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Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series - 映像作家: YuyaTsuji_G2
2D animationCMMotion graphicsPromotionWeb CM

[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series

2022
00:09:00
This piece features “Kei,” who calls himself a Poké Card doctor, carefully explaining the series of rules for the Pokémon Card Game to a boy named “Ren,” who has just obtained Pokémon cards, and is structured so that the new rules are explained to viewers as well. While following the structure and animation style of the previous explanation series, we were mindful of pacing and subtle character animation, deliberately avoiding excessive expression, effects, and animation so that viewers could stay engaged until the end while understanding the rules. Also, on a more detailed directorial note, this time voice actors Chisaki Kimura and Sako Ogawa added nuanced emotions at key moments, and I feel this resulted in an explanatory video that also lets viewers appreciate the delicate vocal performances they bring to the work.
HODO STATION Opening Video - 映像作家: okahiromu
Motion graphicsTV

HODO STATION Opening Video

2021
00:00:18
This stop-motion animation was created by printing digitally produced graphics and filming them one frame at a time. It uses a risograph, a type of silkscreen printing machine, and six kinds of paper with distinctive textures. When printed with a risograph, irregularities and misalignments occur in the prints. In the film, these factors created a unique feel and texture. As a result, the visuals of the data created digitally and the printed data changed significantly. This phenomenon can be applied to “information.” For a single fact, different outputs—such as the angle from which it is framed or the way it is communicated—can create inconsistencies and shifts in impression even when the content is the same. In addition, when information passes through the filters of the receiver’s emotions, culture, and stance, an entirely different interpretation is ultimately produced. These are not negative things, but positive elements that generate new visual forms and interpretations. Isn’t ambiguity, rather than black or white, the diversity required in the coming era? This film translates such ideas into visual expression and has been completed as a work that suits the new post-COVID era.

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13 Works
Tokyo Resonance - 映像作家: isaonishigori
3DCGExperienceMotion graphicsProjection mapping

Tokyo Resonance

2025
00:03:09
This work is an immersive projection mapping piece that sets out from the wall of the Tokyo Metropolitan Government Building, the heart of Tokyo, and takes the viewer on a journey through the “evolving city of Tokyo” from the perspective of a single person. Depicted through three-dimensional, geometric, and organic imagery, it portrays an individual as a living cell within Tokyo, merging into the core of Metabolist architecture and continually growing, dividing, and being rebuilt together with the city and its music.
Expo 2025 Osaka-Kansai Expo Signature Pavilion, produced by Shoji Kawamori, "Adventure of Life's Cycles" Hyper-Temporal Theater "499 Seconds: My Fusion" - 映像作家: isaonishigori
3DCGAnimationARArt workAudio visual performanceExperienceInteractiveMotion graphicsMRReal-time GraphicsVRXR

Expo 2025 Osaka-Kansai Expo Signature Pavilion, produced by Shoji Kawamori, "Adventure of Life's Cycles" Hyper-Temporal Theater "499 Seconds: My Fusion"

2025
00:01:52
At Expo 2025 Osaka-Kansai Expo, in the dedicated theater “499 Seconds: My Gattai” within the Signature Pavilion “Shin-Life Adventure” produced by Shoji Kawamori, 30 participants don VR headsets equipped with cameras and, through VR and MR technologies, simultaneously experience a universe-scale food chain—traveling beyond time and space from memories of the past in an immersive exhibition available nowhere else in the world. Through the “universe-scale food chain” envisioned by Shoji Kawamori, creator of numerous sci-fi works, visitors can experience the pavilion’s theme: “Life is fusion and transformation!” We were responsible for the direction and animation of this hyperspace theater “499 Seconds: My Gattai,” and, using spatial audio technology developed by SoVeC Inc. and Terasaka Bio Inc., we combined it with spatial audio produced by Sony PCL Inc. (hereafter Sony PCL), delivering a completely new audiovisual experience unlike anything before.
3 Works
Echoes - 映像作家: overlay
Audio visual performanceInstallationMotion graphicsOriginal

Echoes

2026
00:03:20
A rapidly shifting urban landscape — waves of people, railway networks, buildings, and city lights generate an immense torrent of information. This work intensifies that “excess” through visual techniques such as slit-scan and delay, making the speed and density of changing information visible. Screened at “Toki-no-ma,” an immersive gallery created through the adaptive reuse of the former Hino Junior High School in Hino Town, Tottori Prefecture. Presented in the first opening program, “A Classroom Where the City and Satoyama Intersect.”
Nagare - 映像作家: overlay
Audio visual performanceInstallationMotion graphicsOriginal

Nagare

2026
00:03:27
Inspired by Nedu, Hino Town, where the sound of water fills the town. An installation work in which overlapping streams of water envelop the space. At Tokinoma, an immersive gallery in Hino Town, Tottori Prefecture, housed in a repurposed former school, we held the special exhibition “A Classroom Where the City and Satoyama Intersect.” As one of the screening works in the exhibition above, this piece focuses on “satoyama,” and abstractly expresses both its beauty and the issues present in the region.
"Light’s Ancient Strata" Old Rice Warehouse Installation #Hino Town, Tottori Prefecture - 映像作家: overlay
Art workAudio visual performanceInstallation

