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WE ARE NOT ALONE (40th Anniversary Stop-Motion Celebration of Transformers' Arrival in Japan)

2025

00:07:42
WE ARE NOT ALONE (40th Anniversary Stop-Motion Celebration of Transformers' Arrival in Japan)
  • WE ARE NOT ALONE (40th Anniversary Stop-Motion Celebration of Transformers' Arrival in Japan)
ーCreditー
キャスト：
オプティマスプライム（トランスフォーマー ザ・ムービー）
オプティマスプライム（トランスフォーマー/ロストエイジ）
オプティマスプライム（トランスフォーマー/ONE）
メガトロン（トランスフォーマー/ONE）
デバステーター（CV：蓮井章悟）
トランスフォーマー スタジオシリーズ

企画：宮内貴之（株式会社タカラトミー）・株式会社カヤック
プロデューサー：宮内貴之（株式会社タカラトミー）
協力：米田夏海（株式会社タカラトミー）
監督・演出・絵コンテ：ワタナベサオリ
脚本：ワタナベサオリ・稲積君将
アニメーションディレクター・カメラ：稲積君将
ストップモーションアニメーター：稲積君将・ワタナベサオリ
音楽：豊浦瞳
ギター：外園一馬
照明：川口卓宏
効果音：染谷和孝
サウンドエディター：斉藤元
MA：株式会社ソナ・HUMAX ENTERTAINMENT
ボイスレコーディングエンジニア：飯塚（HOMURA SOUND）
美術：ワタナベサオリ・高橋アート
ロトコーディネーター：坂﨑卓哉
ロトプロジェクトマネージャー： Harris Reggy
ロトアーティスト：Budi Setiawan・Devi Permata Sari・Hendrian M Sofin・Ratih Trianingsih
© 2018 Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. © 2019 Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. The MACK trademarks and designs are registered rights of the AB Volvo Group and are used pursuant to a license. © 2019 Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. © 2020 Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. © 2020 DreamWorks, LLC & Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. © 2020 Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. The MACK trademarks and designs are registered rights of the AB Volvo Group and are used pursuant to a license. © 2020 Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. © 2022 Paramount Pictures Corporation. ® and/or TM & © TOMY. All Rights Reserved. TM & ® denote Japan Trademarks. © ＴＯＭＹ. © 2024 Paramount Pictures Corporation. All Rights Reserved. TM & ® denote Japan Trademarks. © ＴＯＭＹ. © 2025 Paramount Pictures Corporation. All Rights Reserved. TM & ® denote Japan Trademarks. © ＴＯＭＹ. © 2025 Paramount Pictures Corporation.All Rights Reserved. TM & ® denote Japan Trademarks. © 2025 Porsche AG. Porsche, Porsche Crest, Porsche Logotype are trademarks of Porsche AG used under license. © 2025 Paramount Pictures Corporation. ® and/or TM & © ＴＯＭＹ. All Rights Reserved. TM & ® denote Japan Trademarks. © ＴＯＭＹ. © 2025 Paramount Pictures Corporation. All Rights Reserved. TM & ® denote Japan Trademarks. 「トランスフォーマー」「TRANSFORMERS」は株式会社タカラトミーの登録商標です。
Description: In the previous work, “ONE another,” while Optimus Prime and Megatron were battling inside a robotic vacuum cleaner, at the very same time, the room itself was also thrown into chaos by the runaway vacuum cleanerーーー. A crisis looms over all the Studio Series figures lined up on the shelf! Released in 2025, this film came out in the memorable year marking the 40th anniversary of Transformers’ arrival in Japan. It is an original story that incorporates many elements from 40 years of Transformers history and a wide range of previous visual works. All Studio Series Transformers are lined up on a shelf based on blue, the brand color of Studio Series. It became a rare opportunity for characters from across the history of Transformers movies and animation to gather in one place. We also paid film-level attention to every detail of the music and sound effects. Please take a look at their 40-year history that goes beyond what meets the eye. For the first part, “ONE another,” a story that unfolds on the same timeline as “WE ARE NOT ALONE,” please see here 🔻 https://eizo100.jp/video/90484

People

B Budi Setiawan unverified Artist D Devi Permata Sari unverified Artist H Harris Reggy unverified Project Manager H Hendrian M Sofin unverified Artist R Ratih Trianingsih unverified Artist Saori Watanabe Director / Designer / Storyboard Artist / Screenwriter / Animator / Art Director 坂 坂﨑卓哉 unverified Coordinator 外 外園一馬 unverified Composer 宮 宮内貴之 unverified Planner / Producer 川 川口卓宏 unverified Lighting 斉 斉藤元 unverified Editor 染 染谷和孝 unverified Sound Engineer 稲 稲積君将 unverified Screenwriter / Director / Cinematographer / Animator 米 米田夏海 unverified Coordinator 蓮 蓮井章悟 unverified Performer / Cast 豊 Hitomi Toyoura unverified Composer 飯 飯塚 unverified Sound Engineer 高 高橋アート unverified Art Director

