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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
NHK "Masterpiece Analysis Classroom" Track 3 - 映像作家: maruakari
2D animationAnimationMusic video

NHK "Masterpiece Analysis Classroom" Track 3

2026
Only Image
We created an animated music video based on Kubo Saki’s “Ihoujin.” It is based on Daisuke Nakagawa’s interpretation. “Masterclass in Song Analysis” If we examine the lyrics of a classic hit in depth, what kind of message will emerge? In this program, young people of the Reiwa era thoroughly analyze beloved songs from the Showa and Heisei eras through a modern sensibility! The stories born from that process are then turned into brand-new music videos.

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4 Works
Capper - Deep Sea (Official Music Video) - 映像作家: matheusvkatayama@gmail.com
Music videoMusic Visualization

Capper - Deep Sea (Official Music Video)

2024
00:03:51
When I first heard this song, I felt my emotions scatter in every direction, as if confusion and calm were spreading through my chest at the same time. A faint hope within sorrow. A small flame flickering without fading, deep inside a frozen body. This work began by gently gathering those contradictory feelings, the fact that they simply “exist,” as a visual expression. This music video depicts an emotional journey that begins with a parting. How a heart that has experienced loss wavers, and eventually moves toward acceptance. That inner transformation is carefully woven together through color design, lighting, framing, and camera movement synchronized to the rhythm. A room submerged in water, an empty deep sea, a motorcycle racing through the city at night— all of it symbolizes the protagonist’s mental state and emerges as an inner landscape. For the lighting, rather than direct light, I deliberately used reflections and silhouettes to leave room for ambiguity instead of clear-cut “answers.” The camera work was designed to visualize the heart’s fluctuations, shifting like waves from stillness to motion, from tight to wide. As for the structure, I prioritized the flow of emotion over a conventional storyline, so that viewers could focus on simply “feeling” the piece. Scattered memories and thoughts overlap into a single mental landscape, and before long, quietly, they become a tear. That pool of water may perhaps be an ocean made of one’s own tears. I would be happy if this video could gently resonate somewhere with the “deep sea” that exists within each viewer.
Aisho Nakajima – Gangbang feat. Yohji Igarashi (Official Music Video) - 映像作家: matheusvkatayama@gmail.com
Music videoMusic Visualization

Aisho Nakajima – Gangbang feat. Yohji Igarashi (Official Music Video)

2024
00:02:23
This video work is an attempt to speak, through the medium of film, to the ambiguity and beauty held within the word “desire.” Aisho Nakajima’s GANGBANG is not mere provocation, but an anthem to the moments where human instinct and intimacy intersect, and I sought to depict it as a “visual orchestra.” The stage is a sealed, sensual room where shadow and light intertwine. There, the boundaries of gender and identity dissolve, and kisses and embraces emerge as a single fluid language. As the 360-degree rotating camera slowly traverses the space, the audience is led not into the feeling of “peeking” into this world, but into the sensation of “being there together.” What matters is not the correctness of the gaze, but the honesty of sensation. The extensive use of close-ups brings into focus the air drifting between bodies and the fragility that resides in exchanged glances. The lighting is pared down to the extreme, quietly illuminating the contours of the skin and the rhythm of breath. The shadows themselves become the blank space of desire. GANGBANG is a visual poem that affirms someone’s sexual being as sensual beauty. It is political, and at the same time deeply personal. By hovering on the knife-edge between “showing” and “making one feel,” this work once again asks what it means for us to “connect.”
Issei Uno Fifth – TEENAGE PROBLEM (Prod. by HYESUNG) (Official Music Video) - 映像作家: matheusvkatayama@gmail.com
Music videoMusic Visualization

Issei Uno Fifth – TEENAGE PROBLEM (Prod. by HYESUNG) (Official Music Video)

