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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
NHK Special "2030: A Turning Point for the Future" - 映像作家: whatever
TV drama opening title

NHK Special "2030: A Turning Point for the Future"

2021
Only Image
For the NHK Special series “2030: A Turning Point for the Future,” we were responsible for planning and producing the program logo design and opening title sequence. The program reports on the environmental issues facing the world. It examines 2030, said to be a “turning point” for global challenges. Over the next decade, it considers how we can avoid crisis and achieve a sustainable future. In the logo and opening title, we used animation to portray the importance of confronting the real issues humanity faces and making our own choice at this turning point in the future. https://www6.nhk.or.jp/nhkpr/post/original.html?i=26703

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12 Works
AYAKA / OK! GO! Music Video - 映像作家: BONJIN
2D animationAnimationCo-CreationPaper craft

AYAKA / OK! GO! Music Video

2022-2026
00:03:37
A song that conveys the message, “Don’t compare yourself to others; just move forward at your own pace,” is paired with wind and a flowing collage space to express the “flow of life,” including its instability and detours. Based on the concept that life is a story found after moving through the city and taking in its nature, and that this is what shapes the self, the collage unfolds accordingly. While carrying the uplifting spirit fitting for the theme song of “King’s Brunch,” I hope it can offer comfort by saying, “It’s okay as you are, as long as you keep moving forward little by little.”
Mr.Children「Again」Lyric Video - 映像作家: BONJIN
2D animation3DCGAnimationArt workAudio visual performanceBrand movieCo-Creation

Mr.Children「Again」Lyric Video

2026
00:04:54
Using BONJIN’s signature chaotic collage style, I created a work centered on the theme of a zoetrope. It expresses the way everyday life appears to repeat endlessly, and yet deep within the heart, the hidden light and ideals still remain. By employing an observer-like perspective to portray the structure within the jacket artwork for “Ubugoe,” I also tried to create the impression of looking down upon even that everyday life from above. Even if the treasure within oneself falls apart, one must still keep running forward—I tried to express the melancholy of that feeling and the aesthetics of it itself.
24 Works
[MV] Shonin Show - Ryoh Yamashita - 映像作家: yamashitamakoto
2D animationComedyMovieMusic videoOriginal

[MV] Shonin Show - Ryoh Yamashita

2025
00:02:55
A circus-style music video themed around the desire for approval. It portrays, in a show-like format, the characters’ comical yet slightly unsettling descent as they keep chasing likes. The more they become fixated on “being seen,” the more chaotic the stage grows. While foregrounding the fun of entertainment, it presents a satirical and ironic take on the modern need for validation. Each character personifies a different form of approval-seeking, such as “domination of others” and “courtship.” Their character designs are filled with circus-inspired motifs.
[MV] Going Viral with Meme Art - Ryo Yamashita - 映像作家: yamashitamakoto
AnimationMusic videoOriginal

[MV] Going Viral with Meme Art - Ryo Yamashita

2025
00:02:28
This work is a music video themed around the conflict of the gap between public image and reality. Based on the common situation illustrators face—“comedic or gimmicky drawings get more attention, but I want people to see my serious work”—it visualizes both the momentum and the chaos with a social media-like tempo and an information-overloaded screen composition. This work portrays, with unfiltered intensity, the moment when the exhilaration of going viral clashes with the honest feelings behind creation.
【OFFICIAL MUSIC VIDEO】Shall we dance to the ends of hell?♡ (+ the merry crew) / Maou Tulsi 【ORIGINAL SONG】 - 映像作家: yamashitamakoto
AnimationMusic videoPixel Art

【OFFICIAL MUSIC VIDEO】Shall we dance to the ends of hell?♡ (+ the merry crew) / Maou Tulsi 【ORIGINAL SONG】

2025
00:03:18
Based on the atmosphere of classic galge/eroge, this is a wildly over-the-top 8-bit music video made with fun and momentum as the top priority. While borrowing the signature visual direction and symbolic designs of dating sims, the structure is built to keep firing off gags at a brisk pace. Rather than worrying too much about the limitations of pixel art, it fully commits to overwhelming the viewer through dense visuals and editing rhythm. In this work, the “paradise” feeling that comes with the harem setup is also treated as an important element. I poured a flood of convenient dreams and excessive happiness into the visuals. By handling the direction, pixel art creation, and editing all myself, I aimed to create a music video that puts its upbeat energy front and center.
2 Works
Close to Me - 映像作家: plastulo
2D animationAnimationExperimental filmMusic video

Close to Me

2026
00:01:21
An animation created as the music video for “Close to Me” by in the blue shirt. Drawing on the song’s origins as a work made entirely through sampling and cut-up techniques, the piece interprets rotoscoping as an animation method with the same structural logic. Rotoscoping is a technique that traces live-action footage, allowing the movement of the subject to be directly and vividly reflected on screen. In addition, this work combines stencil-based spray techniques. By incorporating the non-deterministic fluctuations of particles, it seeks to transform the vividness of rotoscoping into the subject’s own indexicality, and to reconfigure it.
One Person - 映像作家: plastulo
2D animationAnimationArt workExperimental film