Other Works by ワタナベサオリ（Saori Watanabe）

ONE Another (Transformers/ONE Release Commemorative Stop Motion - Studio Series -) - 映像作家: watanabesaori
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ONE Another (Transformers/ONE Release Commemorative Stop Motion - Studio Series -)

2024
00:05:13
Commentary: This high-quality stop-motion features Optimus Prime, leader of the Autobots, and Megatron, leader of the Decepticons, from Transformers: One, the latest film in the Transformers series and a new-dimensional real CG movie. To complement the theatrical title Transformers: One, the title of this work is “ONE another,” which carries the meaning of “with one another.” The year this work was released, 2024, marked the 40th anniversary of Transformers, making it a milestone year. This original story incorporates many elements drawn from the 40-year history of Transformers and various video works released over the years. All Studio Series Transformers are lined up on shelves based on blue, the brand color of Studio Series. Great care was also taken with the details of the music and sound effects. Please look for more than what is visible—their 40-year history. The story that unfolds in the same timeline as “ONE another,” the second half, “WE ARE NOT ALONE,” is available here🔻 https://eizo100.jp/video/104769
Chukyo TV Corporate Movie - 映像作家: watanabesaori
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Chukyo TV Corporate Movie

2023
00:01:34
This is a co-directed work with Hideyuki Kojima. Based on the world of papercraft, we carefully shot the film in stop motion, moving through a series of scenes: first, Chukyo-kun and motifs from Aichi, Mie, and Gifu are cut out from paper to create a flat world; then Chukyo-kun transforms into a three-dimensional form, creating a more tactile, dimensional world; and finally, the perspective expands further as the paper world bursts into live action. The transition from the paper hand to the live-action hand was actually filmed in reverse order from what appears on screen. We first shot the stop-motion hand, then converted the hand footage into contour data and cut it out from paper, and finally replaced the paper hand and shot it again in stop motion. Lighting was also quite challenging. Because all of the paper used was the same “white,” if we didn’t use subtle changes in light to create shadows and convey depth, shadow color, and distance between objects, it would simply become an all-white world. We carefully crafted the lighting so that, no matter where you paused the video, it would form a beautiful still image. The live-action scenery is the familiar Nagoya Port. That scene was also done in stop motion, and we shot it while praying for clear weather. On the day of filming, it was a violent storm like a typhoon, and just when we thought everything was hopeless, we carried the camera up to the rooftop—and somehow, the sky cleared up all at once. It was a strange and wonderful moment.
"Transformers: Rise of the Beasts" Stop-Motion [The Battle Between Optimus Primal and Otetekuron] - 映像作家: watanabesaori
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"Transformers: Rise of the Beasts" Stop-Motion [The Battle Between Optimus Primal and Otetekuron]

2023
00:02:10
Description: We made a stop-motion animation to the fullest using the new release from the toy line for the seventh Hollywood Transformers movie, Transformers: Rise of the Beasts — the ultimate Beast Commander, Beast Awakening Optimus Primal. No CGI was used at all; we shot it by moving Beast Awakening Optimus Primal little by little. The entire film is stop-motion animation! Please enjoy the fierce battle between Beast Awakening Optimus Primal and the hand [Ote Tecron] attacking from behind! Guests who came all the way from the jungles of Peru are also hidden throughout the video. Be sure to look carefully in every corner! ↓The making-of video is also a must-see! https://youtu.be/M31HCjlqNuA

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【MV】BOOM IT!! / pandamic

2019
00:03:02
Since there wasn’t much room in the shooting and editing conditions, I aimed for “Simple is best.” When I think of “Simple is best,” I think of the “dance cover” videos posted on Niconico and YouTube, so I used the so-called “dance cover” style as a motif and added various forms of expression to it, which resulted in this. As for the points I focused on, it was the lighting effects of the live switching.
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00:01:47
Description of the work: A web commercial for Mos Burger’s limited-time Tori Tatsuta Burger. Based on the “Standard Manzai” version, which introduces the product in a manzai comedy style, it was edited in an audio-MAD style. With “packing in screenshot-worthy moments” as the production theme, the video is filled with small gags and details throughout.