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NHK Sing and Learn: "When You're in a Bear-y Bad Spot" - 映像作家: erikasahara
2D animationAnimation

NHK Sing and Learn: "When You're in a Bear-y Bad Spot"

2026
Only Image
Created the animation for “Kuma Toki wa,” broadcast on ETV’s Utatte Manabo. I was in charge of character design, direction, and backgrounds. The content teaches three kinds of measures: measures to take if you encounter a bear, measures to avoid coming across one, and measures to prevent bears from entering town. The aim was to convey these measures in a fun, approachable way, so that children can actually reenact them from the video and learn how people and bears can coexist in their respective environments.
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
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NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
NHK Special "2030: A Turning Point for the Future" - 映像作家: whatever
TV drama opening title

NHK Special "2030: A Turning Point for the Future"

2021
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For the NHK Special series “2030: A Turning Point for the Future,” we were responsible for planning and producing the program logo design and opening title sequence. The program reports on the environmental issues facing the world. It examines 2030, said to be a “turning point” for global challenges. Over the next decade, it considers how we can avoid crisis and achieve a sustainable future. In the logo and opening title, we used animation to portray the importance of confronting the real issues humanity faces and making our own choice at this turning point in the future. https://www6.nhk.or.jp/nhkpr/post/original.html?i=26703
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects

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9 Works
Baby Bread Short Animation - 映像作家: kantamochida
3DCGAnimationShort film

Baby Bread Short Animation

2024
00:04:05
This is a small bakery in town. One night, the owner, Riku, kneads the dough as usual, lets it rest, and then finishes work and leaves. Clatter, clatter... Suddenly, an unsettling sound echoes through the shop. A thief has slipped inside and is picking the register lock. The cream bun dough, left to rest in the refrigerator, is startled awake by the sound and bursts into tears, crying, “Waaah!” And that cry is heard by the thief... a close call!? Will the “baby buns” be able to get through this crisis...?
URAHARA – TEASER - 映像作家: kantamochida
3DCGAnimationShort film

URAHARA – TEASER

2023
00:02:17
A teaser video and teaser visual for the completely original 3DCG animation “URAHARA,” with Ryosuke Kamide serving as the original creator, screenwriter, and director, and Kanta Mochida handling direction, visuals, and design. A story about the changing city, the soil being covered over, the fungi being killed off, and the humans who are allowed to live on. It is about the many pangs of conscience borne by humans who have set out running toward a dystopia.
The 10th New Chitose Airport International Animation Festival Official Trailer / New Chitose 2023 Signal Film - 映像作家: kantamochida
3DCGPromotion

The 10th New Chitose Airport International Animation Festival Official Trailer / New Chitose 2023 Signal Film

2023
00:00:32
Description: The award winners of the 10th New Chitose Airport International Animation Festival are portrayed as crocodiles, one of the apex predators at the top of the ecological pyramid, roaming freely across the imaginary playground of “expression.” The work was created by extensively using the VR modeling software “shapelab,” while moving across a variety of tools. https://shapelabvr.com/artist-showcase-kanta-mochida/
5 Works
28 Works
Brain Juice Bathhouse - 映像作家: saigonoshudan
2D animationArt workClay animationMusic videoProjection mappingStopmotion

Brain Juice Bathhouse

2024
00:01:43
Focusing on a “brain-pleasing experience,” this traditional neighborhood bathhouse, familiar to everyone, was dramatically updated through the power of creativity. With an array of devices and staging—from mind-blowing neon lights and illumination to riddles and underwater speakers—it offered a one-of-a-kind “new bathing experience of light and madness” that could only be enjoyed in this place. In the lobby, exclusive “Nojiru Sento” merchandise, as well as limited-edition drinks and food, were also available for purchase. Over the 10-day event period, a total of 4,457 people experienced it, and in the visitor survey, about 93.3% of respondents answered “Yes, I got brain juice!” to the question, “Did you get brain juice?” Following “Henkai Yokocho,” it concluded to great acclaim and overwhelming success.
SAKANAMON MV / Naked - 映像作家: saigonoshudan
2D animationAnimationMusic videoOriginalPaper craftPVWatchWeb

SAKANAMON MV / Naked

2024
00:03:29
Method: Stop motion I created this piece while sharing backgrounds and characters with Moji Tsuchiya, each of us imitating the other’s characters. Tsuchiya created the basic storyboard, and we worked out the overall feel of the film by sharing the footage as it was completed. There is a Go scene in the video, and it felt like we were making it while watching each other’s moves, as though I were playing Go with Tsuchiya.
2 Works
OGRE YOU ASSHOLE - More Like You Than You - 映像作家: ryuokubo
2D animationAnimationMusic videoPixel Art

