歌詞も楽曲もSF的な要素が強かったので、自分なりのSF設定をMVにしました。 羽根をモチーフにした宇宙船と、デイ撮影でしたがカラコレで昼でも夜でもない終末感を出せたのが良かったです。 MVの中にモールス信号を使っているので、歌詞のモーションもそれをイメージしています。

Synopsis In this age where you can feel like you know anything just by searching on YouTube, I put into this song the importance of actually going there and experiencing things with your whole body. Using AI, I tried to creatively and playfully depict a family enjoying their time outdoors.

We produced this clay animation PV for Locipo, the catch-up streaming service for a commercial TV program in the Tokai region.

AIgejkijo 2025 AI FILM FESTIVAL This work was screened at the Akihabara UDX Theater. Synopsis | The protagonist, who lived in a black-and-white world, suddenly encounters a colorful, mysterious creature one day. The moment they touch hands, the world before the protagonist changes all at once. Even if you keep repeating the same life, you never know what tomorrow will bring. This is the story’s underlying theme.

This is a clay animation based on the theme of “My Youth · note.” My youth is packed into a notebook. A notebook is for studying, a sketchbook, a place to keep ideas, and something filled with memories of youth with friends, so I created this piece in the style of a notebook commercial. All of the image and video materials were created with AI, while the text, editing, and composition were done by people. Rather than leaving everything to AI, I see it as just one source of material, one means of expression. A new world of animation. I hope this video stays in your heart.

I created this animation with the hope that her activities as samillia will continue to bloom. I also filmed the live-action footage used for the background. Techniques: clay animation, stop motion, hand-drawn animation, live action

All visual materials, including images and video, were created using AI. This work is a tribute to the clay animation I love. Three mysterious characters lead a cheerful daily life. I also composed the music and background score.

◉Synopsis An old man sits alone on a barren wasteland, enveloped in silence. When he draws a tree on the ground with a worn pencil, the line sprouts to life, blooming into flowers and grass, spreading vividly with new life. Before long, trees and flowers imbued with the breath of life gently surround the old man, and the world quietly regains its radiance. Amid that scene, the old man feels at peace and offers a gentle smile. ◉Artist Statement An old man sits in a wasteland, and each time he draws a line with a pencil, life emerges and a forest spreads forth—. This story presents the idea that “creation continues into the future” as a fable. By blending the warm texture of clay with AI-driven transformative expression, I hope that in the instant the line pierces the sky, branches and leaves of the future will also spread within the viewer’s heart. As a visual experience that transcends words, I want to convey a sense of renewal and hope.

A collection of short animated content ranging from 5 seconds to about 1 minute. These videos were produced for promotional videos, commercials, and social media. (2014–2022) They are mainly expressed through stop-motion and illustration animation.

A world of Chinese medicine where the story loops forever Life spirals infinitely, linked to the natural world A playful expression of the philosophy that we humans are part of that whole With an emphasis on eating in a warm, joyful spirit This film tells the origin story of a restaurant run by an internationally certified medicinal-food specialist, who creates herbal cuisine rooted in the evidence of Chinese medicine and designed to delight both mind and body Using a mix of techniques including craft work, live action, and more, it was finished with playful analog visuals, as well as music Methods: hand-drawn animation, stop motion, After Effects, loop animation

Focusing on a “brain-pleasing experience,” this traditional neighborhood bathhouse, familiar to everyone, was dramatically updated through the power of creativity. With an array of devices and staging—from mind-blowing neon lights and illumination to riddles and underwater speakers—it offered a one-of-a-kind “new bathing experience of light and madness” that could only be enjoyed in this place. In the lobby, exclusive “Nojiru Sento” merchandise, as well as limited-edition drinks and food, were also available for purchase. Over the 10-day event period, a total of 4,457 people experienced it, and in the visitor survey, about 93.3% of respondents answered “Yes, I got brain juice!” to the question, “Did you get brain juice?” Following “Henkai Yokocho,” it concluded to great acclaim and overwhelming success.

