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Hoshimiya Toto + SOZEN OTSUBO - Hi-fi (Official Music Video) - 映像作家: tamuraikuho
3DCGArt workMusic video

Hoshimiya Toto + SOZEN OTSUBO - Hi-fi (Official Music Video)

2024
00:02:28
Created the music video for “Hi-fi,” included on the collaborative EP “Beyond the Binary - EP” by Hoshimiya Toto, who is active on the front lines of internet pop, and SOZEN OSTUBO. Actively employing digital assets such as typography, 3DCG, and PLATEAU, it pursues bold and rich visual expression. In response to the song’s delicate details and dense sound, the colors shift vividly, and the objects reveal a variety of scenes and expressions. From pop, airy chaos, it conveys the space between the virtual and the real.
NHK ETV “Dive in! Ask Us Anything” Opening - 映像作家: K_TOYODA
3DCGBroadcastMotion graphicsOpening movieTV package design

NHK ETV “Dive in! Ask Us Anything” Opening

2024
Only Image
E-tele’s “Numa ni Hamatte Kiite Mita” opening, key visuals, and clutch design We aimed to visualize the show’s concept of delving deeply into a different theme each week. Starting with the two MCs immersed in a wide variety of “numa” characters, the visuals express them being drenched head-to-toe by one “numa” after another as it rushes toward them, gradually seeping into their bodies.

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4 Works
Rakuten GirlsAward 2025 SPRING/SUMMER OPENING MOVIE - 映像作家: 小野哲司Tetsuji Ono
2D animationAnimationMotion graphicsOpening moviePixel Art

Rakuten GirlsAward 2025 SPRING/SUMMER OPENING MOVIE

2025
00:01:13
Opening video for "GirlsAward 2025 SPRING/SUMMER," one of Japan’s largest fashion and music festivals. Theme: "Play Your Style −8bit Dreams−" Inspired by the world of 8-bit games, the excitement of a fashion show is expressed through pixel art animation. The stage leading to the runway is treated as a "game stage," using dot-based characters, UI, effects, and transitions to create an immersive experience that makes the audience feel as if they have stepped into a game. By combining the nostalgic texture of 8-bit visuals with a contemporary sense of pop culture and street style, the message of "choose your own style and play it" is brought to life visually.
JUMP MV /『Dr.STONE』×『Good Morning World!』| BURNOUT SYNDROMES - 映像作家: 小野哲司Tetsuji Ono
2D animationMusic videoPVWeb movie

JUMP MV /『Dr.STONE』×『Good Morning World!』| BURNOUT SYNDROMES

2024
00:01:39
A collaboration MV project between Weekly Shonen Jump and Sony Music. This work reconstructs the story of the anime Dr. STONE around a single axis of time: the time shared by the protagonist Senku and his father, Byakuya. Thousands of years of time, severed by petrification. And yet what was passed down was knowledge, will, and hope. The visuals were designed around the theme of “the future” handed down from father to child.
4 Works
Komyaku’s Dancing Garden, Komyaku’s Farewell - 映像作家: hirai
3DCGCo-CreationGenerative ArtInstallationProjection mappingReal-time Graphics

Komyaku’s Dancing Garden, Komyaku’s Farewell

2025
00:01:41
This work is a video piece that was exhibited and screened as part of an ambient projection-mapping presentation at the EXPO Hall “Shine Hat” and the Popup Stage East Outside at Expo 2025 Osaka, Kansai. Taking as its motif the “EXPO 2025 Design System” IDs, affectionately known as “Komyaku” at Expo 2025 Osaka, Kansai, and with Kohta Hikichi, a representative member of the team that created it, serving as an advisor, we drew on the expertise in artificial-life ecological systems that HiRai has long been researching to create a real-time video simulation system and visuals. In producing the video, we referenced the design system’s history of being prototyped based on metaballs, and developed a real-time simulator in which the Komyaku behave as if they were alive while retaining the identity of the design itself. By using GPGPU to calculate the interactions among large numbers of Komyaku in real time, we built a system that can be flexibly expanded to support a wide range of possibilities, including interaction and the generation of one-of-a-kind videos. At the Popup Stage East Outside, we also took advantage of the architectural characteristics of a structure in which the projected image is interrupted by support columns, and created visuals that made it look as though each steel beam were packed full of Komyaku. We pursued video production that made the most of the characteristics of the projection surface. The name “Komyaku” naturally spread as a nickname referring to the IDs that make up the design system. Taking into account this derivative, fan-created cultural expansion, this work intentionally uses the term “Komyaku.”
Asase Town - 映像作家: hirai
CodingExperienceGenerative ArtInstallationInteractive