One Person

2025
00:00:45
An independently produced work themed around existence in illustration. When I saw a convenience store clerk simply standing there in between tasks, I felt an indescribable sense of appeal. By depicting the clerk from eight directions, a fleeting, wavering presence emerges—just a person simply being there. By connecting the eight directional illustrations, a video is created in which the surroundings rotate around the clerk as the axis. Through the moving image, the clerk on the screen comes to appear as if they have three-dimensional coordinates.
3 Works
Have a good feeling - 映像作家: kengotanaka
2D animationAnimationMotion graphicsOriginal

Have a good feeling

2025
00:00:32
Description: While working and living my life, I came to realize the importance of sorting out my emotions, and I expressed those feelings through this video. I often found myself troubled by thoughts such as, “I want to do something, but I don’t know where to start,” or “I don’t even know what I don’t know.” By confronting myself and organizing my emotions, I experienced a sense of release, as if my body had suddenly become lighter. I created this work with the message, “Clear your mind and enjoy life.”
7 Works
Mrs. GREEN APPLE "Darling" Official Lyric Video - 映像作家: tsumugi
3DCGMusic video

Mrs. GREEN APPLE "Darling" Official Lyric Video

2025
00:04:51
Official Lyric Video for Mrs. GREEN APPLE’s “Darling.” This work takes on the challenge of expressing the song’s world and emotions not through people or specific characters, but through light—such as the movement of shadows, lanterns, and candle flames. The video unfolds with a simple structure, moving from a viewpoint just above the ground and passing through countless lanterns and candles. Each light, however, carries meaning. The many different kinds of lanterns and candles represent the differences in people’s lives, while the scene in which the flames are extinguished by heavy rain symbolizes hardship and loss. Toward the end, an overwhelming number of fireworks are launched, expressing the brilliance and wonder of life. On the technical side, to keep the camera centered on the ground while still bringing the fireworks in the sky into the frame, careful attention was paid to every detail, such as wetting the ground to reflect the sky.
Mofu Mofu Music Caravan / "Noise, Violence, Music, Pleasure" (Music Video) - 映像作家: tsumugi
3DCGMusic video

Mofu Mofu Music Caravan / "Noise, Violence, Music, Pleasure" (Music Video)

2025
00:03:02
A music video for the 2nd single, “Noise, Violence, Music, Ecstasy,” from Toho’s character band project, Mofu Mofu Music Caravan. A charming, pop-infused work centered around stylized 3DCG characters. Throughout the video, energetic effects inspired by manga speed lines are incorporated to create a dynamic visual expression. In keeping with the theme of the piece, the video also makes extensive use of striking direction based on Japanese motifs, such as moving folding screens, shadow puppetry seen through shoji screens, and sumi-e ink paintings. Furthermore, the overall 3DCG compositing reflects a strong awareness of Japanese aesthetics, with colors and textures inspired by nihonga and ukiyo-e.
Tomonari Sora - "Bergamot" [Lyric Video] - 映像作家: tsumugi
3DCGMusic video

Tomonari Sora - "Bergamot" [Lyric Video]

2025
00:03:17
An MV that depicts a world reminiscent of 90s-style retro anime and sci-fi, rendered in psychedelic colors. By combining realistic 3DCG with flat effects and unifying the whole piece with a faded, old-tape-like composite, it creates a distinctive nostalgic texture. Strong gloss, glitter, and excessive bloom effects were inspired by the atmosphere of the electronic music videos of the past. In the background, a cyberpunk city spreads out like the large-scale sci-fi anime series of the old days, and symbolic motifs are scattered throughout the details, including a megalopolis fused with flesh-like forms inspired by the theme of bergamot. In addition, the lyric expressions that appear in a handwritten style are also one of the features that leave a strong impression of this work.
Tomonari Sora - "Yellow Signal" [Music Video] (TV Anime "Assassination Classroom" Rebroadcast New Opening Theme) - 映像作家: tsumugi
3DCGAnimationMusic videoPixel Art

Tomonari Sora - "Yellow Signal" [Music Video] (TV Anime "Assassination Classroom" Rebroadcast New Opening Theme)

