TOP

3DCGArt workEventInstallationMotion graphicsProjection mapping

ASO CALDERA HIKE – HIKING SEASONS

2021

00:01:30
ASO CALDERA HIKE – HIKING SEASONS
  • ASO CALDERA HIKE – HIKING SEASONS
Creative Director / Daisuke Nakamura

Director+CG Artist / Keisuke Terashima

Composer / Yuuki Ono (WONDROUS)

Mixing Engineer / Yuji Sakuma

Producer / Yuma Sato

English Copywriter / Mandy Wang

Business Producer / Hironori Onozaki

Producer / Shigeyoshi Hayashi

Project Manager / Yusuke Mastuno

ASO CALDERA HIKE

Copywriter / Yuki Ohtsu (Dentsu)

Graphic Designer / Masanobu Ishii (Kaibutsu)

Object Design Team / NAD (Nikken Activity Design lab)
PARTY
ASO CALDERA HIKE At the plaza in front of JR Kumamoto Station, we unveiled “ASO CALDERA HIKE,” a विशाल space themed around the Aso Caldera, a symbol of Kumamoto’s great natural landscape, with a maximum diameter of approximately 24 meters and a maximum height of approximately 2.4 meters. “What if Kumamoto’s great nature came to the very center of the city?” ASO CALDERA HIKE is a content experience that lets visitors immerse themselves in Aso, the symbol of Kumamoto’s natural beauty. A giant object, inspired by the outer rim mountains encircling the Aso Caldera and measuring up to approximately 24 meters in diameter, was installed at Amu Hiroba. Visitors can step inside the ring-shaped structure, wander around, or sit and relax at their leisure. At night, a show and interstitial effects are performed using a high-brightness projector of approximately 40,000 lumens installed on the upper floors of the station building. PARTY was responsible for the planning and overall direction. Period: Friday, December 3, 2021 – Monday, January 10, 2022 (national holiday) Location: Amu Hiroba (Shirakawa Exit Station Plaza, in front of Kumamoto Station) Show Direction: HIKING SEASONS The theme is the four seasons of Aso. This is an immersive art experience in which visitors walk through a giant object modeled after the Aso Caldera and enjoy the changing, majestic scenery of Aso. From January, when the land is covered in snow and ice, to controlled grass burning, fresh greenery, Miyama kirishima azaleas, grass and blue skies, and pampas grass tinged by the setting sun, leading to a December landscape sparkling with countless stars. A vast projection spread across approximately 600㎡ brings to life Aso’s magnificent scenery as it transforms with the seasons.

People

D Daisuke Nakamura unverified Director H Hironori Onozaki unverified Producer Keisuke Terashima Director / VFX M Mandy Wang unverified Writer M Masanobu Ishii unverified Designer S Shigeyoshi Hayashi unverified Producer Y Yuji Sakuma unverified Sound Y Yuki Ohtsu unverified Writer Yuma Saito Producer Y Yusuke Mastuno unverified Coordinator

Other Works by 寺島 圭佑（Keisuke Terashima）

NIKKEI #GO2030 TV Ads - 映像作家: keisuketerashima
2D animationAdvertisementCMMotion graphicsTV-CM

NIKKEI #GO2030 TV Ads

2020
00:00:30
Special Nikkei Electronic Edition Project to Read the Future of 2030 We planned and produced the trailer movie for #GO2030, a special 10th anniversary project for The Nikkei electronic edition. #GO2030 is a feature article series that looks ahead to the next 10 years together with a wide range of opinion leaders. CONCEPT In this age of upheaval, it is difficult to predict what the next 10 years will bring. Could anyone really have predicted the world as it is today, 10 years ago? By rapidly layering Nikkei newspaper headlines, we created a piece that lets viewers relive these turbulent 10 years, and builds anticipation for “future forecasts by opinion leaders” beginning within the Nikkei electronic edition. #GO2030
EXPO 2025 OSAKA - 映像作家: keisuketerashima
3DCGARArt workEventProjection mappingXR

EXPO 2025 OSAKA

2019
00:00:30
“2025 Osaka–Kansai Expo Bid Plan” Mori Art Museum Exhibition In 2025, the proposed site plan for the Osaka–Kansai Expo bid activity centers on keywords such as “decentralization” and “dispersal” to embody a future society, expressing the constantly changing relationships among diverse individuals and groups that are unique to our time. At the same time, it is also a model for a next-generation urban structure, designed to accommodate the operation of new urban elements such as autonomous mobility, including self-driving vehicles, and AR/MR (augmented reality/mixed reality). In this exhibition, the various new initiatives and characteristics incorporated into the plan are reconfigured as one possible form of the future city. In the cities of the future, diverse users interact in complex and dispersed ways within digital space. There is the “physical world,” which we perceive as objects, and the “information world,” represented by the web, as well as a “common ground” that serves as the intermediary realm between them. This exhibition expresses the social implementation of common ground. Visitors can experience the perceptual gaps between humans and digital agents, as well as our relationship with a world on an urban scale that cannot be perceived by humans.
でじべじ –Digital Vegetables– by PARTY - 映像作家: keisuketerashima
2D animation3DCGADEventExperimental filmInstallationMotion graphicsSignage

でじべじ –Digital Vegetables– by PARTY

2017
00:00:49
触れるデザイン。浴びるデザイン。東京のまんなか、ミッドタウンで、いま、野菜たちが育っています。ビニールハウスの中で太陽の光を浴び、光合成をして、水を吸って生きています。葉、根、花、実、そのカタチと色は、生物としての、野菜の生存戦略であり、デザインです。まずは、土の中でたくましく生きる、７つの命に触れてください。そして、映像と音で拡張された野菜のデザインを、カラダで浴びてください。

Explore 3DCG

Contour - 映像作家: ryokitabatake
3DCGArt workShort film

Contour

2021
00:02:46
About the work A man trudges through the same place again and again in a dim wasteland, as if dragging his weary body behind him. His doubles, replicated like afterimages, drift through the air, forming a huge mass that hovers over his head. On the ground, tentacles cling to him as if to hinder his steps. Before long, the man collapses to the ground and sinks into a mental realm. A visual work that depicts modern people, constantly exposed to information and living alongside complex human relationships, in an unfamiliar brilliance. The contours and boundaries of the self, shaped by self-awareness, waver, mutate, and dissolve. It portrays human beings living through this cycle. Directed and produced by the unit of Ryo Kitabatake and Takuma Sasaki, winners of Best of Stash and the Telly Award Gold. Filmed at Dimension Studio in London using the latest volumetric imaging technology, with music by Max Cooper. Max Cooper How many artists over the past decade have, like Max Cooper, reexamined and expanded the relationship between electronic music, visual art, technology, and science? Through collaborations with artists and institutions across disciplines, including the Barbican Centre, Zaha Hadid Architects, and Dolby Atmos, Cooper works with a mixed-media approach to create immersive installations, psychoacoustics, visual art, and electronic music. Max Cooper▶ maxcooper.net/ Dimension Studio Dimension Studio is a London studio that provides innovative volumetric and real-time production for creating next-generation virtual production, digital humans, and XR content. With production studios based in the UK and the US, as well as mobile environments operating around the world, it is committed to bringing the virtual entertainment of the future to life. Dimension Studio▶ dimensionstudio.co/