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Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
LIGHTIA ~The Seven-Colored Miracle~ - 映像作家: daisukehashimoto
2D animation3DCGAIAnimationArt workLive action

LIGHTIA ~The Seven-Colored Miracle~

2025
00:00:31
With the theme “All life is connected by light,” this fantastical night show follows dolphins and humans as they search for the “flower of light.” Traveling through worlds symbolized by seven colors of light—such as the deep sea, the world of fire, the future, and the forest—they recover the lost light. Fountains, projection mapping, music, and performance come together, leading to a moving finale where the audience’s applause makes the “miracle flower” bloom. Direction / Visual Director: Daisuke Hashimoto (LIL) Music: Yorushika “Haruru”
MON7A – “TOGE TOGE” MV - 映像作家: raywakui
3DCGMusic video

MON7A – “TOGE TOGE” MV

2026
00:04:01
A music video that uses VFX to blend live action and 3DCG. It tells the story of MON7A, a game-loving protagonist who enters a video game world and encounters spiky enemies. Highlights include dynamic camera work that races freely through the scene, using techniques such as 3D scans of the artist, and visual direction in which the real and virtual worlds melt together. It makes abundant use of animations created with Blender’s Geometry Nodes.
PythagoraSwitch - 映像作家: EUPHRATES
TV

PythagoraSwitch

2018
Only Image
An educational program aired on NHK E Tele for children aged 4 to 6, themed around “cultivating the ability to think.” Since its launch, the Masahiko Sato Laboratory at Keio University has been involved in planning and production, and members of Euphrates, who are also alumni of the lab, have been responsible for planning and producing many of the show’s segments, including “Pythagora Device,” “Framey,” “10-Frame Animation,” “Botejin,” and “Understood in 5 Seconds.”

Movies

Direction
Production
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Lighting
Art / Styling
Post Production
CG / Visual
Animation
Sound / Music
XR / Interactive
Artist
Technical / Engineering
6 Works
Oita Childcare Passport - 映像作家: KeijiroHayashida 5 days remaining
2D animationWeb CM

Oita Childcare Passport

2025〜
00:00:16
【課題・背景】 ・「おおいた子育て応援パスポート」の認知拡大、登録&利用拡大のため（WEBCM動画を配信する） ・店舗側から「利用いただいていない」という声が多かった 【実施内容】 以下の５つのポイントをターゲットである子育て世帯のママ（ママ友）の会話で訴求し、認知拡大を企画しました。 ①「おおいた子育て応援パスポート」という名称の明確な発信 ②優待や特典が受けられる子育て世帯限定のサービスということ ③使い方はパスポートを見せるだけ ④登録料は無料 ⑤登録、検索への誘導 ⑥対象：大分県内在住、１８歳未満のお子さんがいる家庭または妊娠中の方がいる家庭 １８歳未満までパスポートが使えるというすごく便利なサービスです。私は福岡県在住ですが、大分県在住の方はぜひ利用していただきたいです。本当に羨ましい…。
きみはどう対処する？ - 映像作家: KeijiroHayashida 5 days remaining
2D animationWeb CM

きみはどう対処する？

2024〜
【背景・目的】 福岡県は令和４年の大麻検挙者数は３４９人と高い水準にあり、３０歳未満の若年層が７割。動機は「誘われて」が６５％という状況を踏まえ、県内の若年層に大麻から身を守る４つのキーワードのＲＥＡＬの原則［Refuse断る Explain伝える Avoid避ける Leave立ち去る］に対応した「大麻の誘いへの対処法の啓発」を目的とした広告をコンペにて募集。当社が受託致しました。 【実施内容】 ・今までの薬物乱用防止広告はそのほとんどが「恐怖訴求」で薬物乱用の怖さや「ダメ。ゼッタイ」というコピーから違法性が伝わる一方、若年層の99%が「関係ないこと」 であり、広告自体に興味関心を持たれていないのが課題だった。 その課題を解決し、まずは先入観なく本広告を閲覧してもらい、「大麻の誘いへの対処法」を伝えるため、大麻乱用防止啓発広告であることが最後に分かる構成になっています。CM、ポスター共に「何の広告だろう？」と興味を引き、見続けると実は「大麻の誘いへの対処法」だったと後から気づきを与える内容になります。 ・REALの原則を用いた「大麻の誘いへの対処法」を伝える４本の大麻乱用啓発CMとポスターを作成。​ ・WEBCMは、若年層が興味を持ち、MVでトレンドのリリックビデオの手法を取り入れた１５秒のアニメーションCMとなっており、短時間で大麻の誘いからの対処法に興味をもってもらう内容となっています。 ・YouTubeチャンネル「No Drugs Fukuoka」で公開。YouTube・TikTokに広告を配信し、若年層を動画の視聴に誘導。若年層に深くアプローチできる下記オンライン、オフラインの広告施策で全方位から啓発広告を行ました。
Fukuoka Carbon Credit Club — Making You a Little Prouder - 映像作家: KeijiroHayashida 5 days remaining
2D animationCMWeb CM

