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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
To the Scientists of the Future #20 “Trapping Light” - 映像作家: EUPHRATES
Web movie

To the Scientists of the Future #20 “Trapping Light”

2025
00:06:03
The “To the Scientists of the Future” series is a science video released on the official YouTube channel of the National Institute for Materials Science (NIMS), a Japanese public research institution. It is produced to promote NIMS while widely sharing the appeal and fascination of materials research. Episode #20, “Trapping Light,” is a video about the origins of optical technologies that confine and control light within matter, typified by optical fibers.
Feature-Length Anime “We Are Aliens” Teaser Video - 映像作家: kadowakikouhei
2D animationAnimation劇場映画

Feature-Length Anime “We Are Aliens” Teaser Video

2026
00:01:35
Official Selection, Directors’ Fortnight, the 79th Cannes Film Festival The film We Are Aliens will be released in theaters in 2026. Co-starring: Ryota Bando × Amon Okayama Music by: Yaffle Two boys meet in a rural town in the Heisei era. Tsubasa struggles with being “ordinary,” while Kiyotaro is someone “special.” But an incident that occurs beyond the distortions of everyday life dramatically changes the relationship between the two——. Is this a story of their youth? Or a memory they want to erase? ▼Official Website https://nothingnew.film/wearealiens/ [Film Information] Title: We Are Aliens English Title: We are Aliens Release Date: Theatrical release in 2026 Planned, Written, and Directed by: Kohei Kadowaki Cast: Ryota Bando, Amon Okayama (co-starring) Music: Yaffle Copyright: ©NOTHING NEW, MIYU PRODUCTIONS Planning, Production, and Filmmaking: NOTHING NEW In cooperation with: MIYU PRODUCTIONS

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14 Works
XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOW YOU CAN” - 映像作家: cosmiclab
2D animationArt workCodingConcert movieGenerative ArtGraphic designInteractiveLive actionPerformanceR&DReal-time Graphics

XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOW YOU CAN”

2025
XG初のワールドツアー【XG 1st WORLD TOUR “The first HOWL”】のファイナルとして行われた東京ドーム公演。COSMIC LABはライブカメラをモーショングラフィックス、リアルタイムVFXと自由度高く融合させる独自のシステムを構築してコンテンツを制作。 約1年に渡るワールドツアーのファイナルに相応しい熱気あるステージに、生カメ演出の未来を感じる一夜となりました。
∈Y∋ + C.O.L.O. — A/V Live Performances (2025-2026) - 映像作家: cosmiclab
3DCGArt workAudio visual performanceCodingExperienceInstallationInteractiveLive actionMusic VisualizationPerformancePixel ArtReal-time GraphicsVJ

∈Y∋ + C.O.L.O. — A/V Live Performances (2025-2026)

2025〜
00:00:35
∈Y∋とC.O.L.OによるA/V Live ユニット。世界各都市で公演を繰り広げる。 ■ Performances (2025-) Art Week Tokyo— Tokyo, Japan November 15, 2025 / FACETASM MUTEK.JP — Tokyo, Japan November 21, 2025 / Nocturne 1 Powerhouse: International — A New Arts Festival — Brooklyn, New York, USA December 5, 2025 Powerhouse: International A New Arts Festival CTM FESTIVAL — Berlin, Germany January 24, 2026 / Berlin, at Haus der Visionäre REWIRE FESTIVAL —The Hague, Netherlands April 10, 2026 Variations festival — Nante, France April 11, 2026 ∈Y∋は1986年にBoredomsを立ち上げ『Super æ』や『Vision Creation Newsun』などジャンルを打ち壊す作品を世に送り出し、世界中にファンを持つ存在となっている。また、ドラマーを集めて挑んだ壮大な「Boadrum」シリーズでも知られている。Sonic YouthやJohn ZornのNaked Cityのほか、Puzzle Punksなどのプロジェクトにも参加している。 本プロジェクトは、マルチメディアA/VコレクティブCOSMIC LAB創設者でもあるビジュアルアーティストC.O.L.OとのA/Vショーである。C.O.L.Oはテクノ元祖Jeff Millsとの合作『THE TRIP - Enter the Black Hole』や、∈Y∋との『FINALBY()』などで未知のAV体験を作り上げてきており、ヴィジュアルの構造がサウンドを生成し形作る統合システムを開発してきた。音と映像を切り離せない一つのメディアとして扱い、その場ならではの、人を変容させるような体験を生み出している。 AV/DJ/LIVE という枠を超えた加速的なハイブリッド、マキシマイズの先に立ち顕れるミニマライズ 。拡張されたシンゲリフューチャリズムや地殻原子オーディオ・ヴィジュアル・リアクティブで映像・光の不可分を加速。 A swarming bundle of chaos and fun surrounds Yamantaka Eye, aka ∈Y∋, the visionary founder of legendary avant-noise groups Boredoms, Hanatarash, and Puzzle Punks. Working since the 1980s, ∈Y∋'s output has influenced and shaped experimental music in his native Japan and across the globe. From noise and psychedelia to performance art and visual art, ∈Y∋'s career is a collage of creative mischief and devilish collaborations. He has performed with the iconic Sonic Youth, on John Zorn’s Naked City (1990), and with the influential South Korean artist Nam June Paik, among many others. Expect a face-melting and mind-warping audiovisual battery as the mutant cyberkinetic noise of ∈Y∋ is combined with the rampant visuals of C.O.L.O from Osaka’s Cosmic Lab to birth an immersive audiovisual performance. Through projects such as FINALBY( ) with ∈Y∋, C.O.L.O has developed integrated systems in which visual structures generate and shape sound, treating audio and image as a single, inseparable medium to create site-specific, transformative experiences.
Fishmans 「Uchu Nippon Tokyo」 - 映像作家: cosmiclab
3DCGArt workAudio visual performancePerformance

