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Cancer Panther #GetCheckedForCancer - 映像作家: TheBERICH
2D animationComedyTV

Cancer Panther #GetCheckedForCancer

2021 ~
00:03:05
Cancer Panther #Let’s go for cancer screening This anime is called “Cancer Panther,” drawn by me after I was diagnosed with cancer. I hope it can serve as a reference for people who have never had cancer, and for those who may develop it in the future. I turned into an anime the experience of completely trusting my doctor and going through treatment. I would be happy if it helps people learn about cancer, the number one cause of death, and understand the importance of cancer screenings.

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48 Works
19 Works
BUMP OF CHICKEN「I」(Lyric Video) - 映像作家: shujihirai
2D animationAnimationMotion graphicsMusic video

BUMP OF CHICKEN「I」(Lyric Video)

2025
00:04:12
Directed and handled the compositing for the lyric video of BUMP OF CHICKEN’s “I,” the ending theme for the TV anime My Hero Academia. The video was crafted so that the various “Quirks” featured in the series would color the screen in sync with the lyrics. Packed with direction inspired by the story, it was created to deliver a level of visual impact that goes beyond the usual scope of a lyric video.
9 Works
Fishmans 「Uchu Nippon Tokyo」 - 映像作家: cosmiclab
3DCGArt workAudio visual performancePerformance

Fishmans 「Uchu Nippon Tokyo」

2025
Only Image
Description: For Fishmans’ solo performance at Tokyo Garden Theatre, C.O.L.O. was responsible for the VJ/video production for “LONG SEASON,” a 40-minute song. The over-three-hour Time and Space created together with 6,000 audience members was a breathtaking work of art. We would like to express our gratitude to producer/sound engineer zAk, who made this opportunity possible, as well as to the members and everyone on the team.
G-STAR x FACETASM “DENIM DEPOT UNIVERSE” - 映像作家: cosmiclab
Brand movieExperimental filmFashion filmPromotion

G-STAR x FACETASM “DENIM DEPOT UNIVERSE”

2024
00:01:01
Announcement of “DENIM DEPOT UNIVERSE,” a limited capsule collection by “FACETASM,” led by Hiromichi Ochiai, and Amsterdam-based denim brand “G-STAR RAW.” Stills and a PR movie, with total direction by C.O.L.O / COSMIC LAB, have been unveiled. By wearing clothing, humans have challenged harsh environments such as outer space and the ocean floor, gaining freedom and creativity. Under this theme, scenes were created that seamlessly connect everyday life with adventures to unknown places. The filming location was the “Misono Universe Building,” a venue that has been ahead of its time since the 1950s. Inspired by NASA archives, the denim designs and the one-of-a-kind space of the Misono Building resonated with each other, giving rise to a new creation.
COSMIC LAB presents JEFF MILLS 『THE TRIP -Enter The Black Hole-』 - 映像作家: cosmiclab
Audio visual performanceExperimental filmInstallationLive actionMovieOriginalPerformance

COSMIC LAB presents JEFF MILLS 『THE TRIP -Enter The Black Hole-』

2024
00:00:51
The world premiere of the stage art work THE TRIP -Enter The Black Hole-, led by Jeff Mills, was performed in Tokyo on April 1, 2024. This is the world premiere of THE TRIP -Enter The Black Hole-, a stage art work co-produced by Jeff Mills, the world-renowned DJ and pioneer of Detroit techno, and COSMIC LAB, one of Japan’s most innovative visual teams. With black holes as its theme, Jeff Mills handled the overall direction, script, and music, while COSMIC LAB expanded his vision of the cosmos and way of thinking through visual direction. In addition, Juju Togawa, who like Jeff Mills has been active since the early 1980s, joined as a singer, and choreographer Hiroaki Umeda, internationally acclaimed for his cross-disciplinary work spanning contemporary dance and digital art, was also part of the production. The stage costumes for each performer were designed by Hiroshi Ochiai of FACETASM, one of Japan’s leading fashion brands. This live expanded cinema work, a journey to the farthest reaches of the universe and an exploration of the deepest depths of the mind, was performed at ZEROTOKYO, equipped with a visual system developed by COSMIC LAB and state-of-the-art sound facilities.
17 Works
FUTURE IDOL – NANIMONO - 映像作家: harukateramoto
3DCGLive actionMusic video

