We produced a 3DOOH piece for Times Square as part of the GLYCERIN FLEX campaign for the sneaker brand Brooks.

From the keyword “free & individual,” which MARY QUANT upholds as its concept, we combined posters, magazines, and various materials from the past to the present and presented them as a collage expression. By also creating music that evokes the atmosphere of London at the time, we structured the piece so it could feel both old-school and forward-looking, and completed it as the brand’s first brand movie.

“Curiosity Blocks” is an animated work that uses the technique of anamorphosis, in which a distorted image is drawn in advance so that it appears correctly when reflected in a cylindrical mirror. The artist envisioned curiosity connecting and overlapping, generating new knowledge and discoveries, and used a method of combining multiple animation elements. The artist, who is also a printmaker, superimposed the relationship between plate and print onto the relationship between the image on the display and the image in the mirror, and incorporated into the animation the layered structure of multi-color prints, in which each color has its own distinct layer and overlaps to form a layered composition. The title “Blocks” carries meanings such as “a mass,” “divisions separated by a grid,” “a series of instructions in a program,” and “a woodblock printing plate.”

We created a brand film for ALPINE, a premium car audio brand from Japan with fans around the world. With the concept “SOUNDWARDS / Toward great sound,” we expressed a simple yet powerful brand message through dynamic visuals and music: where the best sound resonates, the best people gather and the best spaces are born. A great live performance and the audience drawn to it create the ultimate atmosphere. We captured that sense of being irresistibly drawn in with dynamic camerawork, making extensive use of drones. The music was created by KAITO, also known as Hiroshi Watanabe, whose work is released worldwide through Germany’s largest record label. The film direction and DP were handled by Senzo Ueno, and the overall planning and production were a collaboration with the creative agency Drill.