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Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
monoton – Nibi (Interactive MV) - 映像作家: monoton
3DCGCodingGenerative ArtInteractiveMusic videoReal-time GraphicsWeb

monoton – Nibi (Interactive MV)

2026
00:02:35
This is the music video for the original song “Nibi,” released in 2026. I created the song, the visual system, and the web app. “Nibi” refers to a dull grayish color. In this work, I made ink-like coloration the basis of the visuals. Particles in the four CMYK colors drift through 3D space, repeatedly gathering into and dispersing from the shapes of lyrics and motifs to construct the imagery. For the overlapping colors, I used subtractive color mixing calculations; the denser the particles become, the darker they sink as the inks blend together. Although the work is presented on a display, a texture like dynamic printed matter emerges, as if halftone dots on paper were dancing. The particles converge from flat shapes, noise, pendulums, and other geometric patterns into letters, then scatter once again. Rather than a continuous sequence of completed letters, the transitions of gathering and dispersing themselves are the main visual attraction. All of the visuals in this work are rendered as a continuous video within a web app, and the MV video was exported as a single uninterrupted shot with no cut editing. The lyric text is placed in 3D space and is framed by the camera angles set by the creator. I released this web app itself as a viewer, allowing viewers to freely move the camera in the browser and explore areas beyond the viewpoints selected for the MV. This is an attempt to open up both the production process of the visual work and the experience of the creator’s selection of viewpoint itself. The source code is also available on GitHub. For the particle physics calculations, I used Three.js WebGPU’s TSL compute shaders to enable real-time GPU processing of a large number of particles. In environments that do not support WebGPU, it falls back to WebGL 2 and also works on smartphones. MV website https://monotonmusic.com/nibi/
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects

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5 Works
OBJECT INDEX CONCEPT MOVIE - 映像作家: fukaofilminstitute
Concept MovieStopmotion

OBJECT INDEX CONCEPT MOVIE

2024
00:02:00
Concept film for OBJECT INDEX, a new brand for overseas markets from KAKIMORI, the long-established stationery maker headquartered in Kuramae, Tokyo. The film is quietly and precisely composed so that the atmosphere conveyed by the products—their functions made visible in form, their noise-free coloring that blends into any lifestyle, and the particular kind of madness hidden within Japanese craftsmanship—becomes the very character of the visuals.
27 Works
11th New Chitose Airport International Animation Festival Official Trailer / New Chitose 2024 Signal Film - 映像作家: yokoyuki
2D animationAnimationExperimental filmOpening moviePromotionPVWeb CMWeb movie劇場映画

11th New Chitose Airport International Animation Festival Official Trailer / New Chitose 2024 Signal Film

2024
00:00:30
Official trailer for a film festival held at an airport. When making animations, I always go through trial and error and experiment every time, but I am constantly troubled by how hard it is to actually improve. If I boldly discard the things I have built up, I sometimes discover something new, or when I break through a certain stage, my vision suddenly opens up and I start to feel delighted. I feel as though I create while repeating this process of coming closer and moving away, becoming blurred and then clear again. The sound design includes the sounds of stationery and art materials used in the actual trailer production, as well as voices and singing from meetings. I hope viewers can feel the excitement of finally completing the work and setting off for the film festival.
5 Works
37 Works
12 Works
Frosted Glass - 映像作家: yukikawakami
3DCGAnimationMotion graphics

Frosted Glass

2025
00:01:21
Frosted Glass A 3DOOH artwork designed for the digital signage in the foyer of Akasaka BLITZ STUDIO, aiming to redefine the boundary between digital and physical spaces. The visual expression incorporates the texture of “frosted glass.” By intentionally using a texture that limits transparency, it makes viewers aware of the space extending “beyond the glass,” imparting a sense of physical depth to an otherwise flat display. In addition, to adapt to the changing ambient light environment throughout the day, two distinct lighting settings were implemented: Daytime: Exterior lighting that simulates natural sunlight from outside. Nighttime: Internal lighting that recreates the glow of light leaking from indoors. By synchronizing the visuals with the surrounding light sources, the unnatural “floating” effect typical of digital signage is minimized. The design aims to blend seamlessly into the landscape of Akasaka, a prominent entertainment district.
DayDay. - 映像作家: yukikawakami
3DCGAnimationBroadcastMotion graphicsTitle movieTV

DayDay.

