Popular

SEE MORE
Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series - 映像作家: YuyaTsuji_G2
2D animationCMMotion graphicsPromotionWeb CM

[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series

2022
00:09:00
This piece features “Kei,” who calls himself a Poké Card doctor, carefully explaining the series of rules for the Pokémon Card Game to a boy named “Ren,” who has just obtained Pokémon cards, and is structured so that the new rules are explained to viewers as well. While following the structure and animation style of the previous explanation series, we were mindful of pacing and subtle character animation, deliberately avoiding excessive expression, effects, and animation so that viewers could stay engaged until the end while understanding the rules. Also, on a more detailed directorial note, this time voice actors Chisaki Kimura and Sako Ogawa added nuanced emotions at key moments, and I feel this resulted in an explanatory video that also lets viewers appreciate the delicate vocal performances they bring to the work.
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects

Movies

Direction
Production
Camera
Lighting
Art / Styling
Post Production
CG / Visual
Animation
Sound / Music
XR / Interactive
Artist
Technical / Engineering
14 Works
WE ARE ALIENS - 映像作家: kadowakikouhei
2D animationAnimationMovieOriginal

WE ARE ALIENS

2026
00:01:01
Official Selection, Directors’ Fortnight, 79th Cannes Film Festival We Are Aliens to be released in theaters in 2026. Co-starring: Ryota Bando × Aoto Okayama Music: Yaffle Two boys meet in a small town in the Heisei era. Tsubasa, troubled by being “ordinary,” and Kyotaro, a “special” presence. But what happens beyond the distortions of everyday life will dramatically change the relationship between the two——. Is this a story of the boys’ youth? Or a memory they wish they could erase?
Feature-Length Anime “We Are Aliens” Teaser Video - 映像作家: kadowakikouhei
2D animationAnimation劇場映画

Feature-Length Anime “We Are Aliens” Teaser Video

2026
00:01:35
Official Selection, Directors’ Fortnight, the 79th Cannes Film Festival The film We Are Aliens will be released in theaters in 2026. Co-starring: Ryota Bando × Amon Okayama Music by: Yaffle Two boys meet in a rural town in the Heisei era. Tsubasa struggles with being “ordinary,” while Kiyotaro is someone “special.” But an incident that occurs beyond the distortions of everyday life dramatically changes the relationship between the two——. Is this a story of their youth? Or a memory they want to erase? ▼Official Website https://nothingnew.film/wearealiens/ [Film Information] Title: We Are Aliens English Title: We are Aliens Release Date: Theatrical release in 2026 Planned, Written, and Directed by: Kohei Kadowaki Cast: Ryota Bando, Amon Okayama (co-starring) Music: Yaffle Copyright: ©NOTHING NEW, MIYU PRODUCTIONS Planning, Production, and Filmmaking: NOTHING NEW In cooperation with: MIYU PRODUCTIONS
20 Works
5 Works
TVOsaka "NEXT IP PROJECT" Promotional CM 15second - 映像作家: ak4m3
Motion graphicsPVTV-CMWeb CM

TVOsaka "NEXT IP PROJECT" Promotional CM 15second

2026
00:00:16
I directed a 15-second promotional commercial for the TV Osaka NEXT IP PROJECT. In this project, where TV Osaka holds an open call for content plans and provides a total production budget of 100 million yen to create programs and content, they are looking for ideas that are "a step above" and break conventional wisdom, along with the "passion" to make them viable as a business. I proposed creating a stylishly chaotic video using chaotic motion graphics that break the conventional concepts of commercials and a rhythmic cut tempo. I produced the promo video using many elements that leave an impression on the eyes and ears.
KAGARIBI#15 | TOP8 Opening V - 映像作家: ak4m3
2D animation3DCGGraphic designLive opening animationLive VideoMotion graphicsMovieMusic VisualizationOpening moviePerformance

KAGARIBI#15 | TOP8 Opening V

2026
00:00:20
This is a motion graphics piece for the rap section, produced as part of the background visuals for the TOP 8 opening live performance at KAGARIBI #15, an unofficial Super Smash Bros. tournament held at Makuhari Messe. The rap part of the theme song "THRONED," created by the beatbox crew SARUKANI, has been visualized through motion graphics to craft a high-impact video. While it is 2D-based, I took on the challenge of incorporating 3D footage sparingly to achieve a richer visual quality. By picking up the various lyrics—a mix of Japanese and English—and the unique sounds produced by beatboxing, I have attempted to visualize the music through a diverse range of motion graphics tailored to each specific element.
11 Works
no.9 orchestra / The moment - 映像作家: flapper3
Music video

no.9 orchestra / The moment

2025〜
00:03:38
This work is based on the “fleeting scenery” captured while driving on a highway, and is built around the concept of connecting the sensibilities that lie between photography (the moment) and music (time). It reconstructs elements such as the tension of the shutter, the space created in between, and the sense of speed through both sound and visuals, portraying an experience in which “moments accumulate and become time.” In the visuals, rather than simply arranging still photographs, depth information is generated to create a pseudo-3D effect, and by moving them again, a new temporal axis is introduced. Instead of faithfully reproducing reality, the work deliberately incorporates imperfections and blur, adopting a method of transforming photographs into something else entirely. Through trial and error under the constraints of using only photographs and instrumental music, this piece aspires to the beauty and immersion that emerge from limitation.
33 Works
WOWOW Excite Match 35th Opening Movie 2026 - 映像作家: natsukikida
2D animationAnimationArt workOpening movie