2025
00:03:52
This video work is a poetic piece that portrays the two extremes of “pain” and “brilliance” swirling within a teenager’s heart. Its non-linear, fragmented narrative moves back and forth between reality and memory, as if wandering through the fault lines of recollection, depicting the lingering aftereffects of the protagonist Airu’s heartbreak and the faint light that remains within it. Current loneliness and the tenderness of the past. Shouts and silence, warmth and collapse. All of it layers itself within the rhythm of the visuals, creating a loop of emotion. The camera shakes in hand-held motion, following and capturing emotional turbulence in a physical way. The lighting uses cold blue and gray tones for the present, as if separating existence from memory, while the flashbacks are rendered in warm, slightly overexposed light. Neon glow, like sparks of emotion, occasionally washes over the frame. In the editing, the theme of “a chain of emotions that feels as if it might break, yet never quite does” is expressed through scattered match cuts, dissolves, and glitch-like moments, leaving room in the viewer’s heart. The film repeats rises and falls like a heartbeat, creating an emotional rhythm. This work is a visual poem that seeks to portray all the pain and love hidden behind a single word: “Y.O.U.” It is a visual monologue woven for someone’s emotions that have not yet become words, about self-destruction and rebirth, and how to love and how to lose. Straightforward, awkward, and therefore beautiful — it is a work that burns into image the essence of “teenage.”
showmore – liquid【Official Music Video】 - 映像作家: matheusvkatayama@gmail.com
Music videoMusic Visualization

showmore – liquid【Official Music Video】

2024
00:03:23
This video depicts “the quiet afterglow left behind after parting.” Two people who will never cross paths again. Yet only the threads of emotion remain, thinly and unmistakably, stretching across space. The man and woman never appear in the same frame; each simply stands still within their own world. A man smoking in a room, a woman sitting inside a car wrapped in rain. Time does not move, and there are no words, only emotion drifting there. At the core of this work is “repetition.” The phrase “just because,” repeated again and again in the lyrics. In response, the visuals also repeatedly show the same frames and actions. Exhaling smoke, gazing at the rain, a hand tapping the steering wheel. All of these are mental landscapes of characters trapped within an emotional “loop.” In the editing, by repeating the same moments, the work creates a sensation as if time were melting away. Even within the repetition, subtle changes—a slight shift in light, the timing of a breath, the tremble of a gaze—are woven in, quietly conveying to the viewer that emotion is not completely still. The lighting and camera work are also closely linked to the poetic tempo. Soft, diffused light, streetlights reflected in raindrops, shadows wavering in cigarette smoke. Everything expresses “things that are unclear, yet undeniably there.” Liquid is a visual poem that shines a light on the “ambiguity” of emotion and the things that cannot be put into words. Bittersweetness and release, stillness and suffocation—an audiovisual experience where all of these coexist, like being inside a dream. We aimed for an afterglow that gently touches the depths of the viewer’s memories and emotions.
2 Works
Anime Series "Dead Dead Demon's Dededede Destruction" Opening Video - 映像作家: shotaoga
2D animation3DCGLive action

Anime Series "Dead Dead Demon's Dededede Destruction" Opening Video

2024
00:01:31
Created the opening video for the anime series Dead Dead Demons Dededede Destruction. By photographing the cityscape that served as the model for the original work from the same angles as in the anime and manga, and compositing the characters into it, the piece is designed to make the world of the manga feel even more immediate. The style was distilled into one that reflects original creator Inio Asano’s approach of drawing from 3DCG models and photographs.
2 Works
1 Works
12 Works
New Shinjuku Ondo - 映像作家: ぬQnuQ
2D animation3DCG

New Shinjuku Ondo

2023
Only Image
Produced as a welcome movie for TOKYU KABUKICHO TOWER HOTEL GROOVE SHINJUKU. A geyser erupted on “Shinjuku Island,” the sleepless island floating in the middle of the eastern sea. Ichiro and Futako, born together with the column of water, set off to explore the island with unstoppable momentum. Glittering signs, ultra-fast conveyor-belt sushi, towers of cocktails, and so many things they have never seen before! People and the city undulate like a roller coaster, creating one groove together.
FamilyMartVison / Digital Art - 映像作家: ぬQnuQ
2D animationAnimationArt work