Asase Town

2024
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Created as an internal simulator for “Interface Prototype for Different Natures,” exhibited in “Surprisingly Heartful,” the third installment of the 8th KUMA EXPERIMENT, a group exhibition by KUMA Foundation grantees. Based on an artificial ecosystem simulator that uses GPGPU technology to calculate the real-time interactions of large numbers of artificial life forms, it was designed to create a space in which artificial life living in computational space and humans (viewers) living in physical space could interact on equal terms. To that end, I built a system using hardware and sensors that enabled both sides to interact spontaneously with one another. From the perspective of the video work itself, I also incorporated expressions such as the surface of a liquid, exploring ways to make the boundary feel less apparent when exhibited on a touch display.
Born, Involved, Born Again, - 映像作家: hirai
CodingExperienceGenerative ArtInstallationInteractive

Born, Involved, Born Again,

2024
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Exhibited at NTT ICC Kids Program “Kimi ( ). Code ( ). Sekai ( ).” This program was an event for children during summer vacation, and this work was also created with elementary school children and younger viewers in mind. Using bubbles, a “boundary” commonly found in nature, as its motif, the work creates a simulation that expresses an ecosystem composed of multilayered enclosed regions. This simulator runs in real time using GPGPU technology, enabling interaction with viewers. Sensors installed at the floor level detect the movements of children, allowing interaction between the artificial ecosystem and the children. In addition, a new projection sheet was installed for this work, and by instructing viewers to step onto it barefoot, the experience was designed so that they could engage with the artificial ecosystem on a life-size scale while feeling the raw texture through the soles of their feet.
Gene Parallel Computation - 映像作家: hirai
CodingExperienceGenerative ArtInstallationInteractive

Gene Parallel Computation

2022
00:01:24
Exhibited at PARCO P.O.N.D. 2022. A swarm of artificial lifeforms, each with distinct genes and intelligence, formed groups for their own survival and the preservation of their genes, preying on other species and reproducing through mating; this behavior was simulated in real time using GPGPU technology. The activities of each lifeform produce changes only in their immediate vicinity, but those effects spread through a network of interactions, forming a diverse ecosystem. This work was exhibited on a human-height touch display on the fifth floor of Shibuya PARCO, enabling life-size interaction. The touch display was installed midway along a route traveled by people with a wide range of attributes as they moved through the shops, creating unpredictable encounters between the ecosystem and viewers, while also becoming a place for unexpected communication among viewers mediated by the work. As part of “Katawara,” a project to make artificial life exist alongside everyday life, the simulator was run continuously for more than a week in 2024, and the process was streamed on YouTube Live.
16 Works
9 Works
Sleeping Anime "Mysterious Factory" - 映像作家: senpookyakuhoshiko
3DCGAnimationCo-CreationMotion graphics

Sleeping Anime "Mysterious Factory"

2026
00:07:38
CG animation for the “Nemuru Ma Anime” segment included in U-NEXT Kids’ picture-book reading program “Nemuru Ma Ehon.” By weaving together the factory motifs that Masaya Ishikawa had explored in his previous works with the absurd ideas of Senpuukyaku Hoshiko, the piece was brought to life as a mysterious and charming visual work. The 3DCG production was handled by Hoshiko. Through repeated trial and error, the process by which “something” whose state keeps changing—such as being stretched or painted—is manufactured was visualized. In the latter half, frame-by-frame “faces” are given to the manufactured objects to endow them with emotion, retelling the factory line as a single story.
19 Works
48 Works
19 Works
BUMP OF CHICKEN「I」(Lyric Video) - 映像作家: shujihirai
2D animationAnimationMotion graphicsMusic video

BUMP OF CHICKEN「I」(Lyric Video)

