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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
Hatsuboshi Academy “Wildest Flower” Official Music Video - 映像作家: 大橋史Takashi Ohashi
2D animation

Hatsuboshi Academy “Wildest Flower” Official Music Video

2022-2026
00:03:02
A music video created for an in-game song from Bandai Namco Entertainment’s social game The Idolmaster Gakuen. The character Hanami Saki was a top athlete in track and field before aspiring to become an idol, and she has a past in which, due to being a late bloomer, she confronted the limits of her abilities at a young age and suffered setbacks. The song’s theme portrays her “setbacks and challenges,” making for an absurd tale in which she moves back and forth between the reality of the setbacks she experienced in the past and the uncertain glory of the future. In the end, she attempts to break through her own limits. To make this pulp-fiction-like story convincing, we aimed for a meditative music video in which the past and future are suspended, combining the image of sequential photographs that draw the viewer’s consciousness back into the past with animation that propels her into the future to the sound of drum and bass. The spirit of craving victory that she cultivated in her years as an athlete, caught between ideals and reality, shakes off notions of records and victory created by others through the act of “running.” By adopting abstract smear frames and a rough, painterly style, we sought to convey, in a sensory way, her spiritual rebirth as an idol (a performer).
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.
NHK General "The Day of Resurrection: If You Could Meet the Dead" - 映像作家: whatever
3DCGTV

NHK General "The Day of Resurrection: If You Could Meet the Dead"

2019
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"Revival Day" is a program that gives people the chance to reunite, just once more, with someone who is no longer in this world. In the program, the reunion between Tetsuro Degawa and his biological mother, who passed away eight years ago, is recreated. Whatever was responsible for planning and technical direction, art direction, and the production of the making-of movie "Behind the scene." ーーー [Creator's Comment] What I paid the most attention to on the art direction side was keeping television-style direction to a minimum, so that viewers could focus on the conversation between Degawa and his mother, Yasuko. For that reason, I proposed an extremely simple set design consisting of only chairs and a monitor. On the technology side, the biggest challenge was the complete lack of reference photos and footage. A few low-resolution printed photos, and a lucky find: about 15 seconds of footage of Degawa and Yasuko appearing together for the only time. There was almost no audio data. Under those circumstances, recreating a person from the past with CG was an extremely difficult task. The CG production process used Autodesk Maya for modeling; VICON + Faceware + IGS + MotionBuilder were integrated and rendered in Unreal Engine; grading was done in DaVinci Resolve + MISTIKA; and compositing was done in Nuke. However, unlike ordinary CG production work, we repeatedly made small adjustments while tracing the family's memories and checked them over and over, gradually bringing Yasuko closer to life. Degawa's brothers and sisters helped us an extraordinary number of times. I would like to take this opportunity to express my sincere gratitude to them. Whatever Producer Yusuke Tominaga

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5 Works
TV Tokyo “Shina Pushu” Monthly Song / “Sukina Kimochi Mochi” - 映像作家: samillia
2D animationAnimationClay animationMusic videoStopmotionTV

TV Tokyo “Shina Pushu” Monthly Song / “Sukina Kimochi Mochi”

2025
00:02:16
This was the “Tsukiuta” video for November 2025, broadcast on TV Tokyo’s infant and toddler program “Shinapushu.” Aiming to create visuals that babies and young children could enjoy intuitively, the piece was produced by combining a variety of techniques, including hand-drawn animation, clay stop-motion animation, and live-action compositing. The main character, the mochi “Mocchan,” was sculpted in clay and animated in real life in order to give it a three-dimensional feel. Inspired by the texture and rhythm of SAKANAMON’s music, the video visualizes the feeling of “liking something” through rounded forms and pleasant motion. Set in a fantastical world, it was finished in the style of a road movie, following “Mocchan” on a journey in a kitchen car. Techniques: hand-drawn animation, stop-motion, clay animation, live-action compositing, After Effects
The Story of the Dreaming Medicinal Cuisine Lab's Beginning - 映像作家: samillia
2D animationAdvertisementAnimationArt workBrand movieClay animationCMConcept MovieExperimental filmFashion filmImageShort filmStopmotionWeb CMWeb movie

