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[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
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NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
Feature-Length Anime “We Are Aliens” Teaser Video - 映像作家: kadowakikouhei
2D animationAnimation劇場映画

Feature-Length Anime “We Are Aliens” Teaser Video

2026
00:01:35
Official Selection, Directors’ Fortnight, the 79th Cannes Film Festival The film We Are Aliens will be released in theaters in 2026. Co-starring: Ryota Bando × Amon Okayama Music by: Yaffle Two boys meet in a rural town in the Heisei era. Tsubasa struggles with being “ordinary,” while Kiyotaro is someone “special.” But an incident that occurs beyond the distortions of everyday life dramatically changes the relationship between the two——. Is this a story of their youth? Or a memory they want to erase? ▼Official Website https://nothingnew.film/wearealiens/ [Film Information] Title: We Are Aliens English Title: We are Aliens Release Date: Theatrical release in 2026 Planned, Written, and Directed by: Kohei Kadowaki Cast: Ryota Bando, Amon Okayama (co-starring) Music: Yaffle Copyright: ©NOTHING NEW, MIYU PRODUCTIONS Planning, Production, and Filmmaking: NOTHING NEW In cooperation with: MIYU PRODUCTIONS

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16 Works
NHK Morning Drama "Come Come Everybody" Opening Video - 映像作家: kirameki-inc
Opening movieStopmotionTV drama opening title

NHK Morning Drama "Come Come Everybody" Opening Video

2021
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Opening sequence for NHK’s serialized morning drama “Come Come Everybody,” which began airing on November 1, 2021. This 100-year family story follows three generations of women—Anko, Rui, and Hinata—as they each find their own way of living through love, work, and marriage, across the changing eras of Taisho, Showa, Heisei, and Reiwa. With the theme of “connection,” the visuals were created in papercraft with a warm texture so that viewers could feel both the bonds between people and the links between eras from the opening sequence.
6 Works
NIKKEI #GO2030 TV Ads - 映像作家: keisuketerashima
2D animationAdvertisementCMMotion graphicsTV-CM

NIKKEI #GO2030 TV Ads

2020
00:00:30
Special Nikkei Electronic Edition Project to Read the Future of 2030 We planned and produced the trailer movie for #GO2030, a special 10th anniversary project for The Nikkei electronic edition. #GO2030 is a feature article series that looks ahead to the next 10 years together with a wide range of opinion leaders. CONCEPT In this age of upheaval, it is difficult to predict what the next 10 years will bring. Could anyone really have predicted the world as it is today, 10 years ago? By rapidly layering Nikkei newspaper headlines, we created a piece that lets viewers relive these turbulent 10 years, and builds anticipation for “future forecasts by opinion leaders” beginning within the Nikkei electronic edition. #GO2030
EXPO 2025 OSAKA - 映像作家: keisuketerashima
3DCGARArt workEventProjection mappingXR

EXPO 2025 OSAKA

2019
00:00:30
“2025 Osaka–Kansai Expo Bid Plan” Mori Art Museum Exhibition In 2025, the proposed site plan for the Osaka–Kansai Expo bid activity centers on keywords such as “decentralization” and “dispersal” to embody a future society, expressing the constantly changing relationships among diverse individuals and groups that are unique to our time. At the same time, it is also a model for a next-generation urban structure, designed to accommodate the operation of new urban elements such as autonomous mobility, including self-driving vehicles, and AR/MR (augmented reality/mixed reality). In this exhibition, the various new initiatives and characteristics incorporated into the plan are reconfigured as one possible form of the future city. In the cities of the future, diverse users interact in complex and dispersed ways within digital space. There is the “physical world,” which we perceive as objects, and the “information world,” represented by the web, as well as a “common ground” that serves as the intermediary realm between them. This exhibition expresses the social implementation of common ground. Visitors can experience the perceptual gaps between humans and digital agents, as well as our relationship with a world on an urban scale that cannot be perceived by humans.
ASO CALDERA HIKE – HIKING SEASONS - 映像作家: keisuketerashima
3DCGArt workEventInstallationMotion graphicsProjection mapping

ASO CALDERA HIKE – HIKING SEASONS

2021
00:01:30
ASO CALDERA HIKE At the plaza in front of JR Kumamoto Station, we unveiled “ASO CALDERA HIKE,” a विशाल space themed around the Aso Caldera, a symbol of Kumamoto’s great natural landscape, with a maximum diameter of approximately 24 meters and a maximum height of approximately 2.4 meters. “What if Kumamoto’s great nature came to the very center of the city?” ASO CALDERA HIKE is a content experience that lets visitors immerse themselves in Aso, the symbol of Kumamoto’s natural beauty. A giant object, inspired by the outer rim mountains encircling the Aso Caldera and measuring up to approximately 24 meters in diameter, was installed at Amu Hiroba. Visitors can step inside the ring-shaped structure, wander around, or sit and relax at their leisure. At night, a show and interstitial effects are performed using a high-brightness projector of approximately 40,000 lumens installed on the upper floors of the station building. PARTY was responsible for the planning and overall direction. Period: Friday, December 3, 2021 – Monday, January 10, 2022 (national holiday) Location: Amu Hiroba (Shirakawa Exit Station Plaza, in front of Kumamoto Station) Show Direction: HIKING SEASONS The theme is the four seasons of Aso. This is an immersive art experience in which visitors walk through a giant object modeled after the Aso Caldera and enjoy the changing, majestic scenery of Aso. From January, when the land is covered in snow and ice, to controlled grass burning, fresh greenery, Miyama kirishima azaleas, grass and blue skies, and pampas grass tinged by the setting sun, leading to a December landscape sparkling with countless stars. A vast projection spread across approximately 600㎡ brings to life Aso’s magnificent scenery as it transforms with the seasons.
Dejivege –Digital Vegetables– by PARTY - 映像作家: keisuketerashima
2D animation3DCGADEventExperimental filmInstallationMotion graphicsSignage