2025
00:04:12
Directed and handled the compositing for the lyric video of BUMP OF CHICKEN’s “I,” the ending theme for the TV anime My Hero Academia. The video was crafted so that the various “Quirks” featured in the series would color the screen in sync with the lyrics. Packed with direction inspired by the story, it was created to deliver a level of visual impact that goes beyond the usual scope of a lyric video.
9 Works
Fishmans 「Uchu Nippon Tokyo」 - 映像作家: cosmiclab
3DCGArt workAudio visual performancePerformance

Fishmans 「Uchu Nippon Tokyo」

2025
Only Image
Description: For Fishmans’ solo performance at Tokyo Garden Theatre, C.O.L.O. was responsible for the VJ/video production for “LONG SEASON,” a 40-minute song. The over-three-hour Time and Space created together with 6,000 audience members was a breathtaking work of art. We would like to express our gratitude to producer/sound engineer zAk, who made this opportunity possible, as well as to the members and everyone on the team.
G-STAR x FACETASM “DENIM DEPOT UNIVERSE” - 映像作家: cosmiclab
Brand movieExperimental filmFashion filmPromotion

G-STAR x FACETASM “DENIM DEPOT UNIVERSE”

2024
00:01:01
Announcement of “DENIM DEPOT UNIVERSE,” a limited capsule collection by “FACETASM,” led by Hiromichi Ochiai, and Amsterdam-based denim brand “G-STAR RAW.” Stills and a PR movie, with total direction by C.O.L.O / COSMIC LAB, have been unveiled. By wearing clothing, humans have challenged harsh environments such as outer space and the ocean floor, gaining freedom and creativity. Under this theme, scenes were created that seamlessly connect everyday life with adventures to unknown places. The filming location was the “Misono Universe Building,” a venue that has been ahead of its time since the 1950s. Inspired by NASA archives, the denim designs and the one-of-a-kind space of the Misono Building resonated with each other, giving rise to a new creation.
COSMIC LAB presents JEFF MILLS 『THE TRIP -Enter The Black Hole-』 - 映像作家: cosmiclab
Audio visual performanceExperimental filmInstallationLive actionMovieOriginalPerformance

COSMIC LAB presents JEFF MILLS 『THE TRIP -Enter The Black Hole-』

2024
00:00:51
The world premiere of the stage art work THE TRIP -Enter The Black Hole-, led by Jeff Mills, was performed in Tokyo on April 1, 2024. This is the world premiere of THE TRIP -Enter The Black Hole-, a stage art work co-produced by Jeff Mills, the world-renowned DJ and pioneer of Detroit techno, and COSMIC LAB, one of Japan’s most innovative visual teams. With black holes as its theme, Jeff Mills handled the overall direction, script, and music, while COSMIC LAB expanded his vision of the cosmos and way of thinking through visual direction. In addition, Juju Togawa, who like Jeff Mills has been active since the early 1980s, joined as a singer, and choreographer Hiroaki Umeda, internationally acclaimed for his cross-disciplinary work spanning contemporary dance and digital art, was also part of the production. The stage costumes for each performer were designed by Hiroshi Ochiai of FACETASM, one of Japan’s leading fashion brands. This live expanded cinema work, a journey to the farthest reaches of the universe and an exploration of the deepest depths of the mind, was performed at ZEROTOKYO, equipped with a visual system developed by COSMIC LAB and state-of-the-art sound facilities.
17 Works
FUTURE IDOL – NANIMONO - 映像作家: harukateramoto
3DCGLive actionMusic video

FUTURE IDOL – NANIMONO

2025
00:03:57
Description: At some point in time, humanity vanished from Earth in an instant. Countless pieces of space debris are scattered across Earth’s orbit. Among that debris, an optical disc happens to slip into a player, and the track begins to play. The thoughts left within the music take on the physical phenomenon of vibration and rain down upon the Earth. Parabolic antennas on the ground listen to the vibrations, and radio towers transmit radio waves of their own accord. Signage in an abandoned city displays the performer’s image, obscured by noise, while a three-dimensional hologram is projected onto a sandy beach. Waves gently brush against feet, and a semi-transparent body traces out the choreography. A roadside cathode-ray tube set bears a face mottled with static, hallucinating seven figures who should not be there. When the track ends, the player ejects the optical disc. The Earth glows, and the debris continues to circle in orbit.
Listening to Thoughts Growing Distant - Nagase Yuka - 映像作家: harukateramoto
2D animation3DCGExperimental filmLive actionMusic video

