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[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
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NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
Feature-Length Anime “We Are Aliens” Teaser Video - 映像作家: kadowakikouhei
2D animationAnimation劇場映画

Feature-Length Anime “We Are Aliens” Teaser Video

2026
00:01:35
Official Selection, Directors’ Fortnight, the 79th Cannes Film Festival The film We Are Aliens will be released in theaters in 2026. Co-starring: Ryota Bando × Amon Okayama Music by: Yaffle Two boys meet in a rural town in the Heisei era. Tsubasa struggles with being “ordinary,” while Kiyotaro is someone “special.” But an incident that occurs beyond the distortions of everyday life dramatically changes the relationship between the two——. Is this a story of their youth? Or a memory they want to erase? ▼Official Website https://nothingnew.film/wearealiens/ [Film Information] Title: We Are Aliens English Title: We are Aliens Release Date: Theatrical release in 2026 Planned, Written, and Directed by: Kohei Kadowaki Cast: Ryota Bando, Amon Okayama (co-starring) Music: Yaffle Copyright: ©NOTHING NEW, MIYU PRODUCTIONS Planning, Production, and Filmmaking: NOTHING NEW In cooperation with: MIYU PRODUCTIONS
[Anime] Just Right! Word Office - 映像作家: onakatakeshi
2D animationAnimationComedy

[Anime] Just Right! Word Office

2026
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An anime packed with “relatable civil servant moments,” made for civil servants by civil servants. A short anime that takes a peek into the daily lives of the staff working at the ward office in the fictional Chitoku Town Village’s “Hodora Ward” Hodoyoku! Word Office is a short anime aimed at civil servants working in local governments and public institutions. This series reunites director Takeshi Onaka, who teamed up about 10 years ago on Neko to Mata, with voice actors Tasuku Hatanaka and Takuma Nagatsuka. Set in Hodora Ward Office, the comedy centers on rookie staff member Shinji (CV: Tasuku Hatanaka) and his senior colleague, the protective-cat Neko-yama-san (CV: Takuma Nagatsuka), with the banter built around “civil servant relatability” portrayed as a comedic dialogue-driven story (from Animate Times) (↓Featured article) https://www.animatetimes.com/news/details.php?id=1776676732 Available now on Jichitai Works.com https://com.jichitai.works/video/

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5 Works
3WD／Task have Fun - 映像作家: leohmd
Art workMotion graphicsMusic video

3WD／Task have Fun

2017
00:04:51
Without much funding and still relatively inexperienced, we felt they had strong overall potential, so we decided that we could simply let them, dance, and the song carry the piece. With that in mind, we aimed to create visuals that were as stripped down and efficient as possible. The key point was the typographic treatment of the lyrics, which we translated into English in a way that anyone could understand, making it a gimmick that would keep viewers watching until the end.
5 Works
8 Works
5 Works
Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening - 映像作家: kojiaramaki
Animation

Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening

2019, 2020
The second opening for the TV anime Fate/Grand Order - Absolute Demonic Front: Babylonia. Set against the backdrop of the ancient Mesopotamian civilization of the BCE era, the animation features an organic visual direction that blends earth and sand with the gold and wealth of Gilgamesh, one of the story’s main characters. For the chorus section, the team explored new ways of combining key animation, motion graphics, and CG, aiming for visuals in which character animation, hand-drawn effects, and particle expressions influence one another. The production team consisted of the members who had previously worked on the opening of DARLING in the FRANXX, with Shun Yamaguchi, Kita, and Hanasaka joining the team to handle their respective parts.
Promare Avant Title - 映像作家: kojiaramaki
AnimationOpening movie劇場映画

Promare Avant Title

2019
Responsible for the TRIGGER corporate logo, avant motion graphics, and title logo animation for the feature film Promare. In the avant, we used motion graphics to abstractly express the spread of the Burnish as a phenomenon, serving as a prelude to the main story. In terms of the look as well, rather than simply using an old film look, we developed new shooting processes specifically for this project and applied special gradient treatment. The title logo animation was designed with the transition from the avant to the main film in mind, directly translating the energy of Promare into motion.
DARLING in the FRANXX OPENING - 映像作家: kojiaramaki
2D animationAnimationMotion graphics

DARLING in the FRANXX OPENING

2018
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One of the themes of the work is the pair of red and blue blood, which are used as the key colors for the OP respectively. In the season 2 OP, the blue key color is expanded into the main motif of images such as the sky, the sea, and bubbles. Since many of the main motifs are organic in nature, we incorporated fluid simulations using x-particles and added fluctuations and ripples to the typography animation as well, creating an expression that closely aligns with the theme in every detail.
5 Works
6 Works
“Gold Rush” – Visualization + Sonification of Opensea activity - 映像作家: rhizomatiks
Installation

