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NHK Sing and Learn: "When You're in a Bear-y Bad Spot" - 映像作家: erikasahara
2D animationAnimation

NHK Sing and Learn: "When You're in a Bear-y Bad Spot"

2026
Only Image
Created the animation for “Kuma Toki wa,” broadcast on ETV’s Utatte Manabo. I was in charge of character design, direction, and backgrounds. The content teaches three kinds of measures: measures to take if you encounter a bear, measures to avoid coming across one, and measures to prevent bears from entering town. The aim was to convey these measures in a fun, approachable way, so that children can actually reenact them from the video and learn how people and bears can coexist in their respective environments.
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
NHK Special "2030: A Turning Point for the Future" - 映像作家: whatever
TV drama opening title

NHK Special "2030: A Turning Point for the Future"

2021
Only Image
For the NHK Special series “2030: A Turning Point for the Future,” we were responsible for planning and producing the program logo design and opening title sequence. The program reports on the environmental issues facing the world. It examines 2030, said to be a “turning point” for global challenges. Over the next decade, it considers how we can avoid crisis and achieve a sustainable future. In the logo and opening title, we used animation to portray the importance of confronting the real issues humanity faces and making our own choice at this turning point in the future. https://www6.nhk.or.jp/nhkpr/post/original.html?i=26703
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.

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6 Works
SideM Jupiter「BRIGHTEST AWAKING」Music Video - 映像作家: ak4m3
Motion graphicsMusic video

SideM Jupiter「BRIGHTEST AWAKING」Music Video

2026
00:04:00
I was in charge of Line Production and Directing. Based on the official storyline: "Jupiter has been chosen to handle the promotion for a new cosmetics brand. The concept is 'Mode and Adult Sexy.' Enthusiastic to meet the passionate vision behind the brand, the three members are ready to give it their all, but..." Aiming for a world setting that reflects a cosmetics brand, I sought to achieve a sense of beauty that both highlights and integrates the unique colors of each of the three members. By having a unit with an average age of 17 take on the "Mode and Adult Sexy" concept, their expressions are sure to bring out a level of potential you have never seen before. We have created a music video that allows you to see a new side of Jupiter.
TVOsaka "NEXT IP PROJECT" Promotional CM 15second - 映像作家: ak4m3
Motion graphicsPVTV-CMWeb CM

TVOsaka "NEXT IP PROJECT" Promotional CM 15second

2026
00:00:16
I directed a 15-second promotional commercial for the TV Osaka NEXT IP PROJECT. In this project, where TV Osaka holds an open call for content plans and provides a total production budget of 100 million yen to create programs and content, they are looking for ideas that are "a step above" and break conventional wisdom, along with the "passion" to make them viable as a business. I proposed creating a stylishly chaotic video using chaotic motion graphics that break the conventional concepts of commercials and a rhythmic cut tempo. I produced the promo video using many elements that leave an impression on the eyes and ears.
KAGARIBI#15 | TOP8 Opening V - 映像作家: ak4m3
2D animation3DCGGraphic designLive opening animationLive VideoMotion graphicsMovieMusic VisualizationOpening moviePerformance

KAGARIBI#15 | TOP8 Opening V

2026
00:00:20
This is a motion graphics piece for the rap section, produced as part of the background visuals for the TOP 8 opening live performance at KAGARIBI #15, an unofficial Super Smash Bros. tournament held at Makuhari Messe. The rap part of the theme song "THRONED," created by the beatbox crew SARUKANI, has been visualized through motion graphics to craft a high-impact video. While it is 2D-based, I took on the challenge of incorporating 3D footage sparingly to achieve a richer visual quality. By picking up the various lyrics—a mix of Japanese and English—and the unique sounds produced by beatboxing, I have attempted to visualize the music through a diverse range of motion graphics tailored to each specific element.
2 Works
[MAZDA Documentary] Building Engine Cars We Can Be Proud of in the Future. The Journey of Engineers Taking on the Challenge of Engine Cars That Emit No CO₂. - 映像作家: Rinichi
DocumentaryLive action

[MAZDA Documentary] Building Engine Cars We Can Be Proud of in the Future. The Journey of Engineers Taking on the Challenge of Engine Cars That Emit No CO₂.

2025
00:10:29
Winner of the New Technology Promotion Watanabe Memorial Foundation Chairman’s Award at the 67th Science and Technology Film Festival (2026). This documentary follows the engineers who stepped forward to take on the challenge of realizing an engine-powered vehicle that emits no CO₂—and even reduces it—while believing in a future where they can take pride in driving cars with internal combustion engines. It delves into the public demonstration in the Super Taikyu series using a vehicle equipped with Mazda Mobile Carbon Capture, a CO₂ capture device, as well as the engineers’ determination, convictions, and the driving force behind their challenge to make it a reality.
[MAZDA Documentary] 25 Years with the RX-7: The Final 3 Days — What the Car Left Behind - 映像作家: Rinichi
DocumentaryLive action

[MAZDA Documentary] 25 Years with the RX-7: The Final 3 Days — What the Car Left Behind

