Lyric video for Zettakun’s “Aspara feat. Eiichi Kogure (the band apart).” I was in charge of the direction, design, and motion. I turned “Aspara,” the title of the song, into a character to match the song’s relaxed mood, and created the video so that the character appears to be strolling around town. To balance the client’s request to “crop it for use as a vertical video” with the fact that it is a horizontal lyric video, I set it up so that the horizontal version looks like “filming Aspara-kun walking around with a smartphone,” while the vertical version looks like “the filmed video has been uploaded to social media,” allowing the smartphone section in the center to be used as-is as a vertical video.

We were responsible for the direction and motion graphics of the 2026 commercial for East Japan Railway Company’s “JR East Kyun Pass Campaign.” To ensure it is easy to see on station signage, screens, and other displays, we designed the text, logos, and other elements to be larger, while also crafting the motion so the information would come across more clearly.

I was in charge of directing and editing the promotional video for “SLEEP FIGHTER II,” an e-sports tournament hosted by SSP Co., Ltd. By creating a contrast between the tension in the first half and the Dhalsim sleep scene in the second half, we aimed to convey in an entertaining way a new concept that combines fighting games and sleep.

We were responsible for the motion design of Mitsubishi Estate’s Sumai Relay brand concept film. We expressed the image of being close to customers through handcrafted textures and frame-dropping motion. In addition, by incorporating a slight bounce into the simple movements, we aimed to balance a refined impression with a friendly one.