OGRE YOU ASSHOLE - More Like You Than You

2024
00:03:55
Music video for OGRE YOU ASSHOLE’s “More Like You Than You Yourself.” As the title suggests, since the song was about oneself and a person very similar to oneself—perhaps not a mere look-alike, but an existence created by technology such as a robot, AI, or clone—the idea began with wondering whether it would be interesting to make a video in which two different looks are going back and forth. While symbolically treating hand-drawn scenes created with pen on paper and scenes that have been reduced in resolution and pixelated, the two textures gradually blend together and follow a path toward becoming particles in the end. The basic approach is simple hand-drawn animation, with everything drawn on paper with a pen. To create a live-action-like quality of movement rather than a cartoonish one, many scenes were first animated in 3DCG and then rotoscoped by hand.
D.A.N. – Sundance - 映像作家: ryuokubo
2D animationAnimationArt workMotion logoMusic video

D.A.N. – Sundance

2018
00:07:04
Description: An unusual work for me, edited by combining animation and live-action footage. I’ve long been drawn to videos like MAD edits, where someone else’s footage is borrowed and synchronized with sound, so this result emerged from an experiment to see what form that might take if I incorporated that approach into my own animation. Since I didn’t want to make anything that would be a copyright issue, I purchased all of the live-action footage from an overseas stock video site called ENVATO MARKET.
6 Works
News α - 映像作家: hironorisugie
3DCGAnimationBrand movieMain VisualMotion graphicsOpening movieTitle movieTVTV package design

News α

2024
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Fuji TV news program “News α” design package A world that absorbs the moments when the world moved today for tomorrow, which is just around the corner. We portrayed a world that expands the one we live in and connects to the near future. From the logo design to the opening visuals, and even proposals for a UI that showcases the news index, the program’s core element, we designed the entire package.
DayDay. - 映像作家: hironorisugie
2D animation3DCGAdvertisementAnimationBrand movieBroadcastMotion graphicsTitle movieTVTV package design

DayDay.

2024
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Chatter is not noisy, but harmonious. A pleasant liveliness. The characters create the atmosphere. Of course, the logo is a character too. For Nippon TV’s morning program “DayDay” we are responsible for the program’s art direction and production, from the world view, logo, characters, opening visuals, and other video elements to on-screen graphics and captions.
Ladies and PAC-MAN - 映像作家: hironorisugie
3DCGMusic video

Ladies and PAC-MAN

2020
00:04:40
This is the music video for Takashi Nakatsuka’s song “Ladies and PAC-MAN,” included on the PAC-MAN 40th anniversary compilation album, “JOIN THE PAC - PAC-MAN 40th ANNIVERSARY ALBUM -”. Inspired by a night spent dancing in the world of Pac-Man, I created it around the themes of dance and fashion. The 1980s, when Pac-Man was born, now feel strangely futuristic, and with that future in mind, I developed the visuals with an awareness of visualizing the sound. The more you listen to Nakatsuka’s music, the more intricate it becomes, and you discover something new each time. This track was exactly the same. I’ve incorporated that kind of intricacy throughout the artwork. I’d be happy if viewers could watch it and experience it while feeling those things.
1 Works
Point of View - 映像作家: yoh
Installation

Point of View

2025
Description: This work is created using two LED panels arranged one above the other. When a certain pixel on the lower panel turns “on,” the corresponding pixel on the upper panel turns “off,” and through repeated changes that make the light seem to move, the lower panel is eventually filled with light, while the upper panel goes dark. This process is repeated alternately. The theme of this work lies in the connection between the micro and the macro. When a pixel (micro) lights up and eventually becomes the light of the entire panel (macro), from another perspective, that single micro pixel may in fact be connected to something even larger.
9 Works
Ambivalent - 映像作家: nnnuventus
2D animationMusic video

Ambivalent

2024
00:04:20
Aiming for the kind of thrill that makes your mouth corners rise involuntarily, as if you’ve seen something you were never supposed to see, I expressed Insekai Joucho’s sacred atmosphere with regular, inorganic shapes, and contrasted it with visceral motion and grotesque, unsettling elements rendered in a poppy 2D look. For the lyrics, since I was thinking about the image of movement before the form itself, I created the lyric motion in Cinema 4D, where I could make the movements just as I envisioned them.
RIM『NEUROMANCE』 - 映像作家: nnnuventus
Music video

