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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects

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7 Works
7 Works
14 Works
WE ARE ALIENS - 映像作家: kadowakikouhei
2D animationAnimationMovieOriginal

WE ARE ALIENS

2026
00:01:01
Official Selection, Directors’ Fortnight, 79th Cannes Film Festival We Are Aliens to be released in theaters in 2026. Co-starring: Ryota Bando × Aoto Okayama Music: Yaffle Two boys meet in a small town in the Heisei era. Tsubasa, troubled by being “ordinary,” and Kyotaro, a “special” presence. But what happens beyond the distortions of everyday life will dramatically change the relationship between the two——. Is this a story of the boys’ youth? Or a memory they wish they could erase?
Feature-Length Anime “We Are Aliens” Teaser Video - 映像作家: kadowakikouhei
2D animationAnimation劇場映画

Feature-Length Anime “We Are Aliens” Teaser Video

2026
00:01:35
Official Selection, Directors’ Fortnight, the 79th Cannes Film Festival The film We Are Aliens will be released in theaters in 2026. Co-starring: Ryota Bando × Amon Okayama Music by: Yaffle Two boys meet in a rural town in the Heisei era. Tsubasa struggles with being “ordinary,” while Kiyotaro is someone “special.” But an incident that occurs beyond the distortions of everyday life dramatically changes the relationship between the two——. Is this a story of their youth? Or a memory they want to erase? ▼Official Website https://nothingnew.film/wearealiens/ [Film Information] Title: We Are Aliens English Title: We are Aliens Release Date: Theatrical release in 2026 Planned, Written, and Directed by: Kohei Kadowaki Cast: Ryota Bando, Amon Okayama (co-starring) Music: Yaffle Copyright: ©NOTHING NEW, MIYU PRODUCTIONS Planning, Production, and Filmmaking: NOTHING NEW In cooperation with: MIYU PRODUCTIONS
13 Works
FY2026 Agency for Cultural Affairs Media Arts Creator Development Support Program Project Call Visual - 映像作家: tamuraikuho
3DCGAnimation

FY2026 Agency for Cultural Affairs Media Arts Creator Development Support Program Project Call Visual

2026
00:00:12
For Reiwa 8 as well, I was again in charge of the key visual for the call for proposals for the Agency for Cultural Affairs Media Arts Creators Development Support Program. By combining 3DCG created with Blender, rotoscoping, and distinctive textural expressions using a thermal printer, I built a tactile visual world in which digital and analog elements coexist comfortably. Existing values are depicted as a “school of fish,” or a collection of homogeneous individuals, while the newly emerging “egg” within it is expressed as a symbol of new values and perspectives nurtured through the support program. The sound design is by SOZEN OTSUBO. The delicate sound gives the entire video an organic sense of life.
B-PARTY 2026 Official Teaser - 映像作家: tamuraikuho
2D animationAdvertisementGraphic designMain VisualMotion graphics

B-PARTY 2026 Official Teaser

2026
00:00:15
Under the creative direction of the Yokohama DeNA BayStars, we produced the visuals and teaser movie for “B-PARTY 2026.” With Yokohama Stadium transformed into a party venue, the event offers food and drinks alongside powerful sound from the DJ stage. The sound design for the attack video was handled by SKYTOPIA. The danceable sound, perfectly suited to the event, was created using cheers and bat sounds as source material.
Welcome Youth 2026: A New Spring Sensation - 映像作家: tamuraikuho
3DCGAnimationWeb CM

Welcome Youth 2026: A New Spring Sensation

2026
00:00:21
Produced an advertising film for the Welcome Youth campaign, planned by the Tokyo Metropolitan Foundation for History and Culture. During the campaign period, users aged 18 and under can enter eligible exhibitions and performances for free. Set against scenes that symbolize spring break, a man and a woman experience art. The work was created around a hopeful visual theme, serving as a gateway to new experiences. The sound design was by SOZEN OTSUBO, who has collaborated on projects with Hoshimiya Toto and others. A soft spring atmosphere is expressed through dazzling light, vivid colors, and rich tones.
FUNCORE vol.02 - 映像作家: tamuraikuho
2D animation3DCGArt workAudio visual performanceMain VisualMotion graphics