2025
00:03:32
MV for Tomonari Sora’s “Yellow Signal,” the new opening theme for the rebroadcast version of the TV anime *Assassination Classroom*. This work is composed as a retro video game-inspired world, with motifs drawn from the story and characters of *Assassination Classroom*. By using pixel-art textures and low-poly 3D models, and then applying a VHS-style composite in the final finishing stage, the visuals were given a nostalgic texture. In addition, the cut-ins and movie-like scenes that were “typical” of slightly older games were researched and recreated. In the flight scenes, to emphasize the sense of speed at Mach-like movement, we also incorporated the delay effect of chunk loading that occurs during high-speed travel in games such as *Minecraft*. In addition to the youthful feeling of the anime itself, taking into account the context of a rebroadcast of a series from about 10 years ago, we aimed for a feeling like a “reunion that brings back memories of those days” by weaving in retro elements.
34 Works
CITIZEN Series 8 / Crafted for Now - 映像作家: JKDCollective
3DCGAdvertisementAnimationBrand movieCMTV-CM

CITIZEN Series 8 / Crafted for Now

2022-2026
00:00:31
The internal sounds of a mechanical wristwatch were recorded using a specialized microphone. Those recordings were then reconstructed into an audiovisual work. At the core of the movement is the balance wheel, oscillating eight times per second — what the watch industry refers to as “8 beats.” The work was inspired by the resonance between this rhythm and the concept of the 8-beat rhythm in music. When recorded, the rhythm proved to be extremely precise, yet the pitch fluctuated ever so slightly. Precise, yet somehow organic. This sensation — constant, yet subtly unstable — is expressed through both sound and visuals. In the CG work, rather than simply recreating the internal structure and metallic textures of the watch, we took an abstract approach to visualize “the vibration of time itself.” Within an exact cyclical motion, slight fluctuations begin to emerge. Through layers of light, vibration, repetition, and microscopic shifts, the piece visualizes the “vibration of time” occurring inside a mechanical watch.
BUTTERFLY : FOCUS WITHIN. - 映像作家: JKDCollective
AdvertisementBrand movie

BUTTERFLY : FOCUS WITHIN.

2025
00:01:17
We planned and produced a brand film for BUTTERFLY, a brand owned by Tamasu, one of the world’s leading table tennis equipment manufacturers based in Suginami, Tokyo. This time, we featured Fan Zhendong, the Chinese player who has won the World Table Tennis Championships twice, earned a gold medal at last year’s Paris Olympics, and become a Grand Slam champion. The key message is Focus Within. (The one you need to face is yourself.) To develop the skill that allows him to surpass other players in every aspect—spin, speed, timing, control, and tactics—and earn admiration from table tennis fans around the world, we portray the dialogue he has had with himself over many years and the meticulous way he has honed his technique, together with his own voice-over, sharp visual expression, and sound design. The film has received an outstanding response across the board, including more than 1 million views overnight after its release on Butterfly’s official global Instagram account. Please take a look.
EXPO WORLDs: A World Made by Worlds. - 映像作家: JKDCollective
2D animation3DCGAnimationArt workAudio visual performanceConcept MovieDocumentaryEventExperienceMotion graphicsMovieMusic videoPromotion

EXPO WORLDs: A World Made by Worlds.

2025
00:03:39
We created a concept movie for “EXPO WORLDs – Osaka-Kansai Expo OPEN DESIGN PROJECT.” As multiple “worlds” resonate with one another to co-create a new future—EXPO WORLDs is an open design project that aims to infuse the entire Osaka-Kansai Expo venue with the color and vitality of “life,” while designing for open participation. To visualize the philosophy and vision of this project, we built a world through visuals and sound and expressed it as a movie. People, nature, and technology meet, overlap, and resonate. Please take a look at this landscape of co-creation.
Only on Airbnb : Gokayama - 映像作家: JKDCollective
ADAdvertisementArt workBrand movieDocumentary

Only on Airbnb : Gokayama

2023
00:01:22
The natural landscape of Hokuriku, filled with a strong sense of vitality, and the Gassho-zukuri houses that have stood unchanged for centuries. We were responsible for producing the still photography and promotional video for the Only on Airbnb project, which offers a special stay in one of the houses in Suganuma Village, Gokayama, a hidden area surrounded by towering, rugged mountains along the Shogawa River in Nanto City, Toyama Prefecture. The nine Gassho-zukuri houses standing amid untouched, rich natural surroundings, along with the atmosphere of the area, are truly a quintessential Japanese landscape. We focused on how to capture, in an authentic and compelling way, the history and culture handed down here, as well as the scenes created by the lives of the people who live there. The photographer was Satoshi Nagare, who has received high acclaim for interior and exterior shots in domestic and international media, including Casa Brutus. The video DP was Jin Ito, and the drone footage was shot by Tetsuichiro Kitagawa. The work was distributed to news media around the world at a press event held on site on 6/21, and received an excellent response from media outlets in various countries.
20 Works
9 Works
OTEC Introduction Movie - 映像作家: takutyoworks@gmail.com
2D animationMotion graphicsPromotion

