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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
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NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
NHK Special "2030: A Turning Point for the Future" - 映像作家: whatever
TV drama opening title

NHK Special "2030: A Turning Point for the Future"

2021
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For the NHK Special series “2030: A Turning Point for the Future,” we were responsible for planning and producing the program logo design and opening title sequence. The program reports on the environmental issues facing the world. It examines 2030, said to be a “turning point” for global challenges. Over the next decade, it considers how we can avoid crisis and achieve a sustainable future. In the logo and opening title, we used animation to portray the importance of confronting the real issues humanity faces and making our own choice at this turning point in the future. https://www6.nhk.or.jp/nhkpr/post/original.html?i=26703
NHK "Masterpiece Analysis Classroom" Track 3 - 映像作家: maruakari
2D animationAnimationMusic video

NHK "Masterpiece Analysis Classroom" Track 3

2026
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We created an animated music video based on Kubo Saki’s “Ihoujin.” It is based on Daisuke Nakagawa’s interpretation. “Masterclass in Song Analysis” If we examine the lyrics of a classic hit in depth, what kind of message will emerge? In this program, young people of the Reiwa era thoroughly analyze beloved songs from the Showa and Heisei eras through a modern sensibility! The stories born from that process are then turned into brand-new music videos.

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Direction
Production
Camera
Lighting
Art / Styling
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CG / Visual
Animation
Sound / Music
XR / Interactive
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14 Works
7 Works
DATA VISTA - 映像作家: ShozaburoOka
3DCGArt workCodingDataGenerative ArtSignage

DATA VISTA

2026
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Signage content installed at MUFG Bank’s new concept store, “M’s Square TAKANAWA.” We joined the project from the planning stage and were responsible for direction. Rather than taking a conventional advertising approach, the piece was created around the concept of a visual experience that would make passersby stop and take notice. Using a transparent display device, we designed the content as a generative visual expression in which the imagery changes in real time according to live foreign exchange data, allowing financial information to be perceived in a visual and intuitive way.
Pokémon Card Game TOKYO LUMINOUS NIGHT - 映像作家: ShozaburoOka
3DCGEventExperienceProjection mapping

Pokémon Card Game TOKYO LUMINOUS NIGHT

2026
Based on the globally beloved Pokémon Card Game, a projection mapping display of light and imagery unfolds across the walls of the Tokyo Metropolitan Government Building. The Pokémon depicted on the cards, along with iconic visuals, are brought to life in three-dimensional form through light and video, spreading a fantastical scene across the building at night. Please enjoy the Pokémon Card Game, which has been loved across languages, generations, and regions, as a stunning large-scale visual experience.
ANIME TOKYO NIGHT – IKEBUKURO PROJECTION MAPPING - 映像作家: ShozaburoOka
3DCGAnimationEventMotion graphicsProjection mapping

ANIME TOKYO NIGHT – IKEBUKURO PROJECTION MAPPING

2025
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Hearts race with excitement. Emotions overflow. The nights of Ikebukuro, Tokyo, are filled with the brilliance of anime. Ikebukuro continues to evolve every day as a new hub for sharing anime culture. Memorable scenes that moved our hearts, along with the works we are most captivated by now, are brought to life through projection mapping, wrapping Ikebukuro’s nights in a new glow and inviting visitors on an inspiring journey. A projection mapping event themed around anime content held in Ikebukuro. Participated as the director. https://ikebukuro-projectionmapping-anime.com/
6 Works
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song] - 映像作家: shizukaamano
Music videoTV

【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song]

2025
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Music video for “Christmas Starlight,” a December learning song from NHK E-tele’s “The Wakey Show.” It’s a song with the theme, “How about sending each other letters as Christmas presents?” Featuring all of the show’s puppet characters, as well as Elmo and Cookie Monster from Sesame Street. Blending live action, diorama, and hand-drawn animation, the video creates a world full of ideas to keep young viewers engaged. I was responsible for the direction and editing, including all compositing. Editing software used: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK E-tele] The Wakey Show "Impressionist Song" Marigold [Learning Song] - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] The Wakey Show "Impressionist Song" Marigold [Learning Song]