2026
Only Image
We renewed the opening, jingles, and other elements for Nippon TV’s morning information program DayDay. Keeping the logo, the program’s overall world, and its existing tone intact, we created the visuals around the theme of “fresh.” By newly incorporating translucent materials, we evoke a refreshing morning atmosphere. This was made for people who head out of the house in the busy morning, as if being pushed along by something.
46 Works
Shinjuku East Exit Cat “4th Anniversary Thank You Edition” (2025) - 映像作家: omnibus-japan-inc
3DCGAdvertisementAnimation

Shinjuku East Exit Cat “4th Anniversary Thank You Edition” (2025)

2025〜
00:00:30
Shinjuku East Exit Cat “Thank You for the 4th Anniversary Edition” A 15-second special video commemorating the fourth anniversary of “Shinjuku East Exit Cat,” which has become a landmark in Shinjuku. This work builds a “retrospective” world that looks back on the series’ journey since the first installment in 2021. Its biggest highlight is the “nested” structure, in which past works are played on monitors placed within the 3D space. It creates a multilayered visual experience spanning the real-world display, the cat’s room, and the monitors within the video. Around the cat, meanwhile, cat bells, folk crafts, and unidentified objects that had been repeatedly dropped in the “Barely Edition” spin lively in circles. By scattering motifs symbolizing episodes from across the series like a collage, the piece expresses gratitude to fans while humorously reassembling four years of context into a festive work full of celebratory energy.
Snake Line (2025) - 映像作家: omnibus-japan-inc
Art workIllustration

Snake Line (2025)

2025
00:06:00
Snake Line A video installation by filmmaker Shinichi Yamamoto and musician Tetsuji Ohno (Intercity-Express). Set at the biotope located at the edge of the forest within the expansive grounds of Nagaoka Institute of Design, the work features a 20-meter screen constructed from 40 connected LED displays. Positioned at the forest's margin — visible from the campus buildings — it unfolds amid the falling leaves of late autumn. From 9 a.m. to 9 p.m., the work continuously shifts in response to the changing quality of daylight, rain, and the darkness of night reflected across the water's surface. Emitting vivid, high-saturation color, the installation neither confronts nor overwhelms its natural surroundings, but settles quietly into the landscape. The sound, composed by Ohno, builds an ambient sonic environment rooted in field recordings of a suikinkutsu — a traditional Japanese water instrument. Snake Line was produced as part of VideoListening, a media art program directed by Shinichi Yamamoto.
Fragments Immersive Museum Tokyo Vol.3 version (2024) - 映像作家: omnibus-japan-inc
Art workEvent

Fragments Immersive Museum Tokyo Vol.3 version (2024)

2024
00:03:30
Calligrapher Mariko Kinoshita’s inscription of a passage from Kamo no Chomei’s *Hōjōki* is divided into squares and redefined as “fragments.” Film artist Shinichi Yamamoto assigns a time axis to those cells using a unique algorithm, while musician Corey Fuller layers an ambient soundscape built from deconstructed and reconstructed readings of *Hōjōki*, creating a multilayered interplay among the three artists’ expressions. Blending Japanese views of life and death—such as “ku” (emptiness), “engi” (dependent origination), and silence—with a meta perspective on observing landscapes, the work becomes a weighty video poem that explores universality dwelling within impermanence. First unveiled in 2019 across the outdoor large-scale digital billboards of Shinjuku, it continued to evolve and in 2020 was expanded into an immersive spatial presentation at “ETERNAL ART SPACE” in Haneda Airport. In 2024, for its exhibition at Immersive Museum TOK (Shinjuku), it was reconfigured for a vast space of approximately 430㎡ and 6 meters in height. As fragments of calligraphy overlapped geometrically with waves and graphics, it was elevated into an immersive experience as a “reconstructed modern Zen garden,” drawing viewers into a serene spiritual world.
5 Works
15 Works
6 Works
SEVENTEEN (세븐틴) ‘Tiny Light’ Official MV - 映像作家: hohobun
2D animationArt workIllustrationMusic video

