Hololive’s 3rd Generation MV. By combining hand-drawn animation, motion graphics, CG, and various other elements, this work playfully projects the chaotic moe culture of the 2010s onto today’s popular VTubers in a chaotic and cute way. Character design by Kanako Nonoka of FiFS, deformed character design by Wataru Uekusa. Design by .MP. Motion graphics by Kana Tatsumatsu and Tetsushi Ono. CG artist: yonayona graphics. Animation drawings were handled mainly by Liberty Animation, along with Andrafut and others. Many animation studios and animators took part. This was made possible through the participation of a wide range of creatives and creators. © COVER

A promotional video for the release of Volume 37 of Weekly Shonen Jump’s HUNTER×HUNTER. In sync with the series’ resumption in the magazine, the Dark Continent arc is revisited only minimally, with a structure designed to intuitively convey the “stirring intentions” of the various characters. To preserve the feel of the original artwork, no coloring was applied, and the complex, multifaceted breadth of the story was expressed through chromatic aberration and analog-style color shifts.

3D graphics from the two hours leading up to the Diesel SS24 runway at Milan Fashion Week 2023. Set on a stage inspired by an open-air film festival, a massive 30-meter LED screen slowly brings the Diesel logo to life over the course of two hours, rising out from the giant screen and building the atmosphere to a climax in front of 5,000 guests.

A three-dimensional space built with real-time graphics. It depicts a day in the life of the people living in the Kojimachi district during the Edo period (1615-1868). In this virtual reality world, the same scene never repeats itself and the people move as if they had their own will. We combined the analog techniques of Japanese traditional painting with the digital techniques of real-time rendering and a video game AI engine to create delicate background and character compositions. The streets of Kojimachi in the Edo period, recreated in the style of Japanese painting, are actually built in real-time graphics within a 3D space. The people move as if they have a will of their own, and no scene ever repeats itself.