2025
00:09:47
Winner of the Bronze Lion in Entertainment at Cannes Lions 2026. Also awarded Crystal at MAD STARS 2025, the Minister of Economy, Trade and Industry Award at the Eibunren Awards 2025, and both the Grand Prix and TEAM UKYO Award at International Auto Film Festa 2026. Description: Naoko Nishimoto has cherished and driven her RX-7 for 25 years since buying it. This documentary follows the final three days leading up to her 80th birthday, when she gave up her driver’s license and parted with the car she loved. It portrays her life with the RX-7, which she calls “a friend who is always with me,” and captures her feelings as she entrusts the car to its next owner. Awards: Cannes Lions 2026 Entertainment Bronze Lion / MAD STARS 2025 Crystal / Eibunren Award 2025, Minister of Economy, Trade and Industry Award / International Auto Film Festa 2026 Grand Prix, TEAM UKYO Award (2 awards in total).
22 Works
11 Works
TOYOTA FACTORY HEROES Director’s Cut Grand Prize Winner - “FACTORY: RISING” - 映像作家: hiroshiyamamoto
2D animationAnimationArt workBrand movieMotion graphicsMotion logo

TOYOTA FACTORY HEROES Director’s Cut Grand Prize Winner - “FACTORY: RISING”

2026
00:01:00
TOYOTA FACTRY HEROES DIRECTORS CUT Grand Prize-winning work With the theme, “Create a movie that turns Toyota’s factories and the people who work there into heroes,” this piece was crafted into a comic-style video from approximately 300 pieces of live-action footage provided. Note article https://note.com/ymmt_hr/n/n8ae3591bbaf1?sub_rt=share_pw
11 Works
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Oita Childcare Passport - 映像作家: KeijiroHayashida
2D animationWeb CM

Oita Childcare Passport

2025〜
00:00:16
【課題・背景】 ・「おおいた子育て応援パスポート」の認知拡大、登録&利用拡大のため（WEBCM動画を配信する） ・店舗側から「利用いただいていない」という声が多かった 【実施内容】 以下の５つのポイントをターゲットである子育て世帯のママ（ママ友）の会話で訴求し、認知拡大を企画しました。 ①「おおいた子育て応援パスポート」という名称の明確な発信 ②優待や特典が受けられる子育て世帯限定のサービスということ ③使い方はパスポートを見せるだけ ④登録料は無料 ⑤登録、検索への誘導 ⑥対象：大分県内在住、１８歳未満のお子さんがいる家庭または妊娠中の方がいる家庭 １８歳未満までパスポートが使えるというすごく便利なサービスです。私は福岡県在住ですが、大分県在住の方はぜひ利用していただきたいです。本当に羨ましい…。
きみはどう対処する？ - 映像作家: KeijiroHayashida
2D animationWeb CM

きみはどう対処する？

2024〜
【背景・目的】 福岡県は令和４年の大麻検挙者数は３４９人と高い水準にあり、３０歳未満の若年層が７割。動機は「誘われて」が６５％という状況を踏まえ、県内の若年層に大麻から身を守る４つのキーワードのＲＥＡＬの原則［Refuse断る Explain伝える Avoid避ける Leave立ち去る］に対応した「大麻の誘いへの対処法の啓発」を目的とした広告をコンペにて募集。当社が受託致しました。 【実施内容】 ・今までの薬物乱用防止広告はそのほとんどが「恐怖訴求」で薬物乱用の怖さや「ダメ。ゼッタイ」というコピーから違法性が伝わる一方、若年層の99%が「関係ないこと」 であり、広告自体に興味関心を持たれていないのが課題だった。 その課題を解決し、まずは先入観なく本広告を閲覧してもらい、「大麻の誘いへの対処法」を伝えるため、大麻乱用防止啓発広告であることが最後に分かる構成になっています。CM、ポスター共に「何の広告だろう？」と興味を引き、見続けると実は「大麻の誘いへの対処法」だったと後から気づきを与える内容になります。 ・REALの原則を用いた「大麻の誘いへの対処法」を伝える４本の大麻乱用啓発CMとポスターを作成。​ ・WEBCMは、若年層が興味を持ち、MVでトレンドのリリックビデオの手法を取り入れた１５秒のアニメーションCMとなっており、短時間で大麻の誘いからの対処法に興味をもってもらう内容となっています。 ・YouTubeチャンネル「No Drugs Fukuoka」で公開。YouTube・TikTokに広告を配信し、若年層を動画の視聴に誘導。若年層に深くアプローチできる下記オンライン、オフラインの広告施策で全方位から啓発広告を行ました。
Fukuoka Carbon Credit Club — Making You a Little Prouder - 映像作家: KeijiroHayashida
2D animationCMWeb CM