FUTURE IDOL – NANIMONO

2025
00:03:57
Description: At some point in time, humanity vanished from Earth in an instant. Countless pieces of space debris are scattered across Earth’s orbit. Among that debris, an optical disc happens to slip into a player, and the track begins to play. The thoughts left within the music take on the physical phenomenon of vibration and rain down upon the Earth. Parabolic antennas on the ground listen to the vibrations, and radio towers transmit radio waves of their own accord. Signage in an abandoned city displays the performer’s image, obscured by noise, while a three-dimensional hologram is projected onto a sandy beach. Waves gently brush against feet, and a semi-transparent body traces out the choreography. A roadside cathode-ray tube set bears a face mottled with static, hallucinating seven figures who should not be there. When the track ends, the player ejects the optical disc. The Earth glows, and the debris continues to circle in orbit.
Listening to Thoughts Growing Distant - Nagase Yuka - 映像作家: harukateramoto
2D animation3DCGExperimental filmLive actionMusic video

Listening to Thoughts Growing Distant - Nagase Yuka

2025
00:06:01
Commentary: In representing Mr. Nagase, who exists across the dimensions of media, what I had in mind was to show the moment of crossing between dimensions. The passage back and forth between dimensions gradually accelerates, until eventually it crosses dimensions frame by frame. So rapid that the temporal arrangement can be mistaken for spatial contact, and with a movement of flicker that is too fast to stop and yet seems to stand still, the translucent body placed within it can touch you on the retina, between frame and frame. The haze that only becomes visible through motion was also fitting for a melody that feels as if carved out of a raging current—or perhaps written automatically—gentle / eerie / light. Listen to the blur, like a lump of light, with your eyes and ears.
10 Works
17 Works
Phantom Siita "Rose-Colored Moon" (OFFICIAL MUSIC VIDEO) - 映像作家: kazukigotanda
Music videoPaper craftStopmotion

Phantom Siita "Rose-Colored Moon" (OFFICIAL MUSIC VIDEO)

2026
00:03:45
In this work, built around a new song by Phantom Siita, I sought to foreground the group’s aesthetic beauty and darkness while using Le Fanu’s vampire tale Carmilla as a motif, creating a world that unfolds like a Gothic short film. I had long thought that I wanted to make a vampire film at least once in my lifetime, and when I saw “Carmilla” written in a note from producer Ado, I was extremely excited. Among films based on Carmilla, Carl Theodor Dreyer’s Vampyr is one of my all-time favorites, and throughout this production I also kept thinking about the ashen, anemic pallor of Isabelle Adjani and Klaus Kinski in Werner Herzog’s Nosferatu, another vampire film. The setting is an old mansion that appears on a night of the full moon. Through the process of the girl Heine wandering into the mansion and getting swept up in the Phantom Siita’s—vampires’—festival, the film hints at an unnameable emotional wavering that cannot be clearly defined as romance, dependence, or illness. Visually, while drawing on European Gothic sensibilities and the decadent atmosphere of filmmakers such as Daniel Schmid, I aimed for a textured expression that combines live action and analog collage to depict “illness ≠ love.” That emotion is strictly not equal; here, I do not present it in an easy-to-understand way as “love is an illness.” By portraying, on the same plane, emotions that cannot be labeled—“I love you, I’m drawn to you, I want to hold on to you but I don’t want to, I want to run away, I want to live, I want to die, and I don’t want to die either”—alongside a body that grows weaker and more exhausted, I tried to express that this ungraspable feeling is real. As for the collage, rather than shooting against a green screen, we filmed in a studio filled with vintage props and similar items. Because the relationship between space and the people within it was necessary, and because collage needed to draw out that magnetic field in order to create a distortion of reality, I have lately tried to avoid using green screen as much as possible. By dismantling those elements, I wanted to portray a blurred consciousness and memory shaped by the dislocation of time and space. As for the collage method itself, we would print out live-action frames that had been shot and create animation while rearranging them, and even before shooting there were times when fragments of blurred consciousness, the mansion, or parts of scenes were assembled into analog collages.
BUCK-TICK / Raijin Fujin - Resonance MUSIC VIDEO - 映像作家: kazukigotanda
2D animationAnimationArt workMusic video