Listening to Thoughts Growing Distant - Nagase Yuka

2025
00:06:01
Commentary: In representing Mr. Nagase, who exists across the dimensions of media, what I had in mind was to show the moment of crossing between dimensions. The passage back and forth between dimensions gradually accelerates, until eventually it crosses dimensions frame by frame. So rapid that the temporal arrangement can be mistaken for spatial contact, and with a movement of flicker that is too fast to stop and yet seems to stand still, the translucent body placed within it can touch you on the retina, between frame and frame. The haze that only becomes visible through motion was also fitting for a melody that feels as if carved out of a raging current—or perhaps written automatically—gentle / eerie / light. Listen to the blur, like a lump of light, with your eyes and ears.
10 Works
17 Works
Phantom Siita "Rose-Colored Moon" (OFFICIAL MUSIC VIDEO) - 映像作家: kazukigotanda
Music videoPaper craftStopmotion

Phantom Siita "Rose-Colored Moon" (OFFICIAL MUSIC VIDEO)

2026
00:03:45
In this work, built around a new song by Phantom Siita, I sought to foreground the group’s aesthetic beauty and darkness while using Le Fanu’s vampire tale Carmilla as a motif, creating a world that unfolds like a Gothic short film. I had long thought that I wanted to make a vampire film at least once in my lifetime, and when I saw “Carmilla” written in a note from producer Ado, I was extremely excited. Among films based on Carmilla, Carl Theodor Dreyer’s Vampyr is one of my all-time favorites, and throughout this production I also kept thinking about the ashen, anemic pallor of Isabelle Adjani and Klaus Kinski in Werner Herzog’s Nosferatu, another vampire film. The setting is an old mansion that appears on a night of the full moon. Through the process of the girl Heine wandering into the mansion and getting swept up in the Phantom Siita’s—vampires’—festival, the film hints at an unnameable emotional wavering that cannot be clearly defined as romance, dependence, or illness. Visually, while drawing on European Gothic sensibilities and the decadent atmosphere of filmmakers such as Daniel Schmid, I aimed for a textured expression that combines live action and analog collage to depict “illness ≠ love.” That emotion is strictly not equal; here, I do not present it in an easy-to-understand way as “love is an illness.” By portraying, on the same plane, emotions that cannot be labeled—“I love you, I’m drawn to you, I want to hold on to you but I don’t want to, I want to run away, I want to live, I want to die, and I don’t want to die either”—alongside a body that grows weaker and more exhausted, I tried to express that this ungraspable feeling is real. As for the collage, rather than shooting against a green screen, we filmed in a studio filled with vintage props and similar items. Because the relationship between space and the people within it was necessary, and because collage needed to draw out that magnetic field in order to create a distortion of reality, I have lately tried to avoid using green screen as much as possible. By dismantling those elements, I wanted to portray a blurred consciousness and memory shaped by the dislocation of time and space. As for the collage method itself, we would print out live-action frames that had been shot and create animation while rearranging them, and even before shooting there were times when fragments of blurred consciousness, the mansion, or parts of scenes were assembled into analog collages.
BUCK-TICK / Raijin Fujin - Resonance MUSIC VIDEO - 映像作家: kazukigotanda
2D animationAnimationArt workMusic video

BUCK-TICK / Raijin Fujin - Resonance MUSIC VIDEO

2024
00:04:44
Based on the imagery evoked by the title and lyrics, as well as the band’s situation in 2024, we set the theme as “resonance and collision of wavelengths.” As reference points, we drew on Guillaume Apollinaire’s The Magician Who Decays and “Holography Hymn” from Tatsuhiko Shibusawa’s The Sun King and the Moon King to build the world of the piece. To bring the collage created on a flat surface into the real location, we produced the art direction as physical set pieces. With the band’s long-established formation having changed, while preserving the empty space at the center, we sought to honor the band’s intention, and we depicted the camera dolly moving side to side as literal gods of thunder and wind. We also used the set door to suggest that this place is connected to somewhere else. The cut tearing open into a transition likewise carried the intention of representing another place elsewhere.
11 Works

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