This work emerged from an experiment in using programming languages to decompose and reconstruct the pixels of an image. While exploring the possibilities of new forms by incorporating a variety of perspectives and the ideas of overlaying and shifting, I also discovered colors that had been there but unseen, and shapes in the process of transformation. This series of animations also carries the message that people can be reborn again and again. * Produced for the satellite exhibition of the Yebisu International Festival for Art & Alternative Visions (the photographs are from the Yebisu area in January 2024). * Four photographic animations are connected using the same algorithm. CCBT × Yebisu International Festival for Art & Alternative Visions 2024 “Poems in Code: The Present of Generative Art / Moving Images Generated by Programming” Planning: Civic Creative Base Tokyo [CCBT] Program Direction: Theo Hyojeong, Takao Shunsuke - Original project: “Playing with Pixels” https://printwithcode.org/playing-with-pixels/

The second trial MV of the viewer-participation music project "MILGRAM." An animated work that interweaves analog-style acid graphics while staying close to the character's emotions.

This is a multi-channel video installation work created by filming a seascape of waves for an extended period with a fixed camera, and by applying temporal manipulation to environmental sound data. States in which the progression, stagnation, reversal, compression, and expansion of time and space gradually shift and invert are repeated. The video and audio are processed in the same way, and by matching them to the positions of four speakers arranged in line with the three displays, when you move closer to the screen, the environmental sound corresponding to that part and timing can be heard. In this way, the sound and image of each breaking wave that repeatedly appears are tied to the flow of time at the moment of filming. The work also has a seamless loop structure. There is no major change in the overall time axis in relation to the repeating waves. The sun does not set, and the tide does not rise or fall. Eternally repeating, suspended time and space gradually draw in the viewer’s perception as well.