FamilyMartVison / Digital Art

2022
Only Image
An original animation created for FamilyMart’s “Artist Support Project,” which launched last year. Based on the world of the paintings presented in the solo exhibition “Quishinbo Room,” held at museum shop T in 2021, it has been finished in a colorful, pop style by adding the sense of depth unique to animation and the rhythmic movements of Ichiro and Futako. Distributed since February 2022 at stores nationwide equipped with digital signage.
5 Works
Shiseido Quality Principle - 映像作家: kazuhirohata
3DCGConcept MovieMotion graphics

Shiseido Quality Principle

2023
00:03:14
We produced a video to help all employees and external audiences become aware of Shiseido’s newly established “Shiseido Quality Policy.” We first developed the concept below, and then translated it into visuals. To convey warmth and delicacy, the illustrations were also designed with tactile gradients, textures, tones, and more in mind. ーーーーーーーーーーーーーーーーーーーーーーーー Beautiful “pearls” are created by human “hands.” Life resides in the painstaking handiwork and mastery of artisans. Delicate care, drawing on nature’s gifts. Careful selection and polishing. Proper management to preserve beauty. Designs that consider the occasions on which they are worn and the people who wear them. A balance in which every element is in harmony, gently embracing the skin and individuality to bring out its allure. Like pearls lovingly crafted by human hands, Shiseido too has always approached quality with sincerity. “Let the product speak for itself.” With those words in our hearts, each Shiseido employee’s handiwork breathes life into our products. In pursuit of quality that exceeds our customers’ expectations. ーーーーーーーーーーーーーーーーーーーーーーーー
1 Works
16 Works
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10 Works
Citizen Watch “The Design of Emotion | For Those Living Through This World” - 映像作家: kazuyukimiyabe
Web CM

Citizen Watch “The Design of Emotion | For Those Living Through This World”

2024
00:02:37
CITIZEN’s design philosophy film, created to commemorate the company’s 100th anniversary. In a time when attitudes toward “what a watch should be” and “how we engage with time” are undergoing significant change, we conducted interviews with 25 members of CITIZEN’s Design Department about their thoughts on “making watches,” and produced this film based on those recordings. The audio data will be preserved as an in-house archive at CITIZEN Watch for the next 100 years. This film was created to convey to as many people as possible the meaning of making watches, which is the core of the company’s business, as well as the passion behind watchmaking for CITIZEN’s future.
Hotel Chinzanso Tokyo Recruitment Movie - 映像作家: kazuyukimiyabe
DocumentaryRecruit

Hotel Chinzanso Tokyo Recruitment Movie

2023
00:01:41
With the renewal of the recruitment website for Hotel Chinzanso Tokyo, a long-established hotel with over 70 years of history, we produced three types of videos: background footage for the recruitment site, a recruitment concept movie, and a 15-minute vision movie. Hotel Chinzanso Tokyo has been building its history alongside its lush gardens. By connecting scenes of employees at work and interviews from various departments—such as front desk clerks, guest room service, sales planning, and culinary staff—who embody the spirit of hospitality every day, we aimed to create a vision movie that thoughtfully conveys to applicants the values Hotel Chinzanso Tokyo holds dear, as well as the appeal of working there. For the video that plays in the background of the recruitment website, we focused on conveying the hotel’s one-of-a-kind scenery and the refined atmosphere that flows throughout the property, featuring the nature of the gardens, historic sites, and the distinctive design details found throughout Hotel Chinzanso Tokyo.
The Ultimate Hiroshi Sugimoto Work <Odawara Art Foundation Enoura Observatory> - 映像作家: kazuyukimiyabe
Art workDocumentary

