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YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
NHK Sing and Learn: "When You're in a Bear-y Bad Spot" - 映像作家: erikasahara
2D animationAnimation

NHK Sing and Learn: "When You're in a Bear-y Bad Spot"

2026
Only Image
Created the animation for “Kuma Toki wa,” broadcast on ETV’s Utatte Manabo. I was in charge of character design, direction, and backgrounds. The content teaches three kinds of measures: measures to take if you encounter a bear, measures to avoid coming across one, and measures to prevent bears from entering town. The aim was to convey these measures in a fun, approachable way, so that children can actually reenact them from the video and learn how people and bears can coexist in their respective environments.
[NHK E-tele] The Wakey Show "Impressionist Song" Marigold [Learning Song] - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] The Wakey Show "Impressionist Song" Marigold [Learning Song]

2025
Only Image
NHK E-tele’s “The Wakey Show” music video for the September 2025 learning song, “The Song of Impressionism.” This song is about a character named “Marigold,” who is well-versed in art, and is themed around “a song that teaches you about the art movement Impressionism.” In the video, the “Motte Pets” dolls, which appear in various roles throughout the program, are dressed up as Impressionist painters, and the piece is edited so that Marigold and the painters seem to be singing together. I was responsible for the direction, character design for the painter costumes, magical CG, and editing, including compositing. Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
Minna no Uta “The Murmurs of Insects” - 映像作家: harukasuzuki
2D animation3DCGAnimationMusic videoOriginalPV

Minna no Uta “The Murmurs of Insects”

2020
Only Image
This is an animated music video for the August–September song "Mushi no Tsubuyaki" on NHK Minna no Uta. It tells the story of a girl who finds herself in the world of insects and meets insects with all kinds of worries. While listening to the song, I felt that our own strengths can also become weaknesses or sources of worry, and I wanted to create a lovely work that gently accompanies the troubled insects, much like asking someone who seems to be struggling, “What’s wrong?” I also paid attention to the colors of each scene and the character designs so that the process of meeting each insect would feel enjoyable and visually charming.

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Direction
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6 Works
“Gold Rush” – Visualization + Sonification of Opensea activity - 映像作家: rhizomatiks
Installation

“Gold Rush” – Visualization + Sonification of Opensea activity

2021
00:02:19
from《NTFs and CryptArt-Experiment》 Venue: From the solo exhibition “rhizomatiks_multiplex” (Museum of Contemporary Art Tokyo, 2021) https://www.mot-art-museum.jp/en/exhibitions/rhizomatiks/ This installation uses event data from Opensea from one day before and after 3/11 10am EST, when MetaKova won Beeple’s NFT at Christies for $69,346,250. It looks back on this highly symbolic event in CryptoArt using machine learning techniques (Convolutional Neural Network, t-SNE) and data visualization. from《NTFs and CryptArt-Experiment》 Venue: Solo Exhibition “rhizomatiks_multiplex” (Museum of Contemporary Art Tokyo, 2021) https://www.mot-art-museum.jp/en/exhibitions/rhizomatiks/ This installation uses event data from Opensea around 3/11 10am EST, when MetaKova won Beeple’s NFT at Christies for $69,346,250. We look back at this symbolic event in CryptoArt using machine learning techniques (Convolutional Neural Network, t-SNE) and data visualization.
Perfume Imaginary Museum “Time Warp” @ Perfume P.O.P Festival - 映像作家: rhizomatiks
Performance

Perfume Imaginary Museum “Time Warp” @ Perfume P.O.P Festival

2020
Only Image
A live performance held at the online festival on September 21, marking Perfume’s 20th anniversary and 15th anniversary since their major-label debut. The final date of the “P Cubed” tour, scheduled for February 26, was canceled due to COVID-19, and the team explored how to present their work online in response to the feelings left with nowhere to go, while making use of the data acquired for the tour performances. More filmmakers and CG artists than ever before took part in this production. Perfume Imaginary Museum “Time Warp” was streamed using a new video system that combines high-resolution footage shot on a green screen and low-resolution footage that allows free viewpoint movement (4D Views). Keying data was created by shooting on a green screen with eight cameras. Tracking information for the eight cameras was obtained through match moving. Using 4D Views data, continuous free-viewpoint camera movement became possible.
5 Works
link (EN) - 映像作家: hmd@acut.jp
DocumentaryMusic videoShort film

link (EN)

2019
00:03:48
STORY: A YouTuber visits an abandoned building to film a video and encounters a geisha ghost covered in black. Gradually, his body loses its freedom, and he sinks into delusions; before he knows it, he has fallen under the geisha ghost’s spell. This is an independently produced work made because I wanted to create a horror piece. However, it ended up becoming a comedic one after all. ٩( ᐛ )و I didn’t have any particular obsession with it, but I created it mostly on instinct.
【MV】3WD／Task have Fun - 映像作家: hmd@acut.jp
AnimationArt workAudio visual performanceMotion logoMusic videoPerformancePromotionPV