2025
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NHK E-tele’s “The Wakey Show” music video for the September 2025 learning song, “The Song of Impressionism.” This song is about a character named “Marigold,” who is well-versed in art, and is themed around “a song that teaches you about the art movement Impressionism.” In the video, the “Motte Pets” dolls, which appear in various roles throughout the program, are dressed up as Impressionist painters, and the piece is edited so that Marigold and the painters seem to be singing together. I was responsible for the direction, character design for the painter costumes, magical CG, and editing, including compositing. Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Educational TV] The Wakey Show "Color Passion" Marigold [Learning Song] - 映像作家: shizukaamano
Music videoTV

[NHK Educational TV] The Wakey Show "Color Passion" Marigold [Learning Song]

2025
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Music video for “Color Passion,” the May 2025 learning song from NHK E-Tele’s “The Wakey Show.” This song is performed by a character named “Marigool,” who is well versed in art, with the theme of “a song that teaches you how to mix paint colors.” Using a puppetry technique known in Japan as “face-revealing puppet manipulation,” which is still relatively unfamiliar there, the production was directed with a focus on making both the puppets and the human performers look wonderful. In addition to visual direction, I was also responsible for creating the background art and for editing (everything through compositing, excluding color grading). Editing environment: Adobe Premier Pro, After Effects
15 Works
6 Works
Yuu. “Beautiful.” MV - 映像作家: yasucra
2D animationIllustrationMotion graphicsMusic video

Yuu. “Beautiful.” MV

2022-2026
00:03:59
An image-based video work centered on Atami and the surrounding areas, the setting of the TV anime Clean Freak! Aoyama-kun, composed from live-action footage. Over three days of filming in Atami, time-lapse shots and snapshots were meticulously gathered from early morning until sunset. By carefully editing and compositing this vast collection of cuts built around the keyword “beautiful” in accordance with the rhythm and flow of emotion, the work creates a visual experience in which everyday scenery gradually takes on color and seems to synchronize with one’s inner feelings.
no.9 orchestra「The moment」MV - 映像作家: yasucra
Art workAudio visual performanceExperienceExperimental filmImageMotion graphicsMusic videoMusic Visualization

no.9 orchestra「The moment」MV

2022-2026
00:03:38
A music video created based on a song inspired by photographer Munehide Ida’s photo book “EXPRESSWAY.” In this work, depth maps were generated from Munehide Ida’s photographs to give them three-dimensional movement, challenging the idea of “photographs coming to life once again.” While actively embracing the characteristics of the source material, including blur and noise, the piece intricately synchronizes them with piano sounds evoking a camera shutter and fast-paced developments. Through a unique approach, it reconstructs the tension and sense of speed inherent in the “moment” captured in photographs taken while driving on the Shuto Expressway at 100 km/h.
Warm Aquarium "Re:♮" MV - 映像作家: yasucra
2D animation3DCGMotion graphicsMusic videoMusic Visualization

Warm Aquarium "Re:♮" MV

2024
00:03:07
* This work contains abrupt flashing and rapid visual changes. As a result, it may trigger seizures in individuals with epilepsy or photosensitivity. Please exercise caution when viewing, and if you feel any discomfort, stop watching immediately. -- This is a motion graphics MV created under the concept of “making an MV that tricks the viewer for an instant.” Starting from the now-familiar composition often seen in recent vocaloid song MVs—an illustration placed against a single-color background—the moment the drop begins, the illustrated Teto Kasane opens her eyes and the background starts moving violently as well, drawing the viewer into the music through the sudden shift in tone. To create visuals that could stand up to a song driven by passionate feelings riding on a powerful beat, we incorporated plenty of data-like grime such as noise and moshing, and built the piece around motion graphics that still maintain a pleasing visual appearance.
18 Works
Asunopolaris "Youth, Probably" Music Video - 映像作家: Mone_LaMer
Music video

