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Cancer Panther #GetCheckedForCancer - 映像作家: TheBERICH
2D animationComedyTV

Cancer Panther #GetCheckedForCancer

2021 ~
00:03:05
Cancer Panther #Let’s go for cancer screening This anime is called “Cancer Panther,” drawn by me after I was diagnosed with cancer. I hope it can serve as a reference for people who have never had cancer, and for those who may develop it in the future. I turned into an anime the experience of completely trusting my doctor and going through treatment. I would be happy if it helps people learn about cancer, the number one cause of death, and understand the importance of cancer screenings.
Hoshimiya Toto + SOZEN OTSUBO - Hi-fi (Official Music Video) - 映像作家: tamuraikuho
3DCGArt workMusic video

Hoshimiya Toto + SOZEN OTSUBO - Hi-fi (Official Music Video)

2024
00:02:28
Created the music video for “Hi-fi,” included on the collaborative EP “Beyond the Binary - EP” by Hoshimiya Toto, who is active on the front lines of internet pop, and SOZEN OSTUBO. Actively employing digital assets such as typography, 3DCG, and PLATEAU, it pursues bold and rich visual expression. In response to the song’s delicate details and dense sound, the colors shift vividly, and the objects reveal a variety of scenes and expressions. From pop, airy chaos, it conveys the space between the virtual and the real.

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13 Works
Feature-Length Anime “We Are Aliens” Teaser Video - 映像作家: kadowakikouhei 7 days remaining
2D animationAnimation劇場映画

Feature-Length Anime “We Are Aliens” Teaser Video

2026
00:01:35
Official Selection, Directors’ Fortnight, the 79th Cannes Film Festival The film We Are Aliens will be released in theaters in 2026. Co-starring: Ryota Bando × Amon Okayama Music by: Yaffle Two boys meet in a rural town in the Heisei era. Tsubasa struggles with being “ordinary,” while Kiyotaro is someone “special.” But an incident that occurs beyond the distortions of everyday life dramatically changes the relationship between the two——. Is this a story of their youth? Or a memory they want to erase? ▼Official Website https://nothingnew.film/wearealiens/ [Film Information] Title: We Are Aliens English Title: We are Aliens Release Date: Theatrical release in 2026 Planned, Written, and Directed by: Kohei Kadowaki Cast: Ryota Bando, Amon Okayama (co-starring) Music: Yaffle Copyright: ©NOTHING NEW, MIYU PRODUCTIONS Planning, Production, and Filmmaking: NOTHING NEW In cooperation with: MIYU PRODUCTIONS
9 Works
OTEC Introduction Movie - 映像作家: takutyoworks@gmail.com
2D animationMotion graphicsPromotion

OTEC Introduction Movie

2024
00:02:20
Promotional video introducing the secondary use of “OTEC” by Mitsui O.S.K. Lines. Focusing on industrial creation through deep seawater, it presents a story showing how deep seawater is connected to various industries. As the motion graphics director, I was involved in everything from storyboarding and design to motion. To keep it from becoming merely a technical explainer, I proposed a friendly tone that would help make the content easier to understand.
3 Works
Sandbox - 映像作家: yukikimura 6 days remaining
InstallationInteractive

Sandbox

2025
00:01:10
I have continued working on cross-disciplinary production, such as pictorial images with cinematic qualities and painterly animation. This work, *Sandbox*, is an experiment in replacing painting and animation with a game engine. In this work, I used a game engine to create an “electronic sculpture” and attempted to visualize a non-tactile sense of reality. By following afterimages that traverse space, it aims to unsettle the viewer’s bodily perception. At the same time, an autoplay function was built in so that the game would assimilate into the environment like ambient music, becoming a “passive game / background game.” It is an interaction/installation in which the viewer/player can seamlessly move back and forth between “play,” controlled with a controller, and “viewing,” without using a controller.
23 Works
TEM　　Phoenix Mall of Asia | Bangalore - 映像作家: daisukehashimoto 6 days remaining
3DCGAnimationArt workProjection mapping

