I created an animation inspired by the feeling of flowers quietly waiting for a bright rain, the joy that follows after the rain, and the sense of a beginning.

Japan’s first national facility dedicated to sharing the history and culture of the Ainu people, Upopoy, opened in Shiraoi, Hokkaido, on Sunday, July 12, 2020. It consists of a folk museum, an interactive field museum, and an Ainu coexistence park, and has drawn attention as a base for reviving and developing the fading Ainu culture. What JKD was in charge of this time was the highlight of Upopoy’s nighttime program starting on Saturday, July 18, 2020: a large-scale show combining projection mapping and lighting. It depicts the Ainu creation myth through a delicate yet dynamic hand-drawn full animation running for just under 14 minutes, synchronized with soul-stirring music and sound design. The visual work is projected mainly onto the walls of the dome-shaped Experience Exchange Hall, as well as the surrounding hills, river, and statues. Lighting placed throughout the vast grounds is tightly synchronized with the music and mapped visuals, creating a mystical spatial experience that draws viewers into the story. Among the audiovisual works JKD has produced so far, this is one of the top three. The music is by OKI, a musician internationally acclaimed for his work with the OKI Dub Ainu Band, and Kuniyuki Takahashi, also based in Sapporo and known worldwide for his activities. To pursue truly authentic expression, the four animators, Ryoji Yamada, Hana Ono, Yutaro Kubo, and Tatsuhiro Ariyoshi, took part in this serious collaboration. The opening and ending motion was handled by Shotaro Tomiyama and Ko Kudo of the JKD visual team, and the overall visual direction was by Shane Lester. The story unfolds through the Ainu creation myth in a vast site facing a beautiful lake. We believe we were able to create an experience that draws viewers in. If you ever have the chance to visit Hokkaido, please be sure to see it.

The Spirits of Cairn is a story imagined as a possible afterlife for a child who died young. The destination is a world between heaven and hell, with neither joy nor sorrow, something found in various religions, such as Sai no Kawara or the limbo of infants. The protagonist feels remorse for having died early, but remembers only the emotion itself, like an echo, and does not know how long he has been there, what he is there for, or the true nature of his lingering attachment. His task of mourning the countless heads resting in the ground continues endlessly.

Inspired by childhood memories of looking at clouds drifting across the sky and imagining them as food. My first directorial work.