Fishmans 「Uchu Nippon Tokyo」

2025
Only Image
Description: For Fishmans’ solo performance at Tokyo Garden Theatre, C.O.L.O. was responsible for the VJ/video production for “LONG SEASON,” a 40-minute song. The over-three-hour Time and Space created together with 6,000 audience members was a breathtaking work of art. We would like to express our gratitude to producer/sound engineer zAk, who made this opportunity possible, as well as to the members and everyone on the team.
XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOOTING STAR” - 映像作家: cosmiclab
3DCGLive actionMotion graphicsR&DReal-time Graphics

XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOOTING STAR”

2025
The Tokyo Dome performance held as the finale of XG’s first world tour, 【XG 1st WORLD TOUR “The first HOWL”】. COSMIC LAB created the content by building a unique system that seamlessly and freely integrates live camera footage with motion graphics and real-time VFX. It was an electrifying stage worthy of the finale of a world tour that spanned nearly a year, and a night that made the future of live camera direction feel within reach.
7 Works
DATA VISTA - 映像作家: ShozaburoOka
3DCGArt workCodingDataGenerative ArtSignage

DATA VISTA

2026
Only Image
Signage content installed at MUFG Bank’s new concept store, “M’s Square TAKANAWA.” We joined the project from the planning stage and were responsible for direction. Rather than taking a conventional advertising approach, the piece was created around the concept of a visual experience that would make passersby stop and take notice. Using a transparent display device, we designed the content as a generative visual expression in which the imagery changes in real time according to live foreign exchange data, allowing financial information to be perceived in a visual and intuitive way.
Pokémon Card Game TOKYO LUMINOUS NIGHT - 映像作家: ShozaburoOka
3DCGEventExperienceProjection mapping

Pokémon Card Game TOKYO LUMINOUS NIGHT

2026
Based on the globally beloved Pokémon Card Game, a projection mapping display of light and imagery unfolds across the walls of the Tokyo Metropolitan Government Building. The Pokémon depicted on the cards, along with iconic visuals, are brought to life in three-dimensional form through light and video, spreading a fantastical scene across the building at night. Please enjoy the Pokémon Card Game, which has been loved across languages, generations, and regions, as a stunning large-scale visual experience.
ANIME TOKYO NIGHT – IKEBUKURO PROJECTION MAPPING - 映像作家: ShozaburoOka
3DCGAnimationEventMotion graphicsProjection mapping

ANIME TOKYO NIGHT – IKEBUKURO PROJECTION MAPPING

2025
Only Image
Hearts race with excitement. Emotions overflow. The nights of Ikebukuro, Tokyo, are filled with the brilliance of anime. Ikebukuro continues to evolve every day as a new hub for sharing anime culture. Memorable scenes that moved our hearts, along with the works we are most captivated by now, are brought to life through projection mapping, wrapping Ikebukuro’s nights in a new glow and inviting visitors on an inspiring journey. A projection mapping event themed around anime content held in Ikebukuro. Participated as the director. https://ikebukuro-projectionmapping-anime.com/
8 Works
[Misora Hibari "Like the Flow of the River" × AI Creative Contest] "Embraced by the Four Seasons" / Korotech Video Work - 映像作家: TatsuyaMatsumura
AIAnimationArt workMotion graphicsMusic video