“Gold Rush” – Visualization + Sonification of Opensea activity

2021
00:02:19
from《NTFs and CryptArt-Experiment》 Venue: From the solo exhibition “rhizomatiks_multiplex” (Museum of Contemporary Art Tokyo, 2021) https://www.mot-art-museum.jp/en/exhibitions/rhizomatiks/ This installation uses event data from Opensea from one day before and after 3/11 10am EST, when MetaKova won Beeple’s NFT at Christies for $69,346,250. It looks back on this highly symbolic event in CryptoArt using machine learning techniques (Convolutional Neural Network, t-SNE) and data visualization. from《NTFs and CryptArt-Experiment》 Venue: Solo Exhibition “rhizomatiks_multiplex” (Museum of Contemporary Art Tokyo, 2021) https://www.mot-art-museum.jp/en/exhibitions/rhizomatiks/ This installation uses event data from Opensea around 3/11 10am EST, when MetaKova won Beeple’s NFT at Christies for $69,346,250. We look back at this symbolic event in CryptoArt using machine learning techniques (Convolutional Neural Network, t-SNE) and data visualization.
Perfume Imaginary Museum “Time Warp” @ Perfume P.O.P Festival - 映像作家: rhizomatiks
Performance

Perfume Imaginary Museum “Time Warp” @ Perfume P.O.P Festival

2020
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A live performance held at the online festival on September 21, marking Perfume’s 20th anniversary and 15th anniversary since their major-label debut. The final date of the “P Cubed” tour, scheduled for February 26, was canceled due to COVID-19, and the team explored how to present their work online in response to the feelings left with nowhere to go, while making use of the data acquired for the tour performances. More filmmakers and CG artists than ever before took part in this production. Perfume Imaginary Museum “Time Warp” was streamed using a new video system that combines high-resolution footage shot on a green screen and low-resolution footage that allows free viewpoint movement (4D Views). Keying data was created by shooting on a green screen with eight cameras. Tracking information for the eight cameras was obtained through match moving. Using 4D Views data, continuous free-viewpoint camera movement became possible.
5 Works
link (EN) - 映像作家: hmd@acut.jp
DocumentaryMusic videoShort film

link (EN)

2019
00:03:48
STORY: A YouTuber visits an abandoned building to film a video and encounters a geisha ghost covered in black. Gradually, his body loses its freedom, and he sinks into delusions; before he knows it, he has fallen under the geisha ghost’s spell. This is an independently produced work made because I wanted to create a horror piece. However, it ended up becoming a comedic one after all. ٩( ᐛ )و I didn’t have any particular obsession with it, but I created it mostly on instinct.
【MV】3WD／Task have Fun - 映像作家: hmd@acut.jp
AnimationArt workAudio visual performanceMotion logoMusic videoPerformancePromotionPV

【MV】3WD／Task have Fun

2017
00:04:50
At the time, lyric videos were starting to get popular, and I wanted to make a music video with a stronger focus on text design, so I began developing the concept with the goal of creating something like an upgraded version of a lyric video. I thought lyric videos were effective for keeping people watching until the end, but I also felt that if we could make the experience feel a little deeper, people might want to watch it again and again, so I aimed to convert the lyrics into English with new interpretations included and give them more expression. Since many of the lyrics were abstract, I think the somewhat suggestive English translation worked pretty well.
【MV】BOOM IT!! / pandamic - 映像作家: hmd@acut.jp
Art workAudio visual performanceMusic videoPromotionPV

【MV】BOOM IT!! / pandamic

2019
00:03:02
Since there wasn’t much room in the shooting and editing conditions, I aimed for “Simple is best.” When I think of “Simple is best,” I think of the “dance cover” videos posted on Niconico and YouTube, so I used the so-called “dance cover” style as a motif and added various forms of expression to it, which resulted in this. As for the points I focused on, it was the lighting effects of the live switching.
5 Works
Mori Nana "Smile" - 映像作家: hiroshiokuyama
Music video

Mori Nana "Smile"

2020
00:03:18
Mori Nana, the rising new actress who was cast in a breakout role as the heroine in Weathering with You and received high praise for her performance in The Last Letter, covers the classic song “Smile,” released in 1996. Inspired by the title “Smile,” a music video was created to bring smiles to people in modern-day Japan. It captures Mori Nana’s genuine, unguarded smile in moments that are usually hard to see, including on actual shooting locations, during recording sessions with HOFF DYLAN, while livestreaming on Instagram Live, and while walking her beloved dog.
AI Misora Hibari "After That" - 映像作家: hiroshiokuyama
Music video

AI Misora Hibari "After That"

2019
00:08:57
Produced the music video for “After That,” a song that brought back Misora Hibari’s singing voice using VOCALOID:AI. Takeshi Kitano, Lily Franky, EXILE ATSUSHI, Rino Sashihara, Nijiro Murakami, and Sena Nakajima. With the thought that “After That” is not just a song to reminisce about the past, but a song for the future, we had people from different generations, from 72 years old to 13 years old, each living with their own distinctive perspectives and values, listen to the song, and portrayed their raw emotions and words in portrait form.
8 Works
10 Works
3 Works
4 Works
Nulbarich – TOKYO - 映像作家: spikeyjohn
Music video

Nulbarich – TOKYO

2021
Only Image
Amid the anxiety of the ongoing spread of the coronavirus, I wanted to portray this era in a positive light by expressing how beautiful everyday life and each person’s life can be. Rather than using unnatural direction more typical of dramas or films, I aimed for a style that felt as natural as possible. Instead of a stereotypical “TOKYO,” I was very particular about the locations, composition, and color palette so that it would feel real and captivating. My belief is that beauty does not lie only in glamorous, meticulously crafted worlds; any world can become beautiful depending on the perspective or the way it is framed.
Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.

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