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XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOOTING STAR” - 映像作家: cosmiclab
3DCGLive actionMotion graphicsR&DReal-time Graphics

XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOOTING STAR”

2025
The Tokyo Dome performance held as the finale of XG’s first world tour, 【XG 1st WORLD TOUR “The first HOWL”】. COSMIC LAB created the content by building a unique system that seamlessly and freely integrates live camera footage with motion graphics and real-time VFX. It was an electrifying stage worthy of the finale of a world tour that spanned nearly a year, and a night that made the future of live camera direction feel within reach.
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
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NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song] - 映像作家: shizukaamano
Music videoTV

【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song]

2025
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Music video for “Christmas Starlight,” a December learning song from NHK E-tele’s “The Wakey Show.” It’s a song with the theme, “How about sending each other letters as Christmas presents?” Featuring all of the show’s puppet characters, as well as Elmo and Cookie Monster from Sesame Street. Blending live action, diorama, and hand-drawn animation, the video creates a world full of ideas to keep young viewers engaged. I was responsible for the direction and editing, including all compositing. Editing software used: Adobe Premiere Pro, After Effects, DaVinci Resolve

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TOYOTA HILUX GR SPORT x NeRF - 映像作家: aratafukoe
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TOYOTA HILUX GR SPORT x NeRF

2023
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A video that combines live action with Neural Radiance Fields (NeRF), an AI technology that reconstructs 3D scenes from multiple image datasets. This is the first advertisement in Japan to use NeRF. As a car commercial, it is believed to be the first in the world. In fact, the footage alternates between live-action material and NeRF material, and we focused on making those transitions as seamless and satisfying as possible. We crafted the video so that, together with the car, it feels like racing through a dazzling succession of moments. Reference https://cgworld.jp/article/nerfarata-fukoe.html
6 Works
19 Works
NISSAN PAVILION Yokohama - 映像作家: tatsuki-kondo
InstallationInteractive

NISSAN PAVILION Yokohama

2020
00:01:36
Nissan Pavilion, an experiential entertainment facility where visitors can experience Nissan’s proud technologies and vision for the future, opened for a limited time in Yokohama Minato Mirai. Its concept is “Expanding Human Possibilities.” Among the experiential content that gives form to a near-future made possible by Nissan’s technology, WOW was responsible for the direction and production of THE CITY area. Visitors can experience an installation inspired by a “city energized by the connection between cars, people, and society.” In THE CITY, two of Nissan’s envisioned futures were visualized within the space. ROOM1 In a smoke-filled space, 195 laser modules and the motors that move them were installed. Each laser is individually controlled to create a variety of animations, and when a visitor enters the area, the system detects their presence and takes evasive action, making it an interactive space. This abstractly expresses the key sensing technologies that Nissan is pursuing in order to realize a society with zero traffic accidents. ROOM2 Approximately 150 translucent pillars of varying heights, abstracting a “city,” and three pillars with mock car units placed on top, representing “cars,” were arranged throughout the space, with all pillars self-illuminated. The light animations representing “CHARGE,” “SHARE,” and “SUPPLY,” which begin when a hand is placed over the car mock-up, express Nissan’s vision of a city energized through the sharing of energy and information. In addition, when hands are placed over all three pillars with the mock-ups at the same time, a special effect triggers a vividly colorful light animation. The production was designed to evoke a city that becomes increasingly vibrant as cars, people, and society connect. Both spaces were designed as immersive environments that, while abstract, allow visitors to feel Nissan’s vision for the future. Nissan Pavilion Period: August 1, 2020 (Sat) – October 23, 2020 (Fri) Address: 6-2-1 Minatomirai, Nishi-ku, Yokohama-shi, Kanagawa NISSAN PAVILION Yokohama▶https://www.nissan.co.jp/BRAND/PAVILION/ For more detail▶https://www.w0w.co.jp/works/nissan_pavilion
6 Works
Aiobahn feat. Yui Makino - non-reflection (Official Music Video) - 映像作家: Kenja
2D animationAnimationMusic videoPV

Aiobahn feat. Yui Makino - non-reflection (Official Music Video)