[Misora Hibari "Like the Flow of the River" × AI Creative Contest] "Embraced by the Four Seasons" / Korotech Video Work

2026
00:02:01
A music video work created for the AI creative contest “Corotech supported by LIVE DAM WAO!” hosted by the Nippon Columbia Group (NCG) on February 21–22, 2026. Starting from my own sense of motion graphics, all motifs were individually generated by AI as video assets for chroma key use, then constructed through compositing and synthesis. Rather than generating everything at once, the video was structurally designed through a process of generating, selecting, placing, and animating each element as separate assets. Within the context of an AI contest, I deliberately chose a time-consuming production method in an effort to imbue the video with “brushstrokes” and “life” that cannot be achieved through one-shot generation. Rather than relying on AI’s generative power alone, this work explores the possibilities of expression through collaboration between AI and humans by selecting, composing, and assigning relationships to the materials through human intent. Instead of presenting AI’s inorganic output as is, it aims to create an emotionally resonant visual expression by reconstructing it through human intervention.
liquid people / Capsule Hotel (Short Ver.) - 映像作家: TatsuyaMatsumura
3DCGMotion graphicsMusic video

liquid people / Capsule Hotel (Short Ver.)

2026
00:00:51
A music video created entirely in full CG. Built around the guitar as its central motif, the visual world was constructed from its form and presence. Assuming the piece to be instrumental, the visuals were designed not around the meaning of lyrics, but around the structure, texture, and energy of the sound itself. The dynamics, rhythm, and spatial breadth of the music are visualized through the deformation of forms, light, and motion. Through motion graphics design in Cinema 4D and Redshift, along with highly precise lighting and rendering, we created a full-CG expression in which sound and image are directly connected.
Viewtrade / Sweet Song - 映像作家: TatsuyaMatsumura
2D animationAIAnimationArt workIllustrationMusic video

Viewtrade / Sweet Song

2026
00:03:10
Based on the images inspired by the music, original hand-drawn illustrations were created for each scene and used to construct the music video. The movement within the video was built from those original drawings, incorporating AI technology while preserving the texture and nuances of the hand-drawn work as it was developed into moving images. In addition, these original drawings were compiled into a ZINE as part of the artist’s own body of work and exhibited at “Here is ZINE Tokyo #22,” held in Aoyama, Tokyo, in February 2026. Rather than stopping at completion as a video work, the project expands its world by translating the original drawings born during the production process into an analog medium, crossing the boundary between moving image and printed matter. Starting from the traces of hand drawing, this project developed into a distinctive artwork that moves back and forth between analog and digital through a process that unfolds from still images into time-based expression. Artwork background website https://www.tatsuyamatsumura.com/sweetsong Exhibition “Here is ZINE Tokyo #22” https://www.instagram.com/enlightenment.zine/
Roniit “Purify” (Original Work) - 映像作家: TatsuyaMatsumura
3DCGArt workMusic videoMusic VisualizationOriginal

Roniit “Purify” (Original Work)

2025
00:02:46
This is an original video work created inspired by Roniit’s song “Purify.” Using CG, I expressed the themes of “life that is born and then fades away” and “a world that is magnificent and beautiful, yet somehow tinged with fragility and irrationality.” A single star is born in a sterile space. The life that emerges from it encounters other forms of life, collides with them, undergoes chemical reactions, and eventually disappears— this entire process is depicted abstractly from the perspective of an unemotional third party. While centering on my strengths in 3DCG and VFX, I also experimentally incorporated AI technology at certain points, blending them together in a subtle way. I made this video with pure feelings as a fan of Roniit, and I was truly delighted to receive a message from Roniit through social media, and even more so to have it shared by them. It has become a very precious work to me.
6 Works
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song] - 映像作家: shizukaamano
Music videoTV

【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song]