Dejivege –Digital Vegetables– by PARTY

2017
00:00:49
A design you can touch. A design you can bask in. In the middle of Tokyo, in Midtown, vegetables are growing now. Inside a greenhouse, they soak up the sun, photosynthesize, and absorb water to live. Their leaves, roots, flowers, and fruits—their shapes and colors—are the survival strategies of living organisms, and are design itself. First, touch the seven forms of life that thrive in the soil. Then, let your body be immersed in the design of vegetables, expanded through images and sound.
5 Works
7 Works
Kitan Club 15th Anniversary Video: The History of Capsule Toys (Japanese Dubbed Version) - All 3 Parts - 映像作家: ryofujii
AnimationWeb movie

Kitan Club 15th Anniversary Video: The History of Capsule Toys (Japanese Dubbed Version) - All 3 Parts

2021
00:04:33
Kitanklub’s 15th anniversary video work. A fake documentary that depicts the history of capsule toys entirely through lies. Three parts in all. A documentary from a program in a fictional country, with every detail fabricated, became a major topic on social media. Part 2: Modern Era https://www.youtube.com/watch?v=7iyPhcs9REg Part 3: Future Era https://www.youtube.com/watch?v=V8ckIfMr97s
7 Works
Okayama Toyopet "Let's Stop in Okayama" - 映像作家: oekai
AdvertisementWeb CM

Okayama Toyopet "Let's Stop in Okayama"

2022
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The theme of “Stop, Okayama” is “vehicles stopping temporarily at crosswalks without traffic lights.” According to a survey released in 2021 by the Japan Automobile Federation (JAF), only 10.3% (※1) of cars in Okayama Prefecture stopped when pedestrians were about to cross at crosswalks, ranking the prefecture last in Japan. To help change attitudes in Okayama Prefecture, we produced an awareness video promoting compliance with traffic rules.
6 Works
nucleus for SEKKISEI MYV - 映像作家: inokuchi
Audio visual performanceEventInstallationProjection mappingPromotion

nucleus for SEKKISEI MYV

2019
00:02:00
An installation created for a special event for KOSÉ SEKKISEI MYV. We produced an original mirror ball inspired by skin cells and applied projection mapping to it. By combining projection and reflection techniques, we created a video installation in which the patterns on each mirror changed along with the glowing sphere. Images inspired by the product, such as snow, Japanese and Chinese medicinal plants, and flowers in full bloom, spread throughout the entire space, enveloping it. While expressing the product’s signature quality of a radiant, translucent glow from within, the installation gave the event space a fantastical atmosphere.
1 Works
Geek Pictures Produce Work - 映像作家: geekpictures
CMMusic videoPromotionPVTV-CMWeb CMWeb movie

Geek Pictures Produce Work

2020, 2021, 2022
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Web Movie “GEEK PICTURES × YUI KAMIJI / YUI KAMIJI ROAD TO PARIS 2024 / Ready,” (2022), TV Commercial / Web Movie “GMO Click Securities / GMO Click Securities Short Movie / New Life is … The Movie” (2022), TV Commercial “McDonald’s Japan / Yoru Mac Store Manager / Double Burger” (2022), Web Movie “Sakai Slash / sacai / sacai 2022 men’s Autumn & Winter collection, 2022 Pre Autumn collection” (2022), TV Commercial “SoftBank / SoftBank / Is 5G Doraemon? 5G Forecasting Drummy, Kanto” (2021), TV Commercial “Suntory Communications / BOSS / Alien Jones Orchestra” (2021), TV Commercial “UNIQLO / UNIQLO 2021 Fall/Winter / LifeWear Subway (MEN Jeans)” (2021), TV Commercial “Unilever Japan Customer Marketing / Lux Super Rich Shine / The one who encourages me is me.” (2021), Music Video “Universal Music / Tokyo Jihen Teaser Video / MUSIC” (2021), Music Video “Hiroji Miyamoto × Kazutoshi Sakurai organized by ap bank / Tokyo Concerto” (2021), Drama “Shita Jōkankei” (2021), Music Video “Yoshimoto Kogyo / Lady Gaga ‘Rain On Me with Ariana Grande’ Official Parody” (2020)
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Visual ASMR - 映像作家: Onesal
3DCGAnimationArt workExperimental filmMotion graphicsOriginalR&DShort film

Visual ASMR

2020
00:01:08
An exploration of the tactile textures of the natural world by Onesal What is ASMR? The Japanese art studio Onesal has launched a series of four short films that offer a fresh, visual approach to expressing ASMR. It is called Visual ASMR, or Visual Autonomous Sensory Meridian Response. ASMR is a subjective, euphoric experience characterized by a combination of imaginative emotions and electric-like tingling sensations. Covered in organic elements of vivid colors, natural sculptures set in landscapes that are at once strange and earth-like evolve and grow at a microscopic level in each film. Everything takes place across four otherworldly landscapes, categorized to closely examine interaction, movement, and evolution with surrounding elements. Each shot is composed using elements of nature, architecture, and time-lapse. The work examines textures and tactile elements that morph and interact in unreal environments. This endeavor began by balancing nature and design, and by blurring the boundary between simplicity and complexity in an abstract way.

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