OTEC Introduction Movie

2024
00:02:20
Promotional video introducing the secondary use of “OTEC” by Mitsui O.S.K. Lines. Focusing on industrial creation through deep seawater, it presents a story showing how deep seawater is connected to various industries. As the motion graphics director, I was involved in everything from storyboarding and design to motion. To keep it from becoming merely a technical explainer, I proposed a friendly tone that would help make the content easier to understand.
3 Works
Sandbox - 映像作家: yukikimura
InstallationInteractive

Sandbox

2025
00:01:10
I have continued working on cross-disciplinary production, such as pictorial images with cinematic qualities and painterly animation. This work, *Sandbox*, is an experiment in replacing painting and animation with a game engine. In this work, I used a game engine to create an “electronic sculpture” and attempted to visualize a non-tactile sense of reality. By following afterimages that traverse space, it aims to unsettle the viewer’s bodily perception. At the same time, an autoplay function was built in so that the game would assimilate into the environment like ambient music, becoming a “passive game / background game.” It is an interaction/installation in which the viewer/player can seamlessly move back and forth between “play,” controlled with a controller, and “viewing,” without using a controller.
23 Works
TEM　　Phoenix Mall of Asia | Bangalore - 映像作家: daisukehashimoto
3DCGAnimationArt workProjection mapping

TEM　　Phoenix Mall of Asia | Bangalore

2026
00:01:19
At the newly opened immersive space “tem” in Phoenix Mall of Asia, a commercial facility in Bangalore, India, we created a 360° immersive theater experience themed around the Japanese seasons and spirituality. Reinterpreting Japan’s four seasons as a “circular structure,” we designed an immersive environment that leads visitors into a spiritual world beyond them. By using mirrored surfaces for both the floor and ceiling, the imagery extends infinitely in the vertical direction, while 360° panoramic visuals are projected onto the walls. The moment visitors step inside, they are enveloped in the changing seasons and the rhythm of light. A “mandala” where Japan’s view of the seasons and Indian philosophy intersect As the core of the presentation, we reconstructed the essence of Japanese culture—“a sense of unity with nature,” “the contrast between stillness and motion,” and “a worldview in which the seasons cycle endlessly”—into a “mandala structure,” which also resonates strongly with Indian thought, creating a universal spiritual world that transcends time and national borders.
Edo-Tokyo Museum, Tokyo: Permanent Large-Format Video - 映像作家: daisukehashimoto
2D animation3DCGAIAnimationArt workInstallationMotion graphicsProjection mapping

Edo-Tokyo Museum, Tokyo: Permanent Large-Format Video

2026
00:01:46
At the Edo-Tokyo Museum in Tokyo, which reopened on March 31, 2026, we produced three works—“Traditional GRID,” “Moving Picture,” and “Another Sky”—as part of the permanent video projection program presented in the Edo-Tokyo Plaza on the third floor. Cultural resources held by the Edo-Tokyo Museum, such as ukiyo-e prints and maps, have been reimagined not as objects to be viewed, but as a spatial experience that envelops visitors. Approximately 100 works by ukiyo-e artists and painters, including Katsushika Hokusai and Tōshūsai Sharaku, unfold overhead as landscapes connected to modern-day Tokyo. Crossing the memories of cultural properties, architecture, and the city, this project seeks not only to “exhibit” history, but to give it form as an experience that visitors can physically অনুভ in the scale of this place. Projection screening schedule in the third-floor Edo-Tokyo Plaza (from May 2026) Times: 19:00, 19:20, 19:40
LIGHTIA ~The Seven-Colored Miracle~ - 映像作家: daisukehashimoto
2D animation3DCGAIAnimationArt workLive action

LIGHTIA ~The Seven-Colored Miracle~

2025
00:00:31
With the theme “All life is connected by light,” this fantastical night show follows dolphins and humans as they search for the “flower of light.” Traveling through worlds symbolized by seven colors of light—such as the deep sea, the world of fire, the future, and the forest—they recover the lost light. Fountains, projection mapping, music, and performance come together, leading to a moving finale where the audience’s applause makes the “miracle flower” bloom. Direction / Visual Director: Daisuke Hashimoto (LIL) Music: Yorushika “Haruru”
TOKYO NODE MUUUSE ~ Memories of Nature ~ - 映像作家: daisukehashimoto
AIAnimationArt workEventInstallationInteractiveMotion graphics

TOKYO NODE MUUUSE ~ Memories of Nature ~

2024
00:01:33
MUUUSE: MUSIC MUSEUM （Touching sound, hearing light. The body reflects.）, held at TOKYONODE in Toranomon Hills In GALLERY A, “Memories of Nature,” which features a celestial dome, we created an immersive experience in which placing your hand over a spherical LED triggered an interactive performance where the celestial-dome projection mapping and 32.2-channel ultra-high-definition spatial audio responded, allowing visitors to be enveloped in the sounds of nature and nature-inspired music.
8 Works
17 Works

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