2025
Only Image
Music video for “Christmas Starlight,” a December learning song from NHK E-tele’s “The Wakey Show.” It’s a song with the theme, “How about sending each other letters as Christmas presents?” Featuring all of the show’s puppet characters, as well as Elmo and Cookie Monster from Sesame Street. Blending live action, diorama, and hand-drawn animation, the video creates a world full of ideas to keep young viewers engaged. I was responsible for the direction and editing, including all compositing. Editing software used: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK E-tele] The Wakey Show "Impressionist Song" Marigold [Learning Song] - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] The Wakey Show "Impressionist Song" Marigold [Learning Song]

2025
Only Image
NHK E-tele’s “The Wakey Show” music video for the September 2025 learning song, “The Song of Impressionism.” This song is about a character named “Marigold,” who is well-versed in art, and is themed around “a song that teaches you about the art movement Impressionism.” In the video, the “Motte Pets” dolls, which appear in various roles throughout the program, are dressed up as Impressionist painters, and the piece is edited so that Marigold and the painters seem to be singing together. I was responsible for the direction, character design for the painter costumes, magical CG, and editing, including compositing. Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Educational TV] The Wakey Show "Color Passion" Marigold [Learning Song] - 映像作家: shizukaamano
Music videoTV

[NHK Educational TV] The Wakey Show "Color Passion" Marigold [Learning Song]

2025
Only Image
Music video for “Color Passion,” the May 2025 learning song from NHK E-Tele’s “The Wakey Show.” This song is performed by a character named “Marigool,” who is well versed in art, with the theme of “a song that teaches you how to mix paint colors.” Using a puppetry technique known in Japan as “face-revealing puppet manipulation,” which is still relatively unfamiliar there, the production was directed with a focus on making both the puppets and the human performers look wonderful. In addition to visual direction, I was also responsible for creating the background art and for editing (everything through compositing, excluding color grading). Editing environment: Adobe Premier Pro, After Effects
15 Works
6 Works
Yuu. “Beautiful.” MV - 映像作家: yasucra
2D animationIllustrationMotion graphicsMusic video

Yuu. “Beautiful.” MV

2022-2026
00:03:59
An image-based video work centered on Atami and the surrounding areas, the setting of the TV anime Clean Freak! Aoyama-kun, composed from live-action footage. Over three days of filming in Atami, time-lapse shots and snapshots were meticulously gathered from early morning until sunset. By carefully editing and compositing this vast collection of cuts built around the keyword “beautiful” in accordance with the rhythm and flow of emotion, the work creates a visual experience in which everyday scenery gradually takes on color and seems to synchronize with one’s inner feelings.
no.9 orchestra「The moment」MV - 映像作家: yasucra
Art workAudio visual performanceExperienceExperimental filmImageMotion graphicsMusic videoMusic Visualization

no.9 orchestra「The moment」MV

2022-2026
00:03:38
A music video created based on a song inspired by photographer Munehide Ida’s photo book “EXPRESSWAY.” In this work, depth maps were generated from Munehide Ida’s photographs to give them three-dimensional movement, challenging the idea of “photographs coming to life once again.” While actively embracing the characteristics of the source material, including blur and noise, the piece intricately synchronizes them with piano sounds evoking a camera shutter and fast-paced developments. Through a unique approach, it reconstructs the tension and sense of speed inherent in the “moment” captured in photographs taken while driving on the Shuto Expressway at 100 km/h.
Warm Aquarium "Re:♮" MV - 映像作家: yasucra
2D animation3DCGMotion graphicsMusic videoMusic Visualization

Warm Aquarium "Re:♮" MV

2024
00:03:07
* This work contains abrupt flashing and rapid visual changes. As a result, it may trigger seizures in individuals with epilepsy or photosensitivity. Please exercise caution when viewing, and if you feel any discomfort, stop watching immediately. -- This is a motion graphics MV created under the concept of “making an MV that tricks the viewer for an instant.” Starting from the now-familiar composition often seen in recent vocaloid song MVs—an illustration placed against a single-color background—the moment the drop begins, the illustrated Teto Kasane opens her eyes and the background starts moving violently as well, drawing the viewer into the music through the sudden shift in tone. To create visuals that could stand up to a song driven by passionate feelings riding on a powerful beat, we incorporated plenty of data-like grime such as noise and moshing, and built the piece around motion graphics that still maintain a pleasing visual appearance.
2 Works
18 Works
Asunopolaris "Youth, Probably" Music Video - 映像作家: Mone_LaMer
Music video

