Self-produced work. A piece created as a milestone marking the end of my teens. It expresses the past several years of my filmmaking journey through abstract imagery, while centering on nonstop dynamic motion and pop graphics.

As part of the Agency for Cultural Affairs project “Media Arts Japan Promotion Initiative at Airports and Other Locations,” this work was exhibited in the “ETERNAL ~ A Thousand Seconds of Stillness” exhibition held at Haneda Airport. This work was created inspired by the production approach of “Kirin Mon Mandala,” designed by Habotaba Shoryu and Yoji. The technique of monshō ue, in which monogram designs have long been created in the Edo period by combining perfect circles, as practiced by monshō ue artist Mr. Habotaba, was applied by Seiichi Sega through waveforms drawn using physical simulation. By finding natural beauty and harmony in the simple lines formed by the combination of variously sized perfect circles, and overlaying them onto landscapes that appear to have arisen by chance, such as waves and terrain, the work expresses the “moment of composition” in beauty. In response to Kyoka’s sound image, in which ripples are composed as a visualization of sound along the x, y, and z axes, a vast space surrounded by a three-screen display was created.

A promotional video created to coincide with the release of Volume 20 of Jujutsu Kaisen, synchronizing 13 digital signage displays in front of Shibuya Station. A simulator recreating the area in front of Shibuya Station was built in Unreal Engine, with careful attention paid to the placement and staging within a space seen from different perspectives and angles. The sound is arranged in surround, making this a promotional piece that turns the area in front of Shibuya Station into a theater-like experience, where the way the music is heard changes depending on where you stand.