Under the creative direction of the Yokohama DeNA BayStars, we produced the visuals and teaser movie for “B-PARTY 2026.” With Yokohama Stadium transformed into a party venue, the event offers food and drinks alongside powerful sound from the DJ stage. The sound design for the attack video was handled by SKYTOPIA. The danceable sound, perfectly suited to the event, was created using cheers and bat sounds as source material.

Main visual for “FUNCORE,” a party planned to coincide with Kero Kero Bonito’s Sarah Bonito’s visit to Japan. Layering the pop sensibility that also resonates with J-pop and the humor of nerdcore onto the hard-edged presence of an acidic cyber bug, as if reconstructed from metal and synthetic resin, the work boldly crossovers between contrasting textures. The artist also took part as a VJ on the day of the event, controlling the space with a consistent graphic tone from the key visual to the venue design. During Sarah Bonito’s set, they performed as a VJ in a B2B with Monotone, pursuing a denser visual expression.

ShowReel by Ikuho Tamura, a graphic designer, visual designer, and filmmaker. Primarily active in client and commissioned work, including advertising, promotional art direction, music artwork, and music videos. Drawing on the know-how gained through a career in graphic design, he pursues rich visual expression in both still images and moving images. The sound design was done by SOZEN OTSUBO. ー Ikuho Tamura / TAMURA Ikuho Graphic Designer / Visual Designer / Filmmaker Born in Ehime Prefecture. Based in Tokyo. Graduated from the Department of Fine Arts, Faculty of Art and Culture, Onomichi City University. Primarily active in client and commissioned work, including advertising, promotional art direction, music artwork, and music videos. Aiming to create new emotional value, he pursues cross-disciplinary visual expression, with an eye toward developing visual work across a variety of media. Recently, as part of his life’s work, he has also been focusing on figure production using 3D printers and VJ performances.

As part of MUSIC LOVES ART 2025, a project in collaboration between the Agency for Cultural Affairs and the urban music festival “SUMMER SONIC,” we created a visual work inspired by Mega Shinnosuke’s “Togenkyo to Taxi.” It was screened for 17 days, from Friday, August 15 to Sunday, August 31, 2025, on designated signage in Osaka and Suita (including Expo ’70 Commemorative Park) and in Chiba (Makuhari Shintoshin). The song’s pop and dreamlike world is visualized in 3DCG through vivid colors with a whimsical yet cool sensibility. Centered on motifs inspired by the lyrics, the materials and graphics weave together playfulness and logic. To accommodate the differing aspect ratios of the signage, the basic unit of the modules within the video is composed of squares, with the layout direction adjusted for each venue. A wide variety of objects overlap within the video, gradually emerging as a personal “Togenkyo.”