This is a CG test reel for short animated series under planning and development. Uses a variety of animation techniques, including 3DCG animation, 2D animation, and V R animation software. It is new Magical Girls by the use of dance and musical communication to relax, purify and resolve the enemy, rather than exterminating them through physical combat.

A short animated work broadcast within TV Tokyo’s infant and toddler program “Sina Pushu.” Its distinctive structure shows the character “Nigimaru” being drawn in real time as it transforms into various actions. uwabami was responsible for the character design and animation direction. By showing the process of being drawn itself, the work draws out children’s curiosity and anticipation, creating an experience in which they can enjoy wondering “what will happen next.” With simple lines and shapes, and a rhythm of repetition and change, it is a work that combines visual clarity with a sense of participation.

A neighborhood festival for the little gourds, “Hyotan Ondo.” In the human world, where festivals are often hard to hold, people can now dance at home too. It’s a very simple, old-style dance. Hyohyoi, let’s dancing!

As a second-year junior high school student, 14 years old, I suddenly awakened to “maternal instinct” one morning on my way to school. Ten years later, after being consumed by this maternal instinct that had awakened as if I had been struck by lightning, a friend told me it was similar to the Virgin Mary’s immaculate conception, and I began to question my own maternal instinct once again. From there, I conducted interviews about pregnancy and childbirth, and unraveled my own memories from the past ten years, pursuing the awakening of my maternal instinct… Virgin birth, genes, trying to conceive… I explore motherhood by journeying through memories from ten years ago to the present. Starting from my personal feeling of wanting a baby, which I had held from adolescence to the present, I expanded the idea to consider whose motherhood it is. Although the word “motherhood” contains “mother,” I wondered whether it is not necessarily an emotion only women have, and whether it is different from paternal instinct as well. So I ultimately sought to express a world in which, regardless of whether one is female, male, or transgender, one can encounter one’s own “baby.” From my personal feelings, I hope this becomes an opportunity for others to think about encountering and cherishing a baby in whatever form that may take. To reach that conclusion, the work incorporates memories related to motherhood that occurred during my own ten years, as well as interviews about motherhood. I then translated these into the work through different modes of expression. Although the work brings together ten years of events into a single piece, it is not depicted in a correct chronological order, and not everything comes solely from within myself. Because I created it by collaging fragments together, both the modes of expression and the chronology are all mixed up.

Description: Inspired by the episode of the two samillia who, after 20 years, arrived in the city of Melbourne, Australia, I created this animation. Even when we are in Japan and Australia, which feel far apart, looking at the same moon at the same time reminds us that we are living beings on the planet Earth in the universe. Technique: hand-drawn animation, stop motion, After Effects, loop animation

▶️Overview Ribbon unties her own body, and Dandelion ties her back together. It was a standing joke between just the two of them. The everyday world you took for granted can disappear all at once, one day. Even if no one is to blame. ▶️Production Method This animation combines semi-dimensional forms with digital 2D. It was created for the exhibition ANIME SAKKA ZAKKA anthology. The theme is “One Day.”

This is a clay animation themed around the SDGs. It was produced as a bridge segment for the children’s program “Sukupon!” *BGM, sound effects, etc. have been changed. “Cherish water” “Let’s finish all of our food” “Use things until the very end”

I love rice balls. Let’s pinch the rice grains stuck to our mouths and watch rice grow to cheerful music! To help young children have fun learning about rice, I created this animation about the process from growing rice to eating it (including rice plant growth, rice planting, rice harvesting, cooking, and more). Animation: Ikuo Kato Clay was placed on glass and filmed with light shining from below. Music: Wakako Abo The animation was matched to lively, cheerful music based on the South Indian instrument called the “parai.” Nrithyanjali Dance Troupe https://nrithyanjali.info/