Asunopolaris "Youth, Probably" Music Video

2025〜
00:03:23
When I heard the band’s image for the piece, I decided to build it from the feelings I had in my own youth. I directed it with the intention of turning those everyday moments from back then, and the emotions that strangely remain when you look back on them, into the visuals as they are. The apples that appear in the work are a visual expression of memories of youth. For me, youth is strongly connected to cinema as well, so I’ve also included a few slightly film-like scenes and ways of showing them here and there. By using an old compact digital camera and having the cast actually take some of the shots themselves, I think I was able to create a texture that feels close to the perspective and memories of the people who were there.
17 Works
FUTURE IDOL – NANIMONO - 映像作家: harukateramoto
3DCGLive actionMusic video

FUTURE IDOL – NANIMONO

2025
00:03:57
Description: At some point in time, humanity vanished from Earth in an instant. Countless pieces of space debris are scattered across Earth’s orbit. Among that debris, an optical disc happens to slip into a player, and the track begins to play. The thoughts left within the music take on the physical phenomenon of vibration and rain down upon the Earth. Parabolic antennas on the ground listen to the vibrations, and radio towers transmit radio waves of their own accord. Signage in an abandoned city displays the performer’s image, obscured by noise, while a three-dimensional hologram is projected onto a sandy beach. Waves gently brush against feet, and a semi-transparent body traces out the choreography. A roadside cathode-ray tube set bears a face mottled with static, hallucinating seven figures who should not be there. When the track ends, the player ejects the optical disc. The Earth glows, and the debris continues to circle in orbit.
Listening to Thoughts Growing Distant - Nagase Yuka - 映像作家: harukateramoto
2D animation3DCGExperimental filmLive actionMusic video

Listening to Thoughts Growing Distant - Nagase Yuka

2025
00:06:01
Commentary: In representing Mr. Nagase, who exists across the dimensions of media, what I had in mind was to show the moment of crossing between dimensions. The passage back and forth between dimensions gradually accelerates, until eventually it crosses dimensions frame by frame. So rapid that the temporal arrangement can be mistaken for spatial contact, and with a movement of flicker that is too fast to stop and yet seems to stand still, the translucent body placed within it can touch you on the retina, between frame and frame. The haze that only becomes visible through motion was also fitting for a melody that feels as if carved out of a raging current—or perhaps written automatically—gentle / eerie / light. Listen to the blur, like a lump of light, with your eyes and ears.
9 Works
5 Works
3 Works
Cold Shark｜BUGLOG_001 - 映像作家: samezame
AnimationMusic video

Cold Shark｜BUGLOG_001

2025
00:03:49
1st single “Samezame” “Samezame” symbolizes an entity that overlaps with a frozen, numbed emotion and a shark that can survive only by continuing to swim. It sharply portrays an attachment to life, a sinking sensation, and the heart wavering between life and death. A destructive and emotional song where self-denial, frustration toward society, the desire for recognition, and a sense of emptiness intersect. Intense yet delicate words vividly capture the manic-depressive swings of emotion. Through the coexistence of bold yet delicate visuals that seem to have captured those fluctuations, analog-style animation that amplifies emotion, and sophisticated lyric design, it creates the world of “Samezame.”
化け物のサーカス｜BUGLOG_002 - 映像作家: samezame
2D animationAnimationIllustrationMusic videoOriginal

化け物のサーカス｜BUGLOG_002

2025
00:03:33
2nd single「化け物のサーカス」 怒り、孤独、自己嫌悪。他者への憎しみと、 自分すらもわからなくなる不安。 そんな言葉にできない感情を、 鋭利で狂気的なリリックと破壊的なサウンドと ぎこちなくて目まぐるしいビジュアルにのせて訴える。 過激な表現の奥に潜むのは、どうしようもなく不器用な本音。 “化け物”として生きざるを得なかった者たちへの鎮魂歌であり、 言いたくても言えない想いを抱える人々の代弁となる歌。
Introduction｜BUGLOG_000 - 映像作家: samezame
AnimationConcept MovieMovie

Introduction｜BUGLOG_000

2025
00:00:30
A person who had grown cold and indifferent toward life (had given up) rises again, continuing to feed on the negative energy that they habitually sink into pessimistically. Mania and depression are human bugs. The logs left behind through creation become the energy to keep running all the way to the end credits. “Samesamegure” is a project and creative collective that expresses raw, intense emotions centered on the themes of mania and depression through music, video, and various other media. This concept film portrays “Samesamegure” swimming through the bugs, blending scenes of reality and unreality, and combining analog and digital techniques.

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