Asunopolaris "Youth, Probably" Music Video

2025〜
00:03:23
When I heard the band’s image for the piece, I decided to build it from the feelings I had in my own youth. I directed it with the intention of turning those everyday moments from back then, and the emotions that strangely remain when you look back on them, into the visuals as they are. The apples that appear in the work are a visual expression of memories of youth. For me, youth is strongly connected to cinema as well, so I’ve also included a few slightly film-like scenes and ways of showing them here and there. By using an old compact digital camera and having the cast actually take some of the shots themselves, I think I was able to create a texture that feels close to the perspective and memories of the people who were there.
17 Works
FUTURE IDOL – NANIMONO - 映像作家: harukateramoto
3DCGLive actionMusic video

FUTURE IDOL – NANIMONO

2025
00:03:57
Description: At some point in time, humanity vanished from Earth in an instant. Countless pieces of space debris are scattered across Earth’s orbit. Among that debris, an optical disc happens to slip into a player, and the track begins to play. The thoughts left within the music take on the physical phenomenon of vibration and rain down upon the Earth. Parabolic antennas on the ground listen to the vibrations, and radio towers transmit radio waves of their own accord. Signage in an abandoned city displays the performer’s image, obscured by noise, while a three-dimensional hologram is projected onto a sandy beach. Waves gently brush against feet, and a semi-transparent body traces out the choreography. A roadside cathode-ray tube set bears a face mottled with static, hallucinating seven figures who should not be there. When the track ends, the player ejects the optical disc. The Earth glows, and the debris continues to circle in orbit.
Listening to Thoughts Growing Distant - Nagase Yuka - 映像作家: harukateramoto
2D animation3DCGExperimental filmLive actionMusic video

Listening to Thoughts Growing Distant - Nagase Yuka

2025
00:06:01
Commentary: In representing Mr. Nagase, who exists across the dimensions of media, what I had in mind was to show the moment of crossing between dimensions. The passage back and forth between dimensions gradually accelerates, until eventually it crosses dimensions frame by frame. So rapid that the temporal arrangement can be mistaken for spatial contact, and with a movement of flicker that is too fast to stop and yet seems to stand still, the translucent body placed within it can touch you on the retina, between frame and frame. The haze that only becomes visible through motion was also fitting for a melody that feels as if carved out of a raging current—or perhaps written automatically—gentle / eerie / light. Listen to the blur, like a lump of light, with your eyes and ears.
5 Works
6 Works
Drama “ROLLING” - 映像作家: kantaigawa
Short film

Drama “ROLLING”

2025〜
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A drama centered on the encounter between a woman who once gave up her child and a young girl who brought life into the world through surrogacy, portraying a relationship that cannot be reduced to blood ties or systems. Through night streets and the repetitive landscapes of everyday life, it carefully traces the shifts in the time and distance the two share, bringing to light the ambiguity inherent in the concepts of “motherhood” and “family.” This work looks at the possibility of people who carry both choice and loss still continuing to live on. Starring: Mami Shibuya, Yume Takamura. Screenplay: Kisa Ito. Responsible for planning, direction, and editing.
Short Film "Koisan in Arima" - 映像作家: kantaigawa
Short film

Short Film "Koisan in Arima"

2022〜
00:10:55
A short film based on Jun’ichiro Tanizaki’s novel *The Makioka Sisters*, depicting an aspect of Hanshin modernism. It portrays the romance between Taeko, the free-spirited fourth daughter of the Makioka family, and Miyoshi, a bartender, as Taeko “Koisan” falls in love freely and recklessly. The date scenes were filmed at locations such as Isoshian (Tanizaki Jun’ichiro’s former residence) and Hotel Hanakomichi, which also appears in the original work, depicting a natural time-slip into Kobe and Arima Onsen.
CCS records. / MY FRIEND VESPA - 映像作家: kantaigawa
Music video

CCS records. / MY FRIEND VESPA

2023〜
00:03:47
Description: A world on the brink of collapse, with only CCS left behind. In a city with no one in it, time at a standstill, and landscapes quietly weathering away, this work depicts the relationship between the smallest unit of connection: the self and companions. Because people are lonely, they think of others, and through that feeling, paradoxically, they strengthen the outline of their own existence. In this world, there is no clear answer, nor words that define the meaning of life. Even so, by thinking of someone, people can continue to remain faintly connected to the world. This work traces the love that dwells within loneliness, and the loneliness hidden deep within love.
“Blendy® CAFE LATORY®” “A Touch of Happiness Recharge with Cafelatory: Today I Like You” Edition - 映像作家: kantaigawa
CMTV-CMWebWeb CM