WOWOW Excite Match 35th Opening Movie 2026

2026
00:00:46
WOWOW Excite Match 35th Anniversary: New Opening Video Completed!! WOWOW’s “Excite Match,” which broadcasts and streams more than 100 title bouts and major matches a year across the four major boxing organizations, has had its opening visuals, graphics, and logo design handled by Natsuki Kida for over a decade. The first star of the latest opening video is three-division world champion Junto Nakatani, whose official collaboration merchandise with WOWOW Excite Match was also designed by Kida!
NHK Minna no Uta Aimer "Yasashii Butokai" - 映像作家: natsukikida
2D animationAnimationArt work

NHK Minna no Uta Aimer "Yasashii Butokai"

2025
Only Image
The visual direction is by Natsuki Kida, a filmmaker known for dark fantasy. She depicts a mysterious night through a nostalgic video created with meticulous attention to artistic elements such as characters and background art. In bringing to life the enchanting and beautiful world woven by the song and Aimer’s vocals, I wanted to set the story in a “black forest” illuminated only by moonlight and the shimmer of stars, and portray the events of a mysterious night. A girl who descends from a castle in the sky to the forest below falls asleep. The figure of the girl dancing on in the forest also seems like another version of herself. Is this reality, or a dream the girl is seeing...? Only a polka-dotted beast wandering through the forest watched over the events of that one night. I researched every kind of dance form, including ballet and contemporary dance, and paid particular attention to the girl’s movements in order to create a mysterious presence. I hope that after watching the video, viewers will be left with a strange feeling, as if they have traveled beyond time and space. (Director: Natsuki Kida)
7 Works
15 Works
JoJo’s Bizarre Adventure Part 9 “The JOJOLands” — The Birth of a New-Generation JOJO Team — [Latest Volume 5 of JC & “JOJO magazine 2024 WINTER” On Sale Now!] - 映像作家: mellowsoda
2D animation3DCGCMMotion graphicsMotion logoWebWeb CMWeb movie

JoJo’s Bizarre Adventure Part 9 “The JOJOLands” — The Birth of a New-Generation JOJO Team — [Latest Volume 5 of JC & “JOJO magazine 2024 WINTER” On Sale Now!]

2022-2026
00:01:43
PV commemorating the simultaneous release of the latest volume 5 of *The JOJOLands* and *JOJO magazine 2024 WINTER* This video crosses over Part 9 and Part 5 of *JOJO*. We placed the greatest emphasis on a structure and direction that seamlessly bridges each part.
Kochikame: Tokyo Beat Cops × Katsushika Rhapsody / Kohei Dojima | Kochikame Memorial Museum Opening Commemorative MV - 映像作家: mellowsoda
2D animationPVWebWeb CMWeb movie

Kochikame: Tokyo Beat Cops × Katsushika Rhapsody / Kohei Dojima | Kochikame Memorial Museum Opening Commemorative MV

2022-2026
00:01:38
This is a commemorative music video for the opening of the KochiKame Memorial Museum in Kameari. The director himself lived in Katsushika City for over 10 years. We filmed around the neighborhood, centering on Kameari, and designed the visuals and motion with the intention of making Ryo-san and the others feel as if they truly existed there. The police box was fully modeled in 3DCG from scratch, starting from zero.
5 Works
8 Works
[Misora Hibari "Like the Flow of the River" × AI Creative Contest] "Embraced by the Four Seasons" / Korotech Video Work - 映像作家: TatsuyaMatsumura
AIAnimationArt workMotion graphicsMusic video

[Misora Hibari "Like the Flow of the River" × AI Creative Contest] "Embraced by the Four Seasons" / Korotech Video Work

2026
00:02:01
A music video work created for the AI creative contest “Corotech supported by LIVE DAM WAO!” hosted by the Nippon Columbia Group (NCG) on February 21–22, 2026. Starting from my own sense of motion graphics, all motifs were individually generated by AI as video assets for chroma key use, then constructed through compositing and synthesis. Rather than generating everything at once, the video was structurally designed through a process of generating, selecting, placing, and animating each element as separate assets. Within the context of an AI contest, I deliberately chose a time-consuming production method in an effort to imbue the video with “brushstrokes” and “life” that cannot be achieved through one-shot generation. Rather than relying on AI’s generative power alone, this work explores the possibilities of expression through collaboration between AI and humans by selecting, composing, and assigning relationships to the materials through human intent. Instead of presenting AI’s inorganic output as is, it aims to create an emotionally resonant visual expression by reconstructing it through human intervention.
liquid people / Capsule Hotel (Short Ver.) - 映像作家: TatsuyaMatsumura
3DCGMotion graphicsMusic video

liquid people / Capsule Hotel (Short Ver.)