The Story of the Dreaming Medicinal Cuisine Lab's Beginning

2025
00:01:42
A world of Chinese medicine where the story loops forever Life spirals infinitely, linked to the natural world A playful expression of the philosophy that we humans are part of that whole With an emphasis on eating in a warm, joyful spirit This film tells the origin story of a restaurant run by an internationally certified medicinal-food specialist, who creates herbal cuisine rooted in the evidence of Chinese medicine and designed to delight both mind and body Using a mix of techniques including craft work, live action, and more, it was finished with playful analog visuals, as well as music Methods: hand-drawn animation, stop motion, After Effects, loop animation
We saw the moon in Melbourne and Tokyo - 映像作家: samillia
2D animationAnimationArt workClay animationExperimental filmImagePaper craftShort filmStopmotion

We saw the moon in Melbourne and Tokyo

2025
00:00:25
Description: Inspired by the episode of the two samillia who, after 20 years, arrived in the city of Melbourne, Australia, I created this animation. Even when we are in Japan and Australia, which feel far apart, looking at the same moon at the same time reminds us that we are living beings on the planet Earth in the universe. Technique: hand-drawn animation, stop motion, After Effects, loop animation
4 Works
Alespec Permanent Staff Dispatch Service Introduction Video - 映像作家: miyukikamamatsu
2D animationMotion graphicsPVWeb movie

Alespec Permanent Staff Dispatch Service Introduction Video

2024
00:01:19
I took part in the production of the animation section (from 0:15). I received the graphic data from the designer, and I was in charge of the motion. As for the movement of the text, the director told me not to make the motion uniform and one-patterned, but to create different images for each section, so I worked to make the movement and visual touches varied so that it would stay engaging to watch.
"TikTok TOHO Film Festival 2024" Trailer Video - 映像作家: miyukikamamatsu
2D animationAnimationWeb CM

"TikTok TOHO Film Festival 2024" Trailer Video

2024
--
This is a trailer for the vertical film festival “TikTok TOHO Film Festival 2024,” held by TikTok and Toho in 2024. I participated as an animator. Based on the director’s concept draft, I proposed specific illustration designs and methods of expression, and created the piece using digitally hand-drawn animation. The production period was about one month. Since the purpose of the video was to encourage submissions, I made it with the feeling of sharing the joy of creating things, and I was conscious of enjoying the process myself as I worked.
13 Works
What Is an Art Museum Like? Yokohama Museum of Art Animation - 映像作家: erisasaki
2D animationAnimationMusic video

What Is an Art Museum Like? Yokohama Museum of Art Animation

2025
00:03:29
An animation introducing how to spend time at the museum and the guidelines for visitors. The song was specially written by Ichiyanagi. The joy of drawing, the joy of looking, the joy of not knowing. It was created with the hope that people would encounter the works with a free spirit. Several works from the Yokohama Museum of Art’s collection also appear in the video, which is based on the museum’s theme colors, pink and gray. The technique combines drawings on paper with digital coloring. An illustrated “Children’s Mission Sheet” was also produced alongside it.
Rainy (Official Video) - 映像作家: erisasaki
2D animationAnimationMusic video

Rainy (Official Video)

2024
00:04:01
I don’t dislike rainy days. The lively plants, the sparkling ground, and the moist air all feel pleasant to me. As I’ve grown older, I’ve come to think that I don’t dislike rainy days after all, and in fact I’ve started to enjoy them. This piece was created inspired by the stories and photographs about rainy days that I heard from Ms. Shoko. As for the technique, I drew it on paper with oil-based pens. To evoke the image of rain lines sparkling and to create a cheerful feeling, I used a variety of lines. Set to rhythmic music, this work depicts the everyday life of a girl and her cat enjoying a rainy day with high spirits.
3 Works
Summer Cold - 映像作家: reiya
3DCGAnimationIllustrationMotion graphicsMotion logoMusic videoOriginalShort film

Summer Cold

2025
00:03:40
A short film created for submission to the screening event “FRENZ2025.” In anticipation of its summer release, the script was written around the theme of summer, and ǢǪ composed the music based on the script and character designs. The result was a story-driven visual work that focused on the excitement of looking forward to summer vacation, as well as the wistfulness and loneliness of summer’s end, Obon, and the many different facets of summer. This visual work takes as its theme the summer vacation of two second-year high school students, told from the perspective of Rei Izumi. Using analog techniques to create a nostalgic atmosphere, it depicts the scenes in which Rei’s feelings for Chikao, and the diary pages recording their memories together, appear and vanish like a life flashing before one’s eyes, alongside the music. By staining printed illustrations with tea and coffee to create blotches and signs of wear, and incorporating textures rendered through analog means such as crayons and India ink, the work expresses how the days the two spent together gradually become more and more hazy. ・Synopsis After the closing ceremony, second-year high school students Chikao Amaha and Rei Izumi headed to a family restaurant to discuss their plans for summer vacation. During the break, Chikao would be busy with a part-time job, and Rei with activities in the art club, but even so, they were filled with excitement for the summer vacation about to begin.
somunia - Unstep feat. Kenmochi Hidefumi - 映像作家: reiya
3DCGMotion graphicsMusic videoOriginal