“Blendy® CAFE LATORY®” “A Touch of Happiness Recharge with Cafelatory: Today I Like You” Edition

2025〜
00:00:30
A tie-up commercial between ABEMA’s “Kyo, Suki ni Narimashita.” and Blendy® CAFE LATORY® Stick. With the theme of a gentle dose of happiness, it portrays the small thrills and moments of richness that CAFE LATORY brings to the everyday lives of two people their age. While staying close to the world of the program, the piece was crafted so that the product’s texture and the sense of happiness at the moment of drinking it come across naturally.
87 Works
UHA Gummy Supplement "Kento AI ~Ceramide~" Version - 映像作家: kooki
3DCGAnimationTV-CM

UHA Gummy Supplement "Kento AI ~Ceramide~" Version

2026
00:00:31
KOO-KI’s Toichi Shirakawa directed and produced this commercial for UHA Gummy Supplement. The music is an arranged recording of Kocchi no Kento’s hit song “Hai Yorokonde,” created specifically for this commercial. The illustrations are newly drawn by Oshushi Muromuki. To achieve a subliminal effect, the production was designed so that the product package appears in every cut. To present it without being intrusive, the team added touches such as well-timed coordination with the music, a pleasing sense of progression, and small playful elements (the gummy pieces) to keep it engaging and prevent it from becoming dull.
GUNZE “Unreadable, GUNZE.” Calligraphy Edition - 映像作家: kooki
Live actionPromotionWeb CM

GUNZE “Unreadable, GUNZE.” Calligraphy Edition

2026
00:00:16
A web commercial produced as part of GUNZE Limited’s 130th anniversary project, marking the company’s 130th year in August 2026. Taking advantage of the fact that some younger viewers may not even be able to read the company name “GUNZE,” the film vividly brings the catchphrase “Unreadable, GUNZE.” to life. The concept was developed by a team centered on KOO-KI’s younger staff, who themselves are among those on the “unreadable” side. KOO-KI’s Tatsushi Yuu, known for his wide range of directing styles, transformed their wildly free-spirited ideas into an entertaining visual piece. In addition to the “Calligraphy” version, the web commercial also includes a “Vision Test” version.
Asahi Solar “East — The Power of the Sun, Blue Sky” Edition - 映像作家: kooki
AIAnimationTV-CM

Asahi Solar “East — The Power of the Sun, Blue Sky” Edition

2025〜
Directed and produced by KOO-KI’s Tatsuhiro Momen, this TV commercial was made for Asahi Solar, a pioneer in solar water heating systems. A sumo wrestler jumps off a roof and dives straight into a bathtub. A shot that would normally require an elaborate setup is rendered realistically yet in a humorous ukiyo-e style using generative AI. In addition to the “East — The Power of the Sun / Blue Sky” version, there is also the “West — Leave It to Us, Peace of Mind / Gold” version.
6 Works
ORANGE RANGE – メンソーレ feat.ソイソース (Music Video) - 映像作家: takerushibuya
2D animationGraphic designIllustrationMusic video

ORANGE RANGE – メンソーレ feat.ソイソース (Music Video)

2026
00:02:56
ORANGE RANGE 25th記念シングル 15年前に制作された同アーティストの楽曲「ヤー・ヤー・ヤー」のMVからインスパイアを受け、当時高校生でありORANGE RANGEの大ファンであったTakeru Shibuyaが監督・アニメーションを務めた。キャラクターをパワーアップして再登場。往年のファンにはたまらない仕上がりになっている。 Takeru Shibuyaならではのポップでありながら毒のあるロウブロウなテイストがORANGE RANGEの楽曲とぴったりとマッチし独特の世界観を作り上げる。 キャラクターデザインにシャシャミン、コラージュアニメーションにonnnacodomo、3DアニメーションにRyu Nishiyama、背景デザインにHanae Sugiを迎えた。
13 Works

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