RIM『NEUROMANCE』

2022
00:04:09
Inspired by the title “The Last Man in Europe,” one of the other proposed titles for George Orwell’s science fiction novel 1984, I created a story about a protagonist being swallowed up by internet society. For the world-building, I drew influence not only from 1984 but also from PSYCHO-PASS and Discipline and Punish. I tried to portray contemporary society as a sacred yet eerie world permeated by gods, likening the internet itself, or the “sense of common decency” fostered there, to God as an omnipresent watcher, and smartphones, as internet devices, to angels as God’s messengers. The protagonist, an existence before being exposed to God’s surveillance—that is, before internalizing the watcher—is modeled on the devil, the symbol of chaos and the antithesis of angels. I personally like the atmosphere in which mischief and a sense of tragedy coexist, so the overall design ended up having a cute quality. Since the comic panel layout was a familiar structure for depicting the story, I organized the sequence of information toward the climax and carefully examined the role and function of each cut.
10 Works
12 Works
New Shinjuku Ondo - 映像作家: ぬQnuQ
2D animation3DCG

New Shinjuku Ondo

2023
Only Image
Produced as a welcome movie for TOKYU KABUKICHO TOWER HOTEL GROOVE SHINJUKU. A geyser erupted on “Shinjuku Island,” the sleepless island floating in the middle of the eastern sea. Ichiro and Futako, born together with the column of water, set off to explore the island with unstoppable momentum. Glittering signs, ultra-fast conveyor-belt sushi, towers of cocktails, and so many things they have never seen before! People and the city undulate like a roller coaster, creating one groove together.
FamilyMartVison / Digital Art - 映像作家: ぬQnuQ
2D animationAnimationArt work

FamilyMartVison / Digital Art

2022
Only Image
An original animation created for FamilyMart’s “Artist Support Project,” which launched last year. Based on the world of the paintings presented in the solo exhibition “Quishinbo Room,” held at museum shop T in 2021, it has been finished in a colorful, pop style by adding the sense of depth unique to animation and the rhythmic movements of Ichiro and Futako. Distributed since February 2022 at stores nationwide equipped with digital signage.
13 Works
Ordinary Life / Trailer - 映像作家: yorikomizushiri
2D animationAnimationOriginalShort film

Ordinary Life / Trailer

2025
00:00:43
Original short animated film (running time: 9 min. 48 sec.) An international co-production between France’s Miyu and Japan’s New Deer The ordinary life we repeat every day. The succession of fleeting moments we layer upon one another is never the same, and everything changes and shifts. The human consciousness that can travel, the instant it comes into contact with things, to a place that exists nowhere in the past or future. In a world that remains uncertain and constantly in flux, only the sensation of this body, existing solely in the reality of the present, when it touches something, can be recognized as “now.” That moment is precious. Winner of the Silver Bear at the 75th Berlin International Film Festival’s Short Film Competition section
SEVENTEEN (Seventeen) JAPAN 4TH SINGLE "Expiration Date" Preview "Circles -Japanese ver.-" - 映像作家: yorikomizushiri
2D animationAnimationMusic videoPromotion

SEVENTEEN (Seventeen) JAPAN 4TH SINGLE "Expiration Date" Preview "Circles -Japanese ver.-"

2024
SEVENTEEN (SEVENTEEN) JAPAN 4TH SINGLE "Expiration Date" Promotion video assets for the included track “Circles -Japanese ver.-” The song’s message of “going around and around, then returning to where it started” is expressed through the movement of the animation and the texture of the motifs. Using soap bubbles (transparent spherical forms) as the main motif, the animation gently and softly depicts them drifting, transforming, and touching various things as they travel through space. The piece ends by returning to the opening scene, creating a loopable structure.
GeGeGe no Kitaro Tribute Art Exhibition "Kitaro EXPO" Participating Work - 映像作家: yorikomizushiri
2D animationAnimationEventShort film

GeGeGe no Kitaro Tribute Art Exhibition "Kitaro EXPO" Participating Work

2023
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Description: I animated a scene of the bored Medama-Oyaji playing with Nuraikabe and Ittan Momen. He gets hooked on the feel of Ittan Momen clinging to him and the moment it falls into the tea-bowl bath, so Medama-Oyaji keeps playing the same game over and over again forever. Screened and exhibited at the Shigeru Mizuki 100th Anniversary Commemorative GeGeGe no Kitaro Tribute Art Exhibition, “Kitaro EXPO” (2023.8.11–8.27).
3 Works
4 Works

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