This is the music video for the collaboration song by WurtS and Yorushika’s sui.

An educational project conceived as a way to explore, discover, catch, observe, gather knowledge, and expand curiosity with one’s own body. In the Forest of Extinct Animals, extinct animals live. When you approach or touch the animals, they run away or turn around. You catch various kinds of extinct animals, observe them, and build your own collection encyclopedia. Using the smartphone camera, you look at the animals walking through the space, and when you cast the “eye of observation” at the animal visible on the screen, it flies into the real space. When the “eye of observation” hits the animal, it disappears from the space and enters your smartphone, where it is collected. When you swipe a captured animal to a place visible through the camera, it is released and returns to that spot. Also, if you cast an “observation net” wherever you like, an “observation net” will be spread at your feet. Working together with the people around you and using your body to drive the animals into the “observation net,” the animals disappear from the space and are collected in the encyclopedia in the same way. The collection encyclopedia fills in more detailed information the more times you catch the same animal. Work page: An educational project conceived as a way to explore, discover, catch, observe, gather knowledge, and expand curiosity with one’s own body. In the Forest of Extinct Animals, extinct animals live. When you approach or touch the animals, they run away or turn around. You catch various kinds of extinct animals, observe them, and build your own collection encyclopedia. Using the smartphone camera, you look at the animals walking through the space, and when you cast the “eye of observation” at the animal visible on the screen, it flies into the real space. When the “eye of observation” hits the animal, it disappears from the space and enters your smartphone, where it is collected. When you swipe a captured animal to a place visible through the camera, it is released and returns to that spot. Also, if you cast an “observation net” wherever you like, an “observation net” will be spread at your feet. Working together with the people around you and using your body to drive the animals into the “observation net,” the animals disappear from the space and are collected in the encyclopedia in the same way. The collection encyclopedia fills in more detailed information the more times you catch the same animal. Work page: https://www.teamlab.art/jp/ew/collecting-forest-planets/planets/

Description: “Multi Jumping” is an elastic floor that lets you bounce. The ground beneath you sinks, and you can jump higher than usual. When you step on “Multi Jumping,” the floor beneath your feet sinks, creating a distortion in space-time where stardust gathers and a star is born. If you bounce on the star, it begins to move. By continuing to bounce on the moving star as you chase it, the star grows and you experience the life of a star. When a star reaches the end of its life, it turns back into stardust, becoming the source of a new star. When it grows extremely large, the star becomes a black hole, drawing in the surrounding stardust and stars. Background of the work The life of a star Stars that emit their own light, like the sun or the stars shining in the night sky, are called “stars.” In the universe, there are many different kinds of stars, such as “planets,” like Earth, on which we live, and “satellites,” like the moon, that orbit around them. Here, however, we will talk about “stars” that emit their own light. A key factor in the life of a star is “gravity.” According to Einstein’s theory, in the universe, the mass of objects creates distortions in space-time. The force that causes surrounding objects to gather as if drawn toward these distortions in space-time is called “gravity.” The birth of a star In the universe, vast amounts of stardust and gas drift about, and when they gather under gravity, they form the embryo of a star. The state immediately before something becomes a star is called a “protostar.” The evolution of a star A “protostar” gathers surrounding stardust and gas through gravity and evolves into a shining star. A star at this stage is called a “main-sequence star.” Stars spend most of their lives as main-sequence stars. The sun we see is currently at this stage. As it evolves further, the star begins to swell and becomes a large red star called a “red giant.” The end and rebirth of a star If a star has a mass less than about eight times that of the sun, it releases gas and ends its life. If it is more massive than that, it ends its life in a “supernova explosion.” A star is blown apart by a supernova explosion, turning back into stardust and gas, which then becomes the material for the birth of the next star. Work page: https://www.teamlab.art/jp/ew/multijumpinguniverse-planets/planets/

Description: “High-Speed Spinning Bounce Balls” are spherical objects that people can step on to bounce into the air. The spheres spin rapidly, but when people approach, they stop spinning and become stepable. If you step on spheres of the same color in succession, the inside of the sphere bursts open and spreads into the space. If you continue stepping on them, caterpillars are born. If you keep bouncing on spheres of the same color all the way to the end, all the spheres in the space burst open and many caterpillars are born. Work page: https://www.teamlab.art/jp/ew/collecting-forest-planets/planets/

We were responsible for the direction, design, and editing of the concept movie for “MotionBoard,” the business intelligence tool provided by WingArc 1st. The new version of “MotionBoard,” equipped with generative AI, makes analysis and board creation more intuitive and has evolved significantly in usability, enabling not only engineers but also frontline staff to develop business applications and leverage data in-house with greater ease. In the video, we depict data spreading through an abstract world and being handled with light, effortless operations, expressing its freedom of use and sense of innovation. Furthermore, by using soft colors and a friendly tone, we soften the rigid and difficult image often associated with BI tools, creating an impression that is approachable and easy for anyone to use.

This was created as an animation based on an original illustration by Muneto Ashizawa.

Theme: a convenient relationship between a man and a woman. The editing constructs a rhythm sustained by the gaps in sound and the intentions of a man and a woman who never fully align. In addition to BONJIN’s editorial perspective, the video also incorporates collages created by the artist himself.

Expressed with a world built almost entirely without CG, using only lyrics. The video was created so that the artist would remain the main focus at all times, while still naturally drawing attention to the lyrics as well.

The structure was designed around how to bring out, through video, the sci-fi-inspired worldview, the sculptural design elements, and the meticulous attention to detail in the avatar. For this work, Unity was introduced into the video production workflow for the first time.

Official Selection, Directors’ Fortnight, 79th Cannes Film Festival We Are Aliens to be released in theaters in 2026. Co-starring: Ryota Bando × Aoto Okayama Music: Yaffle Two boys meet in a small town in the Heisei era. Tsubasa, troubled by being “ordinary,” and Kyotaro, a “special” presence. But what happens beyond the distortions of everyday life will dramatically change the relationship between the two——. Is this a story of the boys’ youth? Or a memory they wish they could erase?

I created this VFX video for Amano El’s cover song performance. I produced several scenes with a decadent, futuristic cyberpunk feel. Once again, I handled all aspects of the project myself, including planning, filming, VFX/3DCG, and editing.

We aimed to create a stylish music video that visually washes over the viewer with the lyrics.

The anime visuals and design are combined so pleasantly with the music’s tempo through motion, with the movements of the anime characters taking center stage, and the motion of the design created to complement and enhance them.

The opening sequence features narration by Takayuki Yamada, explaining the work of land swindler. The music is composed by Takkyu Ishino. The film focuses on introducing this peculiar crime, born out of Japan's unique document culture, to an international audience. It begins by showcasing the meticulous process of creating forged documents used in their scams. Additionally, Jimen-shi are said to scan the city from a bird’s-eye view in search of targets, and this perspective is visualized through a combination of aerial footage of Tokyo and residential maps, illustrating the real-life locations of land fraud cases that have occurred since postwar Japan.

Inspired by the song title “Radio Burst,” this project was created around the concept of a “broadcast station transmitting radio waves from space to Earth.” Each member was assigned a role, and their individual stories were expressed through props such as a globe, a red telephone, letters, and a pocket watch. By unifying the entire piece with a cyan and magenta color scheme and VFX, we aimed to balance the transparency characteristic of idols with a sci-fi worldview. Rather than explaining the story, we focused on creating an MV that allows viewers to experience the world of the piece through the video as a whole.