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Motion graphics

HENNGE K.K. | New Product Launch Event HENNGE Unveiled 2026 Opening, Pre-Show Video - 映像作家: lighttheway
3DCGADAdvertisementAnimationArt workBrand movieCMConcept MovieEventGraphic designImageMain VisualMotion graphicsMoviePromotionPVShort filmTitle movieWeb movie

HENNGE K.K. | New Product Launch Event HENNGE Unveiled 2026 Opening, Pre-Show Video

2026
Only Image
I was responsible for the direction and editing of the opening and pre-show videos for HENNGE Inc.'s new product launch event, “HENNGE Unveiled 2026.” Based on this event’s theme of next-generation zero-trust strategy, I expressed the idea of new solutions in an uncertain era through ever-changing visuals, where contours dissolve and then reemerge. By reworking the key visual into a dynamic sequence and using continuously transforming shapes, the piece conveys the company’s forward-evolving stance and anticipation for the new product.
Echoes - 映像作家: overlay
Audio visual performanceInstallationMotion graphicsOriginal

Echoes

2026
00:03:20
A rapidly shifting urban landscape — waves of people, railway networks, buildings, and city lights generate an immense torrent of information. This work intensifies that “excess” through visual techniques such as slit-scan and delay, making the speed and density of changing information visible. Screened at “Toki-no-ma,” an immersive gallery created through the adaptive reuse of the former Hino Junior High School in Hino Town, Tottori Prefecture. Presented in the first opening program, “A Classroom Where the City and Satoyama Intersect.”
Nagare - 映像作家: overlay
Audio visual performanceInstallationMotion graphicsOriginal

Nagare

2026
00:03:27
Inspired by Nedu, Hino Town, where the sound of water fills the town. An installation work in which overlapping streams of water envelop the space. At Tokinoma, an immersive gallery in Hino Town, Tottori Prefecture, housed in a repurposed former school, we held the special exhibition “A Classroom Where the City and Satoyama Intersect.” As one of the screening works in the exhibition above, this piece focuses on “satoyama,” and abstractly expresses both its beauty and the issues present in the region.
WingArc1st Inc. | MotionBoard Concept Video - 映像作家: lighttheway
2D animation3DCGADAdvertisementAIAnimationArt workBrand movieCMConcept MovieEventImageMotion graphicsMotion logoMovieOpening moviePromotionPVSignageTitle movieVPWebWeb CMWeb movie

WingArc1st Inc. | MotionBoard Concept Video

2025
00:01:43
We were responsible for the direction, design, and editing of the concept movie for “MotionBoard,” the business intelligence tool provided by WingArc 1st. The new version of “MotionBoard,” equipped with generative AI, makes analysis and board creation more intuitive and has evolved significantly in usability, enabling not only engineers but also frontline staff to develop business applications and leverage data in-house with greater ease. In the video, we depict data spreading through an abstract world and being handled with light, effortless operations, expressing its freedom of use and sense of innovation. Furthermore, by using soft colors and a friendly tone, we soften the rigid and difficult image often associated with BI tools, creating an impression that is approachable and easy for anyone to use.
Fuji Television Network, Inc. | "If the World Were a Stage, Where Would the Dressing Room Be?" Teaser Video - 映像作家: lighttheway
2D animation3DCGAdvertisementAnimationBrand movieBroadcastCMImageMotion graphicsMoviePromotionPVSocial projectTVTV drama opening titleTV-CMWeb CMWeb movie

Fuji Television Network, Inc. | "If the World Were a Stage, Where Would the Dressing Room Be?" Teaser Video

2025
Only Image
We were responsible for the direction, design, and editing of the teaser video for Fuji Television Network, Inc.’s drama If the World Were a Stage, Where Would the Dressing Room Be? This serial drama, for which Koki Mitani is writing the script for the first time in 25 years, is an ensemble coming-of-age story set in Shibuya in 1984. Centered on the theater that holds the key to the story, it features a single-take composition in which Kube, played by Masaki Suda, looks straight into the camera. A parallax effect that makes the cast names appear to float in space evokes the scale and atmosphere of the stage. We brought the world of the drama to life through fonts and designs reminiscent of the Showa era.
EXPO WORLDs: A World Made by Worlds. - 映像作家: JKDCollective
2D animation3DCGAnimationArt workAudio visual performanceConcept MovieDocumentaryEventExperienceMotion graphicsMovieMusic videoPromotion

EXPO WORLDs: A World Made by Worlds.

2025
00:03:39
We created a concept movie for “EXPO WORLDs – Osaka-Kansai Expo OPEN DESIGN PROJECT.” As multiple “worlds” resonate with one another to co-create a new future—EXPO WORLDs is an open design project that aims to infuse the entire Osaka-Kansai Expo venue with the color and vitality of “life,” while designing for open participation. To visualize the philosophy and vision of this project, we built a world through visuals and sound and expressed it as a movie. People, nature, and technology meet, overlap, and resonate. Please take a look at this landscape of co-creation.
THE LUV BUGS, Madobe Rika, TORIENA / bootleg wonderland (Music Video) - 映像作家: kanatatematsu
Motion graphicsMusic video

THE LUV BUGS, Madobe Rika, TORIENA / bootleg wonderland (Music Video)

2022-2026
00:04:28
Collaboration track “bootleg wonderland” by virtual singer Madobe Rika and TORIENA Planning and composition were handled by Toshitaka Shinoda. The video direction was divided among the three of them—Toshitaka Shinoda, Yonayona graphics, and Natsuki Tatematsu—each taking on different cuts. Shinoda conveyed the story concept to me, built around the imagery of Heisei-era internet horror and the deep web, connected with 9mm film footage shot in the mountains, and from there the cut concepts, imagery for each person’s assigned parts, and editing were all produced independently. For the cuts I was in charge of, I aimed to create sequences in which countless elements rush by like a flashback, drawing on the pleasant distortions and the layering of innumerable sounds that I felt in the music, as well as the project’s imagery. I also aimed to create cuts whose contrast with the live-action footage would remain as a sense of discomfort when placed side by side in the overall progression. Rather than delicate, detailed effective movement, I focused on inserting a variety of rough, miscellaneous effects, and I created the illustrations myself to add subcultural imagery to the material’s variety.

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