TEM　　Phoenix Mall of Asia | Bangalore

2022-2026
00:01:19
At the newly opened immersive space “tem” in Phoenix Mall of Asia, a commercial facility in Bangalore, India, we created a 360° immersive theater experience themed around the Japanese seasons and spirituality. Reinterpreting Japan’s four seasons as a “circular structure,” we designed an immersive environment that leads visitors into a spiritual world beyond them. By using mirrored surfaces for both the floor and ceiling, the imagery extends infinitely in the vertical direction, while 360° panoramic visuals are projected onto the walls. The moment visitors step inside, they are enveloped in the changing seasons and the rhythm of light. A “mandala” where Japan’s view of the seasons and Indian philosophy intersect As the core of the presentation, we reconstructed the essence of Japanese culture—“a sense of unity with nature,” “the contrast between stillness and motion,” and “a worldview in which the seasons cycle endlessly”—into a “mandala structure,” which also resonates strongly with Indian thought, creating a universal spiritual world that transcends time and national borders.
Edo-Tokyo Museum, Tokyo: Permanent Large-Format Video - 映像作家: daisukehashimoto
2D animation3DCGAIAnimationArt workInstallationMotion graphicsProjection mapping

Edo-Tokyo Museum, Tokyo: Permanent Large-Format Video

2022-2026
00:01:46
At the Edo-Tokyo Museum in Tokyo, which reopened on March 31, 2026, we produced three works—“Traditional GRID,” “Moving Picture,” and “Another Sky”—as part of the permanent video projection program presented in the Edo-Tokyo Plaza on the third floor. Cultural resources held by the Edo-Tokyo Museum, such as ukiyo-e prints and maps, have been reimagined not as objects to be viewed, but as a spatial experience that envelops visitors. Approximately 100 works by ukiyo-e artists and painters, including Katsushika Hokusai and Tōshūsai Sharaku, unfold overhead as landscapes connected to modern-day Tokyo. Crossing the memories of cultural properties, architecture, and the city, this project seeks not only to “exhibit” history, but to give it form as an experience that visitors can physically অনুভ in the scale of this place. Projection screening schedule in the third-floor Edo-Tokyo Plaza (from May 2026) Times: 19:00, 19:20, 19:40
LIGHTIA ~The Seven-Colored Miracle~ - 映像作家: daisukehashimoto
2D animation3DCGAIAnimationArt workLive action

LIGHTIA ~The Seven-Colored Miracle~

2025
00:00:31
With the theme “All life is connected by light,” this fantastical night show follows dolphins and humans as they search for the “flower of light.” Traveling through worlds symbolized by seven colors of light—such as the deep sea, the world of fire, the future, and the forest—they recover the lost light. Fountains, projection mapping, music, and performance come together, leading to a moving finale where the audience’s applause makes the “miracle flower” bloom. Direction / Visual Director: Daisuke Hashimoto (LIL) Music: Yorushika “Haruru”
TOKYO NODE MUUUSE ~ Memories of Nature ~ - 映像作家: daisukehashimoto
AIAnimationArt workEventInstallationInteractiveMotion graphics

TOKYO NODE MUUUSE ~ Memories of Nature ~

2024
00:01:33
MUUUSE: MUSIC MUSEUM （Touching sound, hearing light. The body reflects.）, held at TOKYONODE in Toranomon Hills In GALLERY A, “Memories of Nature,” which features a celestial dome, we created an immersive experience in which placing your hand over a spherical LED triggered an interactive performance where the celestial-dome projection mapping and 32.2-channel ultra-high-definition spatial audio responded, allowing visitors to be enveloped in the sounds of nature and nature-inspired music.
9 Works
17 Works
7 Works
Jumpei Inomata showreel - 映像作家: inomatajumpei 5 days remaining
3DCGAIKineticMovieMusic video

Jumpei Inomata showreel

2025, 2026
Description: This is a showreel of works I directed and handled VFX for between 2025 and 2026. Using VFX centered on set extensions and live-action compositing, I have pursued visual expression that expands real spaces while blurring the boundary between reality and fiction. In music video production, I feature the construction of visual worlds that balance narrative depth and visual impact, drawing on the compositions and symbolism of mythology, religious paintings, and classical art as motifs. Rather than serving as mere visual effects, I aim to consistently handle everything from concept development and direction to VFX design, reinterpreting and visualizing the inner themes of each song or work through imagery.
11 Works
25 Works
62 Works
14 Works
6 Works

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