Fukuoka Carbon Credit Club — Making You a Little Prouder

2024〜
00:00:16
【課題・背景】 福岡県が推進する住宅用の太陽光発電設備等共同購入推進事業において直近２年以内に太陽光発電設備等を導入した家庭などを対象に「福岡カーボンクレジット倶楽部」への加入者を増やす取り組みが行われるにあたり、同事業の広報と加入者を増やす企画の公募があり、ADMOVEが提案を行い採用され、動画を制作致しました。 【登場人物】 環境保全を推進する妖精エコちゃん 太陽光発電を設置し、福岡カーボンクレジット倶楽部に入っている佐藤家（画面左） 太陽光発電を設置し、福岡カーボンクレジット倶楽部に入っていない田中家（画面右） 【ストーリー】 お隣同士の佐藤家と田中家は両家とも太陽光発電設備を設置しています。しかし佐藤家だけはＱＵＯカード5千円がもらえ、田中家がなぜかもらえないという状況。その理由は佐藤家は「環境保全に貢献する参加料無料の福岡カーボンクレジット倶楽部に入っていたから」でした。 【構成の狙い】 冒頭の「福岡県です」というナレーションで信頼を提供。その後歌とダンスに入ることで記憶に定着させ、認知拡大を狙っています。 また、両家同様に太陽光発電を設置しているにもかかわらず佐藤家しかプレゼントがないという状況を強調することで視聴者にも疑問を持たせ、福岡カーボンクレジット倶楽部に入っているからＱＵＯカードプレゼントがあるという気づきを与え、理解させ、記憶に定着→福岡カーボンクレジット倶楽部に入りたいという気持ちに誘導する狙いです。 また、人は特典があっても理由がなければ「なにか裏があるのではないか…」と怪しんですんなり加入することはありません。ですので「環境保全に貢献する参加料無料の取組です」という倶楽部の存在意義をナレーションを最後に構成することで、疑いが晴れ、倶楽部に入ろうと考えていただく狙いです。検索窓上部の「あなたをちょっと誇らしくする」というコピーも倶楽部に入ることで変化する心理的メリットを表現し、検索を後押ししています。
When Love Turns to Fear... - 映像作家: KeijiroHayashida 5 days remaining
2D animationAIWeb CM

When Love Turns to Fear...

2025〜
00:00:16
【課題・背景】 女性に対する暴力を防止するための啓発と、相談窓口周知のため。 大分県内の若年層が、女性に対する暴力等について知り学ぶ機会を設け、考えるきっかけづくりとするとともに、被害者支援につなげる相談窓口周知を行う。 【実施内容】 ●データに基づいた具体数の広告コピーや気づきを与える広告コピーとビジュアル ●最後まで見ると納得できたり衝撃的な気付きがある ●ターゲット層の若年層の女性に親和性の少女漫画タッチでの表現 デートDVの本質である「力による支配」から逃れるため、また、気づきを与えるため、DV被害を受けている人（や周りの方）に恋人や恋人の言動、行動などが「こわい」と感じるようになったのであればデートDVかもしれないという気づきを与えるコピーを構成。DV被害者は、恋人が好きだから、嫌われたくないから仕方ない、自分が悪いんだという洗脳にも近い心理状況だそうです。そんな心理状態の方に、恋愛の中にDVはひそんでいる可能性があることを「こい」「こわい」の言葉のようにたった一文字変わるだけで恋がこわい＝DVの意味合いになる比喩を用いて表現しています。
14 Works
NHK Minna no Uta "The Town Where Sunset Is Born" Animation - 映像作家: izumiogawa
2D animationAnimationBroadcast

NHK Minna no Uta "The Town Where Sunset Is Born" Animation

2025
00:00:55
NHK Minna no Uta, broadcast from April to May 2025 This animation was created to accompany the song “Yūyake ga Umareru Machi,” by Ikimono Gakari meets Humbert Humbert. It was made with feelings of love for one’s hometown where one was born and raised, the resolve to keep moving forward on one’s own path, and pride in the life one has walked so far. The video posted here is an excerpt without audio. Please be sure to watch the full version with audio on the broadcast.
.ENDRECHERI. Tsuyoshi Domoto "Machi. . . ." Lyric Video - 映像作家: izumiogawa
2D animationAnimationLyric videoMusic video

