The character’s movements (Live2D) and synchronized lighting were used to express sync with the sound.

Created by a team born in the Heisei era, with a nostalgic texture. The entire piece has been processed with dithering, like what you might see on old game consoles.

This is a music video created for the doujin creative event VOCADUO. It is an experimental work that marked the first time I incorporated character modeling, rigging, and animation into my production process. “Wonder Room” refers to luxury goods and curiosities in Europe around the 16th century. It is said by the composer, sanmal, that the song WonderRoom “2.0” was created with the idea in mind that there is a similar underlying impulse to modern internet content consumption. The video was made with a pixelated visual style that also evokes a sense of nostalgia, depicting a world where one explores a digital realm. Since both the characters and backgrounds were created in CG, pixel-style look development took time. Rather than following a scenario-based flow like an animated film, it was produced with a concept that extends from motion graphics.

This is a music video for Saki Hanami, the protagonist of The Idolmaster: Gakuen. It was produced with a focus on delivering a powerful, impactful impression that matches her stoic character. The video is primarily composed of dynamic graphics reminiscent of those seen in sports scenes.