2024
00:03:45
Animation MV directed by Hodon, deputy representative of the video production collective “Kenja.” From “Kenja,” koya participated as an animator. A song in which different emotions coexist: a melancholy melody, crystalline vocals, and fierce drum and bass. In the visuals, fragmented memories of the past with family, recalled only in pieces, are carefully animated, while in the present timeline intense animation unfolds at a dizzying pace. Against the meticulous key animation by professionals assembled by Hodon, who primarily work in TV animation, koya’s fierce, untamed drawing style collides head-on. Bridging them are Hodon’s distinctive drawing-like special cuts, which function throughout the piece. On the compositing section, “Fukkun,” who has known “Kenja” for many years, took part. Combining broad knowledge with extreme ideas, he quietly handles the compositing process from an independent perspective. He pushes the material until the finished look is distilled to a point where one can judge how it should function within the video… all the way to the end… “Easy, because we’re putting everything into it.” When the video production collective “Kenja” first started, most of the work was directed by its representative, koya. Recently, however, more projects have been coming to Hodon, with koya joining in as an animator. It’s a lot of fun to leave things to the director and say and draw whatever we want, so please continue to support us, “Kenja.” 2024/04/20 koya
Mob Psycho 100 III Eyecatch - 映像作家: Kenja
2D animationAnimationTV

Mob Psycho 100 III Eyecatch

2022
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Handled the eyecatches for all 12 episodes of “Mob Psycho 100 III.” Created a total of 24 three-and-a-half-second clips, two for each episode, to air before and after the commercial break. By expanding on the themes depicted in the main story and expressing, in hand-drawn pencil-style animation, elements that could not be fully captured when adapting the original manga to animation, the work reflected the atmosphere of the original manga. Since 2012, when the original manga began serialization as a web manga, Koya, representative of “Kenja,” has also been involved as an assistant from the very first chapter. Before the TV anime adaptation, it was “Kenja” that first brought “Mob Psycho 100” to life as a promotional video for the release of the manga volumes. Having joined the TV anime series that began in 2016 from the second season and continuing into the third, “Kenja” has been involved across multiple areas of expression over the 11 years since the original manga’s first chapter—serving as an assistant on the manga, creating PVs for the volume releases, TV commercials, the TV anime, promotional commercials and PVs for the stage adaptation, and more—making this a deeply familiar and much-appreciated work.
Guchon – Pistachio Party Theme [Official Video] - 映像作家: Kenja
2D animationAnimationMusic videoOriginalPV

Guchon – Pistachio Party Theme [Official Video]

2022
00:03:35
~Yellow little bear "GUCHON" receives an invitation from the veteran overseas label "CHIWAX." He hops on a plane and joins the party as a DJ on a beach where pistachios are running around...~ This music video began production to commemorate the release of the first analog record from an overseas label by "GUCHON," the owner of Japan’s long-established internet label "Sabakan Records"... but due to the COVID-19 pandemic, record production was delayed again and again, and the animation MV was created over a span of three years in a situation where no one knew whether the record would ever actually be released. The world was in a complete mess, but the world of the work is all about love and peace, and various members of domestic internet labels, as well as overseas labelmates, are turned into characters and appear in the piece. The creative team brought together members who have close ties with "Koya," known as "the sage," and the final film was completed while preserving each person’s distinct drawing style and animation style.
8 Works
11 Works
Rarand "Congratulatory Telegram Vol. 2" Opening Movie - 映像作家: takahiroiramina
3DCGEventOpening movie

Rarand "Congratulatory Telegram Vol. 2" Opening Movie

2022
00:01:15
At the opening of the comedy duo “Raland”’s solo live show “Shukuden Vol. 2,” a video was screened. Built around a look that combines cuteness and coolness with an anything-goes kind of chaos, we aimed to create an exciting video that would get the energy up as the first thing shown at the solo performance, while packing in little in-jokes that fans would instinctively smile at. We were responsible for the composition, editing, design, and animation.
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14 Works
Design Ah! Exhibition Display Piece “One Way or Another” - 映像作家: ritsukonomura
Art workInstallation

Design Ah! Exhibition Display Piece “One Way or Another”

2018
00:01:05
This work was created for “Design Ah! Exhibition,” which toured venues across Japan from 2018 to 2019. By grouping hand movements by onomatopoeia, I created an installation that can be enjoyed in a quiz format, where viewers guess what each movement is doing as they watch. (Venues: The Museum of Art, Toyama; Miraikan – The National Museum of Emerging Science and Innovation; Yamanashi Prefectural Museum of Art; Contemporary Art Museum, Kumamoto; Sagawa Art Museum)
TECHNE: Video Classroom “The Secret of the Red Ball” - 映像作家: ritsukonomura
3DCGArt workBroadcastLive actionShort filmTV

TECHNE: Video Classroom “The Secret of the Red Ball”

2017
00:01:07
For NHK E TV’s TECHNE: Video Classroom, we created a one-minute video work on the theme of “same position,” featuring choreographer and performer Shuji Onodera. While performing a scene of passing a ball back and forth in sync with the place and timing, he also performed a scene in which gravity changes inside a spinning box, and we tried filming and compositing them so that “place, time, and gravity” would align perfectly.

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