2026
00:00:51
A music video created entirely in full CG. Built around the guitar as its central motif, the visual world was constructed from its form and presence. Assuming the piece to be instrumental, the visuals were designed not around the meaning of lyrics, but around the structure, texture, and energy of the sound itself. The dynamics, rhythm, and spatial breadth of the music are visualized through the deformation of forms, light, and motion. Through motion graphics design in Cinema 4D and Redshift, along with highly precise lighting and rendering, we created a full-CG expression in which sound and image are directly connected.
Viewtrade / Sweet Song - 映像作家: TatsuyaMatsumura
2D animationAIAnimationArt workIllustrationMusic video

Viewtrade / Sweet Song

2026
00:03:10
Based on the images inspired by the music, original hand-drawn illustrations were created for each scene and used to construct the music video. The movement within the video was built from those original drawings, incorporating AI technology while preserving the texture and nuances of the hand-drawn work as it was developed into moving images. In addition, these original drawings were compiled into a ZINE as part of the artist’s own body of work and exhibited at “Here is ZINE Tokyo #22,” held in Aoyama, Tokyo, in February 2026. Rather than stopping at completion as a video work, the project expands its world by translating the original drawings born during the production process into an analog medium, crossing the boundary between moving image and printed matter. Starting from the traces of hand drawing, this project developed into a distinctive artwork that moves back and forth between analog and digital through a process that unfolds from still images into time-based expression. Artwork background website https://www.tatsuyamatsumura.com/sweetsong Exhibition “Here is ZINE Tokyo #22” https://www.instagram.com/enlightenment.zine/
Roniit “Purify” (Original Work) - 映像作家: TatsuyaMatsumura
3DCGArt workMusic videoMusic VisualizationOriginal

Roniit “Purify” (Original Work)

2025
00:02:46
This original film was inspired by Roniit’s song “Purify.” The work explores life that emerges only to fade away, and a world that is vast and beautiful, yet evokes a sense of transience and absurdity. A single star is born in a lifeless space. From it, life emerges—encountering other forms of life, colliding, and undergoing chemical reactions before eventually ceasing to exist. This process is depicted abstractly, from the detached perspective of an outside observer. I created the piece primarily in Houdini, drawing on my strengths in 3D CG and VFX.
15 Works
6 Works
Yuu. “Beautiful.” MV - 映像作家: yasucra
2D animationIllustrationMotion graphicsMusic video

Yuu. “Beautiful.” MV

2022-2026
00:03:59
An image-based video work centered on Atami and the surrounding areas, the setting of the TV anime Clean Freak! Aoyama-kun, composed from live-action footage. Over three days of filming in Atami, time-lapse shots and snapshots were meticulously gathered from early morning until sunset. By carefully editing and compositing this vast collection of cuts built around the keyword “beautiful” in accordance with the rhythm and flow of emotion, the work creates a visual experience in which everyday scenery gradually takes on color and seems to synchronize with one’s inner feelings.
no.9 orchestra「The moment」MV - 映像作家: yasucra
Art workAudio visual performanceExperienceExperimental filmImageMotion graphicsMusic videoMusic Visualization

no.9 orchestra「The moment」MV

2022-2026
00:03:38
A music video created based on a song inspired by photographer Munehide Ida’s photo book “EXPRESSWAY.” In this work, depth maps were generated from Munehide Ida’s photographs to give them three-dimensional movement, challenging the idea of “photographs coming to life once again.” While actively embracing the characteristics of the source material, including blur and noise, the piece intricately synchronizes them with piano sounds evoking a camera shutter and fast-paced developments. Through a unique approach, it reconstructs the tension and sense of speed inherent in the “moment” captured in photographs taken while driving on the Shuto Expressway at 100 km/h.
Warm Aquarium "Re:♮" MV - 映像作家: yasucra
2D animation3DCGMotion graphicsMusic videoMusic Visualization

Warm Aquarium "Re:♮" MV

2024
00:03:07
* This work contains abrupt flashing and rapid visual changes. As a result, it may trigger seizures in individuals with epilepsy or photosensitivity. Please exercise caution when viewing, and if you feel any discomfort, stop watching immediately. -- This is a motion graphics MV created under the concept of “making an MV that tricks the viewer for an instant.” Starting from the now-familiar composition often seen in recent vocaloid song MVs—an illustration placed against a single-color background—the moment the drop begins, the illustrated Teto Kasane opens her eyes and the background starts moving violently as well, drawing the viewer into the music through the sudden shift in tone. To create visuals that could stand up to a song driven by passionate feelings riding on a powerful beat, we incorporated plenty of data-like grime such as noise and moshing, and built the piece around motion graphics that still maintain a pleasing visual appearance.
2 Works

Loading...

No more content

Error loading content

More

Loading...

No more content

Error loading content

More