FUNCORE vol.02

2025
00:00:11
Main visual for “FUNCORE,” a party planned to coincide with Kero Kero Bonito’s Sarah Bonito’s visit to Japan. Layering the pop sensibility that also resonates with J-pop and the humor of nerdcore onto the hard-edged presence of an acidic cyber bug, as if reconstructed from metal and synthetic resin, the work boldly crossovers between contrasting textures. The artist also took part as a VJ on the day of the event, controlling the space with a consistent graphic tone from the key visual to the venue design. During Sarah Bonito’s set, they performed as a VJ in a B2B with Monotone, pursuing a denser visual expression.
49 Works
[Virtual Sanrio Puroland] Immersive Show Spooky ‘n’ Sweet Mansion - 映像作家: shinodatoshitaka
VRXR

[Virtual Sanrio Puroland] Immersive Show Spooky ‘n’ Sweet Mansion

2025〜
00:36:17
Sanrio’s VR amusement park, the VR show at Sanrio Virtual Puroland, Spooky ‘n’ Sweet Mansion. An immersive show where you can enjoy an interactive experience in VR space. A show in which you explore a haunted house and move the story forward by solving problems together with Sanrio characters, including Hello Kitty. The video for Spooky ‘n’ Sweet Mansion was directed by BUSSAN and filmed within VR space.
THE LUV BUGS, RikA Madobe, TORIENA / bootleg wonderland (Music Video) - 映像作家: shinodatoshitaka
3DCGMotion graphicsMovieMusic video

THE LUV BUGS, RikA Madobe, TORIENA / bootleg wonderland (Music Video)

2026
00:04:28
Tatematsu Natsuna, yonayona graphics, and I each divided the project into separate parts and directed them individually. We set the world of the deep web, which is the theme of Madobe Rika’s song, in an abandoned school, treating it as a Japanese liminal space. Also, to create a noisy texture that could not be achieved with effects alone, we used a VX-1000— a camera from the early 2000s, when the deep web and underground sites were thriving — along with DV tape, a low-resolution digital format, to recreate the low-resolution visual tone that filled the internet at the time.
8 Works
TOKYO SWINDLERS - 映像作家: kenjinakashima
Main VisualMotion graphicsMotion logoMovieOpening movie

TOKYO SWINDLERS

2022-2026
00:02:18
The opening sequence features narration by Takayuki Yamada, explaining the work of land swindler. The music is composed by Takkyu Ishino. The film focuses on introducing this peculiar crime, born out of Japan's unique document culture, to an international audience. It begins by showcasing the meticulous process of creating forged documents used in their scams. Additionally, Jimen-shi are said to scan the city from a bird’s-eye view in search of targets, and this perspective is visualized through a combination of aerial footage of Tokyo and residential maps, illustrating the real-life locations of land fraud cases that have occurred since postwar Japan.
PilAF WORKS - 映像作家: kenjinakashima
2D animation3DCGAdvertisementAnimationArt workBrand movieBroadcastMotion graphicsMotion logoShowreelTitle movie

PilAF WORKS

2022-2026, 2025
00:02:41
A visual artist who moves effortlessly between the worlds of film and graphics. From title designs for acclaimed works such as The Naked Director, Tokyo Swindlers, and Bakuman., to commercial production for major brands like NIKE and TOYOTA, and music videos for acts including Kanjani∞ and Denki Groove, he pursues original visual expression across a wide range of genres. Crossing over the worlds of television, film, music, and advertising, he has created many striking works that fuse storytelling with visuals. A creator who is constantly exploring the possibilities of a new visual language.
20 Works
5 Works
TVOsaka "NEXT IP PROJECT" Promotional CM 15second - 映像作家: ak4m3
Motion graphicsPVTV-CMWeb CM

