’s return home, Akane receives a phone call. "The one in that house isn’t my sister." The “Oneechan Gokko” series is a long-form animated work and a series of VOCALOID songs, with each episode running about 25 minutes, for a planned total of 3 episodes. Starting in January 2026, the songs and each episode will be released one after another, with the goal of completing the project over the course of about one year.

作中のキャラクター像と心象を表現するアニメーションをウェットなコンポジットで強調したノンクレジットED映像。

A short film created for submission to the screening event “FRENZ2025.” In anticipation of its summer release, the script was written around the theme of summer, and ǢǪ composed the music based on the script and character designs. The result was a story-driven visual work that focused on the excitement of looking forward to summer vacation, as well as the wistfulness and loneliness of summer’s end, Obon, and the many different facets of summer. This visual work takes as its theme the summer vacation of two second-year high school students, told from the perspective of Rei Izumi. Using analog techniques to create a nostalgic atmosphere, it depicts the scenes in which Rei’s feelings for Chikao, and the diary pages recording their memories together, appear and vanish like a life flashing before one’s eyes, alongside the music. By staining printed illustrations with tea and coffee to create blotches and signs of wear, and incorporating textures rendered through analog means such as crayons and India ink, the work expresses how the days the two spent together gradually become more and more hazy. ・Synopsis After the closing ceremony, second-year high school students Chikao Amaha and Rei Izumi headed to a family restaurant to discuss their plans for summer vacation. During the break, Chikao would be busy with a part-time job, and Rei with activities in the art club, but even so, they were filled with excitement for the summer vacation about to begin.

タイムトラベル設定を背景に、70年代テレビスタジオを舞台に構成したダンスビデオ

Coachella 2026 - Adriatique VISUAL

この映像は彼女の音を聞いて浮かぶ直感的なVisitonと、彼女が生み出す音楽に対しての「詩」あるいは「コトバ」を共有してもらい、それら沿って、innerscapeとして映像制作しています。

I worked on the motion graphics for "HILLS SAKURA JOURNEY," a cherry blossom festival event held across five Hills locations, including Roppongi Hills, Azabudai Hills, and Toranomon Hills, hosted by Mori Building Co., Ltd. — one of Japan’s leading urban development companies. The video was composed with the light, graceful movement of cherry blossom petals and vivid, eye-catching transitions. As an advertising video for the event campaign, it was shown on signage inside the Hills facilities, on the event website, and on social media.

This work, presented on August 13, 2025 at the “Neo Lantern Festival” held in Hino Town, Hino District, Tottori Prefecture, simultaneously unfolded a visual presentation and an illumination design that enveloped the entire space. Set in an old warehouse once used for storing rice, it repurposed a dormant space and transformed it into a place that connects local memory with the future. The illumination is not merely decorative; it is an essential element that shapes the rhythm of the space in response to the imagery. Light placed along the walls and beams overlaps with the abstract layers of the video, spreading outward as if embracing the audience’s bodily sense. In a space where the festival’s defining “light” and the installation’s illumination coexist, the traditional light of the festival and the light of contemporary digital art intersected. The theme of the work is “reconstructing the landscape.” It captures fragments of nature and daily life from the Hino District (Hino Town, Kofu Town, and Nichinan Town), then reassembles them into abstract designs. The video evokes memories of the landscape, while the illumination serves to extend those memories throughout the entire space. Viewers can experience the moment when the familiar appearance of the land is transformed by light and imagery, discovering another kind of beauty hidden within the region’s scenery. Underlying the work is a desire to reuse local resources and foster cultural regeneration. By reviving an unused rice warehouse as an art venue, it became an attempt to create new value that honors memories of the past while opening toward the future. The closed-off space of the warehouse was opened up, creating a place where local people could share an experience of being surrounded by light. This installation functions as a mediator that connects land, people, and memory through the unity of video, illumination, and the local community.

A vertical lyric video for RADWIMPS’ single “Meidai,” the theme song used for Nippon TV’s news zero. Featuring visuals linked to the jacket artwork designed by the band themselves, the lyrics move in an unstable yet free-flowing dance. The stamps used in the background are designed in coordination with the jacket artwork, and all of them were hand-stamped.

He runs without reason. Just forward.

I was responsible for the direction, cinematography, editing, and color grading.