.ENDRECHERI. Tsuyoshi Domoto "Machi. . . ." Lyric Video

2024
00:02:18
.ENDRECHERI. Tsuyoshi Domoto’s heartfelt rearrangement of “Machi,” the singer-songwriter debut song he released in 2002, revisited 22 years later in 2024. Starting from Nara, Tsuyoshi’s hometown, the piece depicts each scene with the image of moving eastward through Osaka, Aichi, and Tokyo. It was mainly produced as 2D cutout animation with digital drawing, and the two opening shots of the character’s movement were created using rotoscoping.
10 Works
3 Works
Sandbox - 映像作家: yukikimura
InstallationInteractive

Sandbox

2025
00:01:10
I have continued working on cross-disciplinary production, such as pictorial images with cinematic qualities and painterly animation. This work, *Sandbox*, is an experiment in replacing painting and animation with a game engine. In this work, I used a game engine to create an “electronic sculpture” and attempted to visualize a non-tactile sense of reality. By following afterimages that traverse space, it aims to unsettle the viewer’s bodily perception. At the same time, an autoplay function was built in so that the game would assimilate into the environment like ambient music, becoming a “passive game / background game.” It is an interaction/installation in which the viewer/player can seamlessly move back and forth between “play,” controlled with a controller, and “viewing,” without using a controller.
6 Works
CRMC - 映像作家: kojiaramaki
3DCGMusic VisualizationOriginal

CRMC

2024
00:01:00
This research work is a reworking of a video that was shown as a SIGNIF reel at Motion Plus Design Tokyo 2024. By incorporating the unique silhouettes of ceramics and sculpture as motifs for motion graphics, we aimed to achieve both a graphical image and a tactile feeling clean coldness and craftlike warmth. The overall structure of the work, which progresses in an intertwining sequence of multiple patterns, is a motion graphics analogy of the production process of ceramics, from the chaos before the shape is determined, to the determination of the shape, to the change of material through firing.
Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening - 映像作家: kojiaramaki
Animation

Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening

2019, 2020
The second opening for the TV anime Fate/Grand Order - Absolute Demonic Front: Babylonia. Set against the backdrop of the ancient Mesopotamian civilization of the BCE era, the animation features an organic visual direction that blends earth and sand with the gold and wealth of Gilgamesh, one of the story’s main characters. For the chorus section, the team explored new ways of combining key animation, motion graphics, and CG, aiming for visuals in which character animation, hand-drawn effects, and particle expressions influence one another. The production team consisted of the members who had previously worked on the opening of DARLING in the FRANXX, with Shun Yamaguchi, Kita, and Hanasaka joining the team to handle their respective parts.
Promare Avant Title - 映像作家: kojiaramaki
AnimationOpening movie劇場映画

Promare Avant Title

2019
Responsible for the TRIGGER corporate logo, avant motion graphics, and title logo animation for the feature film Promare. In the avant, we used motion graphics to abstractly express the spread of the Burnish as a phenomenon, serving as a prelude to the main story. In terms of the look as well, rather than simply using an old film look, we developed new shooting processes specifically for this project and applied special gradient treatment. The title logo animation was designed with the transition from the avant to the main film in mind, directly translating the energy of Promare into motion.
9 Works
1 Works
AiNA THE END / Blue Shining Star - 映像作家: keijuitai
Music videoTVアニメ ending

AiNA THE END / Blue Shining Star

2026
00:03:43
In the video, a single woman figure wrapped in radiance and sparkle is portrayed, creating a presence that goes beyond mere glamour and evokes a natural, effortless glow that seems to shine from within. The result is a work that expresses a brilliance capable of illuminating even uncertainty and conflict about the future. The song made its first television performance today on Fuji TV’s “2026 FNS Music Festival Summer,” and it has also begun streaming on various music distribution services. This weekend, on Sunday, 7/5, the TV anime “ONE PIECE HEROINES,” for which the song serves as the theme song, is also scheduled to air, so we hope you will fully enjoy the world colored by “Blue Shining Star.”
64 Works
17 Works
17 Works
SKYTOPIA with Ogasawara "Pressure" Teaser - 映像作家: tamuraikuho
3DCGArt workMotion graphics