somunia - Unstep feat. Kenmochi Hidefumi

2021
00:04:15
This work was created around the theme of the pupa, expressing the intersection of anticipation and unease surrounding Vocalist somunia’s new challenge and the changes that come with it. The complete metamorphosis from larva to pupa, and from pupa to adult, was a fitting motif for conveying a cool, sharp impression that stands in stark contrast to her previously adorable image. The anxiety of changing and the uncertainty of what lies ahead are expressed through the use of mist and clouds, whose far edges are hard to see clearly. At the same time, by viewing the pupa as something like a shell separating the outer world from the inner world, we aimed to depict the gap between inner turbulence and outer stillness. From a desire for what lies beyond her struggles to be something positive, light shines through the harsher spaces in each scene, expressing a hopeful attitude toward change. The pupa writhing within the rugged space dreams of one day spreading its wings as an adult, patiently and cunningly awaiting that moment. This piece was made with the hope that it would evoke that kind of impression—like the calm before the storm.
17 Works
SINN PURETÉ – Shinjuku Cross Vision 3DOOH - 映像作家: sunjunjie
3DCGAdvertisement

SINN PURETÉ – Shinjuku Cross Vision 3DOOH

2024
00:00:15
”Exploration 1: Studies for Naked-Eye 3D Vision” is the first installment of an in-house research project by SUNJUNJIE focused on the media characteristics of naked-eye 3D vision. In this work, we explored what kinds of video-based advertising expressions are possible by making use of the medium’s characteristics, such as creating a sense of depth through optical illusions, movements that catch the attention of passersby, visual composition, and sound design. As smartphones have become more widespread, advertising expression has increasingly taken on the aspect of a medium closely integrated into everyday life. In advertising expression, we believe it is always important to pursue a balance between people’s everyday world and the fictional stories being presented. To make this project feel more realistic, we felt it necessary to express its world not through a fictitious client but through an actual brand product, so we approached the fragrance brand “SINN PURETE” with a collaboration proposal. We discussed the video planning with the collaborator and decided to create two 15-second movies, each based on a different theme, in order to explore the greatest possible range of expression on a low budget. The first film expresses the world of SINN PURETE through its three product lines. The second film merges SINN PURETE’s mascot character with the world of SUNJUNJIE, aiming for a pop and humorous expression that feels distinctly Tokyo. The creative elements we challenged ourselves to include were how to create a striking 3D pop-out effect, and the selection of objects and movements that would be interesting when they emerge from the screen. Since not everyone watches a video from the beginning, we aimed to capture attention from any point of entry, while creating a sense of controlled busyness rather than mere chaos. In particular, we paid close attention to the design of the framing structure, the imagined depth, the actual size of the billboard, and the relationship between viewing distance and scale.
1 Works
Mobile Literature Kawasaki in the Shota Shimura - 映像作家: shotashimura
Art work

Mobile Literature Kawasaki in the Shota Shimura

2026
00:09:09
“Mobile Literature” (English: Mobile Literature) is a series that seeks to merge movement by bicycle and projection technology with literary expression, using a bicycle modified as a visual device to project texts written for each city onto the ground of those places while cycling through them. To date, the project has been carried out in Japan around the Tama River, in Ōgaki City, Gifu Prefecture, Atami, and around Tokyo Station, and overseas in Cairo (Egypt), Lusaka (Zambia), and London (United Kingdom). This work, “Mobile Literature: Kawasaki in the Shotashimura,” is a piece in which text written on the theme of southern Kawasaki City is edited into a visual work, and the text is projected onto the ground while cycling through the area at night on a bicycle. In “Mobile Literature,” writing is the act of inscribing into text the bodily sensation of motion, and the rhythm of breathing and travel, gained through the speed of a bicycle: slower than a car, yet faster than walking, at a human scale. The letters projected onto the ground are linked to physical sensations such as the force applied to the pedals, vibrations from the road surface, and changes in incline; they fluctuate, alter their shading according to speed and the texture of the road, and emerge with a singular, one-time expression, even when the same sentence appears. By treating bicycles and urban space itself as media, this series pursues the possibilities of literary expression rooted in place, as well as a reading experience impossible on paper or digital media. At the same time, because Ōgaki City, Gifu Prefecture—the site of the first work in the series—is the final destination of Matsuo Bashō’s The Narrow Road to the Deep North, the project aims to develop around the world, in the spirit of Bashō’s journey and contemplation.
4 Works
Sakai Complex Gel Project - 映像作家: judau
2D animationAnimationMotion graphics

