Oishi Masayoshi “Shinda!” music video. The somewhat shocking title and the world of the video were based on a mix of American retro B-movie horror and otaku culture. It is composed of a live-action Oishi and Zombie Oishi, whose character design was created by animator Hano. The horror-filled world was depicted through animation and live action with projected backgrounds.

This work is based on the “fleeting scenery” captured while driving on a highway, and is built around the concept of connecting the sensibilities that lie between photography (the moment) and music (time). It reconstructs elements such as the tension of the shutter, the space created in between, and the sense of speed through both sound and visuals, portraying an experience in which “moments accumulate and become time.” In the visuals, rather than simply arranging still photographs, depth information is generated to create a pseudo-3D effect, and by moving them again, a new temporal axis is introduced. Instead of faithfully reproducing reality, the work deliberately incorporates imperfections and blur, adopting a method of transforming photographs into something else entirely. Through trial and error under the constraints of using only photographs and instrumental music, this piece aspires to the beauty and immersion that emerge from limitation.

A work created as part of “Free Association,” a project that freely associates visuals from the music of in the blue shirt. A stop-motion MV for “Windfall” (short ver.), a track from the “Convex Mirror e.p.” released on 2024/04/24. With the completely open-ended, no-deadline creative brief, we challenged ourselves to: ・Create without a storyboard (developing the composition as we went along) ・Shoot with a webcam (especially aiming for a “low-quality” look)

I depicted Toko Inui strolling through a cheerful hell on her day off.