SKYTOPIA with Ogasawara "Pressure" Teaser

2026
00:00:15
Artwork and teaser visuals for “Pressure,” a collaboration single by Ogasawara and SKYTOPIA, two notable producers from Tokyo’s new UKG scene. The tense, tight two-step rhythm and groovy bassline are expressed through elegant visuals with an acidic touch. In previous WORKS, ASCII art-style visual expression was created using After Effects, but this time, tool development was carried out with Claude Code, successfully building a low-cost workflow. The creature seated at the center is inspired by venomous organisms such as the Asian tiger mosquito and the blue-ringed octopus, pursuing a uniquely original mashup.
Connect & Create NOBEOKA 2026 Open Call Visual - 映像作家: tamuraikuho
AnimationConcept MovieMotion graphics

Connect & Create NOBEOKA 2026 Open Call Visual

2026
00:00:16
“Connect & Create NOBEOKA” is a residency program in which directors and filmmakers stay in Nobeoka and create video works while engaging with the local people, landscapes, culture, and everyday life. For the 2026 residency call, we produced the teaser visual and teaser movie. Building on the foundation of the program’s activities and its visual identity cultivated to date, we designed the colors and materials. Drawing motifs from Nobeoka’s culture and climate, we created tactile visual and cinematic expressions that are rooted in the region’s character and attuned to creators’ passion for making.
5 Works
7 Works
synapusyu Pan-pa-pan - 映像作家: uwabami
2D animationADTVTV drama opening titleTV-CMTVアニメ ending

synapusyu Pan-pa-pan

2022-2026
00:07:51
A series of short animated films created for *Synapusyu*, TV Tokyo’s program for infants and toddlers. The story follows a group of bread characters who secretly sneak out of a bakery and encounter various foods under the moonlight, dancing together as they go. The hand-drawn animation combines playful, organic movement with a kyogen-inspired vocal performance and the repetitive rhythm of “Pan-pa-pan!” While each episode follows the same basic structure, the sounds and dances change with every new food character, creating a visual experience that encourages children to clap their hands and move their bodies.
Apple Boy and the Funny Faces - 映像作家: uwabami
2D animationAnimationMusic videoTitle movieTVTV drama opening titleTV-CMTVアニメ endingWeb CM

Apple Boy and the Funny Faces

2022-2026
00:05:21
**"Appo-kun and Appuppu"** is an animated short created for the TV Tokyo children's program Synapusyu. The film follows Appo-kun, a cheerful apple character, as he cycles through a variety of facial expressions and invites children and parents to join in a playful face-making game inspired by the Japanese expression “appuppu.” Imitating facial expressions is one of the most natural ways for infants and toddlers to engage with others. This work was designed around simple character shapes, repetition, and rhythm to encourage children to smile, imitate, and actively participate while watching. uwabami was responsible for the character design, animation, and direction. Rather than creating a passive viewing experience, the goal was to create a piece that encourages parents and children to make faces together and share spontaneous reactions through play.
Shina Pushu "What Is Nigimaru Doing?" - 映像作家: uwabami
2D animationAdvertisementArt workClay animationCMIllustrationLive actionTVTV drama opening titleTV package designTV-CMTVアニメ endingWebWeb CM

Shina Pushu "What Is Nigimaru Doing?"

2022 ~ 2023
00:05:16
A short animated work broadcast within TV Tokyo’s infant and toddler program “Sina Pushu.” Its distinctive structure shows the character “Nigimaru” being drawn in real time as it transforms into various actions. uwabami was responsible for the character design and animation direction. By showing the process of being drawn itself, the work draws out children’s curiosity and anticipation, creating an experience in which they can enjoy wondering “what will happen next.” With simple lines and shapes, and a rhythm of repetition and change, it is a work that combines visual clarity with a sense of participation.
Yoru Pusyu (Sina Pusyu) “Adult Dance (Evening Drink)” - 映像作家: uwabami
2D animationAdvertisementAIAnimationArt workCompetition workConcept MovieMusic videoOpening moviePromotionPVShort filmTVTV drama opening titleTV package designTV-CMTVアニメ ending

Yoru Pusyu (Sina Pusyu) “Adult Dance (Evening Drink)”

2025
00:01:34
A spin-off animation for adults derived from the popular “Minna no Dance” segment featured on TV Tokyo’s infant and toddler program “Shinapshu.” With simple, approachable characters and dance performances set to lively music, it humorously portrays small everyday scenes. In this work, the theme is “an evening drink,” expressed through humorous dance that captures the relaxing end of the day. Its short, intuitively enjoyable format and gentle world view are key features.

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