SEVENTEEN (세븐틴) ‘Tiny Light’ Official MV

2026
00:03:30
An animated music video that further expands the world of the ending theme for BEASTARS FINAL SEASON Part 2. While following Legoshi’s life, it also incorporates imagery of SEVENTEEN, and the newly produced footage is longer than the version used in the ending theme. The color palette was chosen to match each scene and concept, using soft tones for female fans and deeper, stronger tones for fans of the original work. Building on our previous animation production in PS, we also incorporated Moho for about half of the process. The hand-drawn, frame-by-frame approach remains the same, but it now gives a stronger sense of paper-doll-like joint connections.
BEASTARS FINAL SEASON Part 2 Non-Credit ED | SEVENTEEN "Tiny Light" - 映像作家: hohobun
2D animationAnimationEnding movieIllustrationImageShort filmTVアニメ ending

BEASTARS FINAL SEASON Part 2 Non-Credit ED | SEVENTEEN "Tiny Light"

2026
00:01:30
Concept In a world where the species you are born into determines the course of your life, Legoshi and Haru were beings destined to walk separate paths. Even so, they are drawn to each other, reaching out to one another amid the instability of interspecies romance. Though uncertain, Legoshi keeps moving forward, confronting his inner conflict and instincts. And beyond that, with everyone cheering him on, he continues to run straight ahead. Technique This work was created through a wider range of experiments than ever before, combining commercial production methods with independent, handmade approaches such as rough drawings, hand-painted backgrounds, and real paper confetti. While retaining the collage-style animation in which each sheet and every individual part is moved piece by piece, it also continues to explore ways to adapt to a greater variety of works.
PLAY! MUSEUM Animal Exhibition: Advertising and Exhibition Animation - 映像作家: hohobun
2D animationAnimationCM

PLAY! MUSEUM Animal Exhibition: Advertising and Exhibition Animation

2025
00:00:37
This animation was created for the advertisement and exhibition of “Animal Exhibition” (Special cooperation: National Museum of Nature and Science), held at PLAY! MUSEUM. Featuring taxidermy specimens from the WHO ARE WE exhibition kit for this exhibition (Yoshimoto Collection), it is composed to bring the specimens to life as they make their way to the urban exhibition venue during the night. While continuing to produce animation in PS as before, I increased the proportion of background work done with AE keyframes, taking on the challenge of moving the main characters clearly while also coordinating the background with them. This time, thanks to meeting a collaborator who could handle a certain amount of the animation work, I was able to make time for shooting, and have begun experimenting with incorporating light and shadow in an illustration-like way. In the illustration, I am challenging myself to use color to express the changing time of day.
In full bloom - 映像作家: hohobun
2D animation

In full bloom

2021 ~
00:05:28
A story that follows the fate of a bird accidentally eaten by a pet cat. As it retraces the consequences of acting on instinct alone, it moves back and forth between an unknown world and reality. Created using a sequence of images, based mainly on Photoshop’s three basic operations: move, rotate, and warp transform. In this work, which was my first to be made with the help of others, I lowered the barrier to making animation by using only Photoshop’s basic functions, and worked together with people who had never created animation before.
7 Works
9 Works
2 Works
Create magic. - 映像作家: YutaGOTO
2D animationGraphic designMotion graphics

Create magic.

2025
00:00:05
This work was submitted to the motion category of “Adobe MAX Challenge 2025,” a project held during Adobe MAX 2025. I created this 5-second original piece based on the theme “Turn inspiration into wonder. Create magic.” I expressed inspiration as “!” and surprise as “！！！！！！？”. By combining them all, they transform into “Create magic.”, linking to the Adobe MAX logo and expressing the energy and excitement leading up to the event.
i mi na i - 映像作家: YutaGOTO
2D animationGraphic designMotion graphics

i mi na i

2025
00:00:16
This work was submitted to the “VGT Motion Award Morisawa Category” as part of “VIDEO GRAPHERS TOKYO 2025,” and won the Grand Prize. Centered on the theme of “motion graphics that bring out new appeal in fonts,” a 15-second original piece was created. 〈concept〉 For the most part, letters have been used to convey meaning. I interpreted liberation from that role as the “new appeal of letters (fonts).” Most of the text strings in this work have no meaning; the composition focuses on the shapes and expressions of the letters themselves. The title was simply set as “i mi na i.”

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