Shinjuku East Exit Cat “Thank You for the 4th Anniversary Edition” A 15-second special video commemorating the fourth anniversary of “Shinjuku East Exit Cat,” which has become a landmark in Shinjuku. This work builds a “retrospective” world that looks back on the series’ journey since the first installment in 2021. Its biggest highlight is the “nested” structure, in which past works are played on monitors placed within the 3D space. It creates a multilayered visual experience spanning the real-world display, the cat’s room, and the monitors within the video. Around the cat, meanwhile, cat bells, folk crafts, and unidentified objects that had been repeatedly dropped in the “Barely Edition” spin lively in circles. By scattering motifs symbolizing episodes from across the series like a collage, the piece expresses gratitude to fans while humorously reassembling four years of context into a festive work full of celebratory energy.

Calligrapher Mariko Kinoshita’s inscription of a passage from Kamo no Chomei’s *Hōjōki* is divided into squares and redefined as “fragments.” Film artist Shinichi Yamamoto assigns a time axis to those cells using a unique algorithm, while musician Corey Fuller layers an ambient soundscape built from deconstructed and reconstructed readings of *Hōjōki*, creating a multilayered interplay among the three artists’ expressions. Blending Japanese views of life and death—such as “ku” (emptiness), “engi” (dependent origination), and silence—with a meta perspective on observing landscapes, the work becomes a weighty video poem that explores universality dwelling within impermanence. First unveiled in 2019 across the outdoor large-scale digital billboards of Shinjuku, it continued to evolve and in 2020 was expanded into an immersive spatial presentation at “ETERNAL ART SPACE” in Haneda Airport. In 2024, for its exhibition at Immersive Museum TOK (Shinjuku), it was reconfigured for a vast space of approximately 430㎡ and 6 meters in height. As fragments of calligraphy overlapped geometrically with waves and graphics, it was elevated into an immersive experience as a “reconstructed modern Zen garden,” drawing viewers into a serene spiritual world.

Video installation synchronizing ten 85-inch large displays. A reconfiguration of the Audio Visual work that Shinichi Yamamoto has been creating with Tetsuji Ono since 2009.

superSymmetry’s reel clip from 2014 onward. A record of work that has crossed between artwork and client projects under the concept of expanding the possibilities of moving image.