Fukuoka Carbon Credit Club — Making You a Little Prouder

2024〜
00:00:16
【課題・背景】 福岡県が推進する住宅用の太陽光発電設備等共同購入推進事業において直近２年以内に太陽光発電設備等を導入した家庭などを対象に「福岡カーボンクレジット倶楽部」への加入者を増やす取り組みが行われるにあたり、同事業の広報と加入者を増やす企画の公募があり、ADMOVEが提案を行い採用され、動画を制作致しました。 【登場人物】 環境保全を推進する妖精エコちゃん 太陽光発電を設置し、福岡カーボンクレジット倶楽部に入っている佐藤家（画面左） 太陽光発電を設置し、福岡カーボンクレジット倶楽部に入っていない田中家（画面右） 【ストーリー】 お隣同士の佐藤家と田中家は両家とも太陽光発電設備を設置しています。しかし佐藤家だけはＱＵＯカード5千円がもらえ、田中家がなぜかもらえないという状況。その理由は佐藤家は「環境保全に貢献する参加料無料の福岡カーボンクレジット倶楽部に入っていたから」でした。 【構成の狙い】 冒頭の「福岡県です」というナレーションで信頼を提供。その後歌とダンスに入ることで記憶に定着させ、認知拡大を狙っています。 また、両家同様に太陽光発電を設置しているにもかかわらず佐藤家しかプレゼントがないという状況を強調することで視聴者にも疑問を持たせ、福岡カーボンクレジット倶楽部に入っているからＱＵＯカードプレゼントがあるという気づきを与え、理解させ、記憶に定着→福岡カーボンクレジット倶楽部に入りたいという気持ちに誘導する狙いです。 また、人は特典があっても理由がなければ「なにか裏があるのではないか…」と怪しんですんなり加入することはありません。ですので「環境保全に貢献する参加料無料の取組です」という倶楽部の存在意義をナレーションを最後に構成することで、疑いが晴れ、倶楽部に入ろうと考えていただく狙いです。検索窓上部の「あなたをちょっと誇らしくする」というコピーも倶楽部に入ることで変化する心理的メリットを表現し、検索を後押ししています。
When Love Turns to Fear... - 映像作家: KeijiroHayashida
2D animationAIWeb CM

When Love Turns to Fear...

2025〜
00:00:16
【課題・背景】 女性に対する暴力を防止するための啓発と、相談窓口周知のため。 大分県内の若年層が、女性に対する暴力等について知り学ぶ機会を設け、考えるきっかけづくりとするとともに、被害者支援につなげる相談窓口周知を行う。 【実施内容】 ●データに基づいた具体数の広告コピーや気づきを与える広告コピーとビジュアル ●最後まで見ると納得できたり衝撃的な気付きがある ●ターゲット層の若年層の女性に親和性の少女漫画タッチでの表現 デートDVの本質である「力による支配」から逃れるため、また、気づきを与えるため、DV被害を受けている人（や周りの方）に恋人や恋人の言動、行動などが「こわい」と感じるようになったのであればデートDVかもしれないという気づきを与えるコピーを構成。DV被害者は、恋人が好きだから、嫌われたくないから仕方ない、自分が悪いんだという洗脳にも近い心理状況だそうです。そんな心理状態の方に、恋愛の中にDVはひそんでいる可能性があることを「こい」「こわい」の言葉のようにたった一文字変わるだけで恋がこわい＝DVの意味合いになる比喩を用いて表現しています。
14 Works
NHK Minna no Uta "The Town Where Sunset Is Born" Animation - 映像作家: izumiogawa
2D animationAnimationBroadcast

NHK Minna no Uta "The Town Where Sunset Is Born" Animation

2025
00:00:55
NHK Minna no Uta, broadcast from April to May 2025 This animation was created to accompany the song “Yūyake ga Umareru Machi,” by Ikimono Gakari meets Humbert Humbert. It was made with feelings of love for one’s hometown where one was born and raised, the resolve to keep moving forward on one’s own path, and pride in the life one has walked so far. The video posted here is an excerpt without audio. Please be sure to watch the full version with audio on the broadcast.
.ENDRECHERI. Tsuyoshi Domoto "Machi. . . ." Lyric Video - 映像作家: izumiogawa
2D animationAnimationLyric videoMusic video

.ENDRECHERI. Tsuyoshi Domoto "Machi. . . ." Lyric Video

2024
00:02:18
.ENDRECHERI. Tsuyoshi Domoto’s heartfelt rearrangement of “Machi,” the singer-songwriter debut song he released in 2002, revisited 22 years later in 2024. Starting from Nara, Tsuyoshi’s hometown, the piece depicts each scene with the image of moving eastward through Osaka, Aichi, and Tokyo. It was mainly produced as 2D cutout animation with digital drawing, and the two opening shots of the character’s movement were created using rotoscoping.
3 Works
Sandbox - 映像作家: yukikimura
InstallationInteractive

Sandbox

2025
00:01:10
I have continued working on cross-disciplinary production, such as pictorial images with cinematic qualities and painterly animation. This work, *Sandbox*, is an experiment in replacing painting and animation with a game engine. In this work, I used a game engine to create an “electronic sculpture” and attempted to visualize a non-tactile sense of reality. By following afterimages that traverse space, it aims to unsettle the viewer’s bodily perception. At the same time, an autoplay function was built in so that the game would assimilate into the environment like ambient music, becoming a “passive game / background game.” It is an interaction/installation in which the viewer/player can seamlessly move back and forth between “play,” controlled with a controller, and “viewing,” without using a controller.
9 Works

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