【MV】3WD／Task have Fun

2017
00:04:50
At the time, lyric videos were starting to get popular, and I wanted to make a music video with a stronger focus on text design, so I began developing the concept with the goal of creating something like an upgraded version of a lyric video. I thought lyric videos were effective for keeping people watching until the end, but I also felt that if we could make the experience feel a little deeper, people might want to watch it again and again, so I aimed to convert the lyrics into English with new interpretations included and give them more expression. Since many of the lyrics were abstract, I think the somewhat suggestive English translation worked pretty well.
【MV】BOOM IT!! / pandamic - 映像作家: hmd@acut.jp
Art workAudio visual performanceMusic videoPromotionPV

【MV】BOOM IT!! / pandamic

2019
00:03:02
Since there wasn’t much room in the shooting and editing conditions, I aimed for “Simple is best.” When I think of “Simple is best,” I think of the “dance cover” videos posted on Niconico and YouTube, so I used the so-called “dance cover” style as a motif and added various forms of expression to it, which resulted in this. As for the points I focused on, it was the lighting effects of the live switching.
5 Works
Mori Nana "Smile" - 映像作家: hiroshiokuyama
Music video

Mori Nana "Smile"

2020
00:03:18
Mori Nana, the rising new actress who was cast in a breakout role as the heroine in Weathering with You and received high praise for her performance in The Last Letter, covers the classic song “Smile,” released in 1996. Inspired by the title “Smile,” a music video was created to bring smiles to people in modern-day Japan. It captures Mori Nana’s genuine, unguarded smile in moments that are usually hard to see, including on actual shooting locations, during recording sessions with HOFF DYLAN, while livestreaming on Instagram Live, and while walking her beloved dog.
AI Misora Hibari "After That" - 映像作家: hiroshiokuyama
Music video

AI Misora Hibari "After That"

2019
00:08:57
Produced the music video for “After That,” a song that brought back Misora Hibari’s singing voice using VOCALOID:AI. Takeshi Kitano, Lily Franky, EXILE ATSUSHI, Rino Sashihara, Nijiro Murakami, and Sena Nakajima. With the thought that “After That” is not just a song to reminisce about the past, but a song for the future, we had people from different generations, from 72 years old to 13 years old, each living with their own distinctive perspectives and values, listen to the song, and portrayed their raw emotions and words in portrait form.
8 Works
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Nulbarich – TOKYO - 映像作家: spikeyjohn
Music video

Nulbarich – TOKYO

2021
Only Image
Amid the anxiety of the ongoing spread of the coronavirus, I wanted to portray this era in a positive light by expressing how beautiful everyday life and each person’s life can be. Rather than using unnatural direction more typical of dramas or films, I aimed for a style that felt as natural as possible. Instead of a stereotypical “TOKYO,” I was very particular about the locations, composition, and color palette so that it would feel real and captivating. My belief is that beauty does not lie only in glamorous, meticulously crafted worlds; any world can become beautiful depending on the perspective or the way it is framed.
Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
4 Works
EMIGRE - 映像作家: waboku
2D animation3DCGAnimationMusic videoOriginalShort film

EMIGRE

2013~2016
00:04:36
This is the first installment in a trilogy created with a strong focus on worldbuilding. [Awards] ・ASIAGRAPH 2016, Third Division, Grand Prize ・ASIAGRAPH 2016, Second Division, Excellence Award ・21st Student CG Contest, Entertainment Category, Grand Prize ・17th TBS Digicon6 JAPAN, Z-axis Award ・CREATIVE HACK AWARD 2015, Wacom Special Award ・Ibaraki Digital Content & Software Grand Prize, Encouragement Award
5 Works
7 Works
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GENERATIONS from EXILE TRIBE / LIBERATION - 映像作家: hiroakihigashi
Music video

GENERATIONS from EXILE TRIBE / LIBERATION

2021
00:05:01
LDH’s newly created next-generation comprehensive entertainment project, “BATTLE OF TOKYO” After two years of production beginning in 2019, he directed four music videos set to be released in spring 2021. In the first release, the MV for MAD JESTERS, portrayed by GENERATIONS, features exhilarating, roller-coaster-like direction in which soaring action unfolds amid a car chase shot entirely with dynamic camera work. By condensing the narrative development of a 30-minute anime into a 5-minute MV and fully telling the story, it creates a richly layered visual experience. A short-film MV that reveals new discoveries every time you watch it again.
VRFILM / HERA - 映像作家: hiroakihigashi
R&DShort filmVR

VRFILM / HERA

2019, 2020
Using VR and eye tracking, this is a multi-ending VR film in which the story changes naturally depending on who is watching. We believe that in the future, VR films will use AI to become entertainment that makes it possible to provide a one-of-a-kind life experience, weaving your own story while conversing with the protagonist right in front of you. “HERA” is an interactive content piece that hints at such a future. This project, which began in spring 2019 in collaboration with WOWOW, is currently in active production with completion scheduled for next year.
1 Works

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