The Ultimate Hiroshi Sugimoto Work <Odawara Art Foundation Enoura Observatory>

2017
Only Image
Description: We captured on film the production process and Mr. Sugimoto’s thoughts leading up to the creation of the Enoura Observatory, an artistic garden designed by contemporary artist Hiroshi Sugimoto and said to be the ultimate Sugimoto work. Rather than filming only the building itself, we wanted to create visuals that would also convey Mr. Sugimoto’s philosophy, so at the beginning we intercut imagery with Mr. Sugimoto’s striking words, creating a structure that broadens the viewer’s imagination, as if peeking slightly into Mr. Sugimoto’s own mind.
5 Works
You're the NEXT Artist! | Tokyo Midtown Hibiya - 映像作家: shiorisaito1213
Music videoPerformanceSocial project

You're the NEXT Artist! | Tokyo Midtown Hibiya

2022
00:04:02
【You Are the NEXT Artist! ～ With-Corona Young Artist Support Project ～】 A performance video by “NEXT Artists,” born from a young artist support project conceived by stage director Amon Miyamoto. This project positions young artists who lost opportunities to perform and present their work during the COVID-19 pandemic as “NEXT Artists,” and sees six supporters active in the entertainment industry, along with the advisors each of them appoints, select 14 “NEXT Artists” and create and share a platform for expression set in Hibiya and Ginza.
23 Works
Gacha Life - 映像作家: hayazaka@filmoq.co.jp
劇場映画

Gacha Life

2025
00:00:33
“Gacha Life” Available on the short drama app [FANY:D]. [Synopsis] Sachiko Yamanoura (27), who works in the HR department of an IT company, has spent her days with a string of the world’s worst luck—stepping on gum, catching her boyfriend cheating, and more—until she finally died in a ninth freak accident, without a second thought. But in the afterlife, “Gacha Life,” a salvation awaits: she can spin a gacha and choose her next-life partner. As one after another of the men appear—dependable superiors, dangerous entrepreneurs, vanished fiancés, and other anything-but-straightforward types—Sachiko faces her own “luck” and searches for what true happiness really is. A fresh kind of fantastical romantic comedy, woven together from a fantastical setting and comedic developments. Before long, Sachiko finds herself forced to “interview” a colorful cast of men, including an ex she wants to break up with, an influencer, and a missing fiancé. Are the choices really nothing but duds, or is there a winner in the mix? Who, in the end, will she choose as her “partner in the next life”—? [Project Concept] “Gacha Life” is a work that explores the fundamental question, “Is life determined by luck?” by intertwining black comedy with serious human drama. At the heart of the story is the journey of the protagonist, Sachiko Yamanoura, as she reexamines the choices in her life through a system of chance called “gacha.” At the foundation of the story lies the theme, “Can fate really be changed?” Sachiko has long believed that she is “unlucky,” but is her misfortune truly due to luck? Or have her own choices and actions been drawing those outcomes to her? This work poses such questions to the audience. [Direction Policy] For this work, I wanted to depict fantasy and real emotions in exquisite balance. By contrasting the realism of the world we know with the abstract afterlife world of “Gacha Life,” the story gains greater depth. Gacha Life (the afterlife) is designed as a simple, symbolic space, with visuals that allow the audience to intuitively understand, “What’s going to happen here?” By incorporating lighting and game-like UI (user interface) elements, we emphasize the feeling of “being made to choose one’s fate.” Depictions of the real world use handheld camerawork and natural lighting to create a realistic, intimate atmosphere. This emphasizes the tangible feel of Sachiko’s life and makes it easier for the audience to empathize with her choices. Balance of humor Not too serious, but not too light either. Since the very premise of “gacha” is humorous, the characters’ reactions are portrayed realistically. Rather than making the audience feel, “This is something that happens only in fiction,” we want them to think, “Maybe something like this could actually happen?”

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