Sakai Complex Gel Project

2025
00:00:52
An opener created for a symposium featuring Takayoshi Sakai, a world-renowned authority in gel research. Through cartoon-inspired visuals, the piece connects Dr. Sakai’s approachable personality with the precision of his research, aiming to bridge the gap between advanced science and the general public. The graphic style was later adopted as a visual identity for the Sakai Laboratory, and has since been expanded across logos, web design, presentation templates, and academic illustrations in the same unified style.
5 Works
33 Works
7 Works
you-to「奮って。」ミュージックビデオ - 映像作家: katsushikashusshin
Motion graphics

you-to「奮って。」ミュージックビデオ

2025〜
00:02:59
光学合成の質感、コンピューターを用いて出力したドット絵のアニメーション、スーパーインポーズで合成されたテロップ、レタリング、手描きのアニメーション、3DCGの背景など、異なる時代の表現手法を、ごった煮にして映像に落としこんだ。青く淡白な基本のトーンに差し色として彩度の高い色をしたモチーフが挿入される雰囲気が、楽曲のローテンションながら輪郭にエッジをもつ雰囲気を補強できるようこころみた。
9 Works
NHK Minna no Uta "Sayonara no Mukou ni" - 映像作家: honamiyano
2D animationAnimationMusic video

NHK Minna no Uta "Sayonara no Mukou ni"

2023
Only Image
When I first listened closely to Kohei Matsushita’s “Sayonara no Mukō ni,” the face of a friend living far from his hometown came to mind. And I thought of the many “goodbyes” he had experienced. Before the one-and-only final “goodbye,” I experience countless goodbyes of my own. Among them are goodbyes that come only once, and goodbyes for which tomorrow is promised. This work was animated entirely on paper. I want to walk through the world that spreads out beyond “Sayonara no Mukō ni,” together with the rain of tears. Riding on the bamboo boat we made with them.
City Cyndrome – Harajukuboy - 映像作家: honamiyano
2D animationMusic video

City Cyndrome – Harajukuboy

2023
00:05:15
The streets of Harajuku in Japan are overflowing with Kawaii, a chaotic yet pure and unfiltered youthfulness. I walked through Harajuku several times while making this music video, and I wondered what “love” in this city would look like visually. After listening to City Cyndrome’s music, I wanted to create an animation that captures the intersection of the perspectives of a tough woman and a Harajuku boy, their near-misses, and an almost arrogantly personal point of view. As for the technique, I started by drawing with air spray and watercolor.
Bialystocks Naked Dream [Music Video] - 映像作家: honamiyano
2D animationAnimationMusic video

Bialystocks Naked Dream [Music Video]

2023
00:03:40
When listening to “Hada no Yume” as a song, I felt my chest tighten with a deep ache, as if something within the hearts of the living were drifting to the surface, in a film where death and life quietly coexist and seep into one another. Through the MV, which I was invited to make after Director Horigimoto saw my work Honekami, I wanted to depict the nature of Shikoku and Kochi with tactile detail, and create an image that was not a line-by-line visual translation of the poem. What is “Hada no Yume”? The innocent, soft sense of reassurance in which one can remain unaware even of being “naked” is just like the feeling of those left behind, warmed by thoughts of the person they love. I wanted, in my own way as an MV, to weave into it the director’s feelings for the film, as well as the gentleness of the light that binds the false image and the real one, through the life and death close to me, and through flowers and the seasons. Lost lives do not return, and the living can only continue to remember. I created this piece while thinking of the mother in the film Hada no Yume, and of Yume. https://honamiyano.com/works/
49 Works

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