TVOsaka "NEXT IP PROJECT" Promotional CM 15second

2026
00:00:16
I directed a 15-second promotional commercial for the TV Osaka NEXT IP PROJECT. In this project, where TV Osaka holds an open call for content plans and provides a total production budget of 100 million yen to create programs and content, they are looking for ideas that are "a step above" and break conventional wisdom, along with the "passion" to make them viable as a business. I proposed creating a stylishly chaotic video using chaotic motion graphics that break the conventional concepts of commercials and a rhythmic cut tempo. I produced the promo video using many elements that leave an impression on the eyes and ears.
KAGARIBI#15 | TOP8 Opening V - 映像作家: ak4m3
2D animation3DCGGraphic designLive opening animationLive VideoMotion graphicsMovieMusic VisualizationOpening moviePerformance

KAGARIBI#15 | TOP8 Opening V

2026
00:00:20
This is a motion graphics piece for the rap section, produced as part of the background visuals for the TOP 8 opening live performance at KAGARIBI #15, an unofficial Super Smash Bros. tournament held at Makuhari Messe. The rap part of the theme song "THRONED," created by the beatbox crew SARUKANI, has been visualized through motion graphics to craft a high-impact video. While it is 2D-based, I took on the challenge of incorporating 3D footage sparingly to achieve a richer visual quality. By picking up the various lyrics—a mix of Japanese and English—and the unique sounds produced by beatboxing, I have attempted to visualize the music through a diverse range of motion graphics tailored to each specific element.
14 Works
3 Works
Revris – Øinearly_ - 映像作家: kazukitsurumi
3DCGAnimationMovieMusic videoOriginal

Revris – Øinearly_

2025
00:04:55
Music video submitted for the song submission event “VocaDuo2025.” I was responsible for the visuals. Using the optical property that “red disappears as water depth increases,” I translated it into imagery as a metaphor for loss and the fading of memory over time. By varying the lyric design in the poetry section depicting rapid submersion, and employing an overall fantastical color palette, I created a visually quiet yet strongly narrative composition, resulting in a work that appeals to the viewer’s imagination.
11 Works
no.9 orchestra / The moment - 映像作家: flapper3
Music video

no.9 orchestra / The moment

2025〜
00:03:38
This work is based on the “fleeting scenery” captured while driving on a highway, and is built around the concept of connecting the sensibilities that lie between photography (the moment) and music (time). It reconstructs elements such as the tension of the shutter, the space created in between, and the sense of speed through both sound and visuals, portraying an experience in which “moments accumulate and become time.” In the visuals, rather than simply arranging still photographs, depth information is generated to create a pseudo-3D effect, and by moving them again, a new temporal axis is introduced. Instead of faithfully reproducing reality, the work deliberately incorporates imperfections and blur, adopting a method of transforming photographs into something else entirely. Through trial and error under the constraints of using only photographs and instrumental music, this piece aspires to the beauty and immersion that emerge from limitation.
7 Works
中島健人「Gods’ Play feat. Naomi Watanabe」Music Video - 映像作家: nio
3DCGMusic video

中島健人「Gods’ Play feat. Naomi Watanabe」Music Video

2026
00:03:10
神は完璧で知性的な存在だと思っていた。
 世界には見えない計算があって、人生の出来事には全部“意味”があるのだと。 しかし、よく観察すると、人間の人生は驚くほど「ランダムよりもさらにランダム」だ。
 もし神が本当に知性的なら、説明がつくことがもっと多いはず。
 だとしたら、世界はもっとゆるく、適当に揺れているだけなんじゃないかと最近思う。 そして、その“適当さ”に気づくと少し気が楽になる。 神が完璧じゃないなら、人間だって完璧じゃなくていい。 世界はもっと、想定外のことで溢れているのかもしれない。

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