BUCK-TICK / Raijin Fujin - Resonance MUSIC VIDEO

2024
00:04:44
Based on the imagery evoked by the title and lyrics, as well as the band’s situation in 2024, we set the theme as “resonance and collision of wavelengths.” As reference points, we drew on Guillaume Apollinaire’s The Magician Who Decays and “Holography Hymn” from Tatsuhiko Shibusawa’s The Sun King and the Moon King to build the world of the piece. To bring the collage created on a flat surface into the real location, we produced the art direction as physical set pieces. With the band’s long-established formation having changed, while preserving the empty space at the center, we sought to honor the band’s intention, and we depicted the camera dolly moving side to side as literal gods of thunder and wind. We also used the set door to suggest that this place is connected to somewhere else. The cut tearing open into a transition likewise carried the intention of representing another place elsewhere.
11 Works
5 Works
WonderRoom2.0 - 映像作家: reikurashima
2D animation3DCGAnimationMotion graphicsMusic videoPixel Art

WonderRoom2.0

2024
00:04:28
This is a music video created for the doujin creative event VOCADUO. It is an experimental work that marked the first time I incorporated character modeling, rigging, and animation into my production process. “Wonder Room” refers to luxury goods and curiosities in Europe around the 16th century. It is said by the composer, sanmal, that the song WonderRoom “2.0” was created with the idea in mind that there is a similar underlying impulse to modern internet content consumption. The video was made with a pixelated visual style that also evokes a sense of nostalgia, depicting a world where one explores a digital realm. Since both the characters and backgrounds were created in CG, pixel-style look development took time. Rather than following a scenario-based flow like an animated film, it was produced with a concept that extends from motion graphics.
14 Works
9 Works
19 Works
Suntory Yasashii Mugicha “Yoshio Kojima Recycling Recital” Lyric Motion - 映像作家: ong_
2D animationAdvertisementMotion graphicsPromotion

Suntory Yasashii Mugicha “Yoshio Kojima Recycling Recital” Lyric Motion

2024
00:00:09
Description: This video was produced for the SNS promotion of Suntory Yasashii Mugicha. We overlaid lyric motion on footage of Yoshio Kojima performing a live rendition of his “Oppappi” song, with the lyrics rewritten around the theme of recycling, creating a slightly cooler image of Kojima than usual. By expressing the energy of Kojima’s singing through pop, bouncy motion, we added visual interest to the video while delivering a message emphasizing the importance of recycling.
Colors,Future!Summit 2024 TV CM - 映像作家: ong_
2D animationAdvertisementCMMotion graphicsTV-CMWeb CM

Colors,Future!Summit 2024 TV CM

2024
00:00:16
Description: We produced an advertising video for a two-day summit held in Kawasaki City, exploring and expanding the future of “the city” and “society.” To convey a sense of celebration for the city’s 100th anniversary while avoiding the stiff image often associated with municipal events, we created a colorful, pop-inspired video. By morphing the “100” in the 100th anniversary into the character “川” from Kawasaki, we made it easy to understand that Kawasaki City is celebrating its 100th anniversary, while also creating a visually engaging transition.
2 Works

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