"Light’s Ancient Strata" Old Rice Warehouse Installation #Hino Town, Tottori Prefecture

2025
00:05:43
This work, presented on August 13, 2025 at the “Neo Lantern Festival” held in Hino Town, Hino District, Tottori Prefecture, simultaneously unfolded a visual presentation and an illumination design that enveloped the entire space. Set in an old warehouse once used for storing rice, it repurposed a dormant space and transformed it into a place that connects local memory with the future. The illumination is not merely decorative; it is an essential element that shapes the rhythm of the space in response to the imagery. Light placed along the walls and beams overlaps with the abstract layers of the video, spreading outward as if embracing the audience’s bodily sense. In a space where the festival’s defining “light” and the installation’s illumination coexist, the traditional light of the festival and the light of contemporary digital art intersected. The theme of the work is “reconstructing the landscape.” It captures fragments of nature and daily life from the Hino District (Hino Town, Kofu Town, and Nichinan Town), then reassembles them into abstract designs. The video evokes memories of the landscape, while the illumination serves to extend those memories throughout the entire space. Viewers can experience the moment when the familiar appearance of the land is transformed by light and imagery, discovering another kind of beauty hidden within the region’s scenery. Underlying the work is a desire to reuse local resources and foster cultural regeneration. By reviving an unused rice warehouse as an art venue, it became an attempt to create new value that honors memories of the past while opening toward the future. The closed-off space of the warehouse was opened up, creating a place where local people could share an experience of being surrounded by light. This installation functions as a mediator that connects land, people, and memory through the unity of video, illumination, and the local community.
2 Works
"Room Tour" Archive: Random Roomtour Rotation - 映像作家: Garments
2D animationAnimationMotion graphics

"Room Tour" Archive: Random Roomtour Rotation

2025
00:00:11
This is an animated research work that deconstructs the everyday visual experience of a “room tour” through the manipulation of perspective. Its approach lies in continuously transforming the perspective by distorting the structure of the entire room, while leaving all objects within the space—furniture and small items—completely still. By representing space itself with motion graphics, the work induces a visual illusion in which stationary objects appear to acquire autonomous movement, blurring the boundary between 2D graphics and 3D spatial perception, and unsettling the viewer’s sense of “what exactly is moving?” in this experimental approach.
1 Works
5W1h - 映像作家: yukisato
2D animation3DCGAIAnimationArt workMotion graphics

5W1h

2026
00:00:39
This work, 5W1h, is a 3D motion graphics piece that reexamines the “meaning of creation” shaken by the rise of generative AI. In the present day, the motion and graphic skills built up through years of effort can be replaced by “just a few clicks.” When confronted with this irrational reality, the “5W1H,” the foundation of information transmission, transforms into “six questions that threaten the very existence of creators.” Where is your goal?: Loss of the place to aim for What do you want to do?: Absence of purpose in expression Why do you keep creating?: Absence of reason to keep creating How did you make it, AI?: Futility of being suspected as AI-generated Who created the AI video?: Humiliation of being mistaken for AI When will you surpass AI?: The moment your own skills are defeated This work visualizes the “hesitation” toward these questions in 3D space, expressing the conflict born in the gap between them and “the meaning of being human-made.” The heart motif that appears in the piece serves as a form that represents the emotions and motives tied to creation. As the questions progress, it changes shape, breaks apart, and eventually its very existence becomes ambiguous.
6 Works
Burger Satiation - 映像作家: sijialuo
2D animationAnimationDocumentaryExperimental filmShort film

Burger Satiation

2024
Only Image
This video is composed entirely of Chinese characters from start to finish. Using the radicals and structure of the Chinese word “漢堡,” which means “hamburger,” it explains the fictional psychological phenomenon known as “漢堡飽和.” This is a phenomenon in which, after staring at “漢堡” for a long time, one suddenly no longer understands what it is. It is said to be caused by neural inhibition, which prevents the brain from focusing on anything more than a part of the hamburger, causing the whole to be lost and its meaning to suddenly feel unfamiliar. This work is one part of the animation anthology Burger Order.
1 Works
22 Works
KIRINJI - Room Dancer feat. Tomomi Oda - 映像作家: suzkikenta
Music video

KIRINJI - Room Dancer feat. Tomomi Oda

2026
00:03:42
A minimal visual work that neutralizes the solitude of the urban dweller through the private ritual of dance. It coolly documents the rough, impulsive movements of a lone girl—gestures intended for no one's eyes but her own. The surreal lexicon scattered throughout the lyrics is rendered via AI-driven 'video-to-video' synthesis. Shunning overt sentimentality, the visual design maintains a detached, almost clinical gaze upon this personal indulgence, yet manages to evoke a strangely intimate proximity.
12 Works
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.
18 Works
Expo 2025: Wakayama One Hundred Views — “Blending, Connecting.” - 映像作家: YusukeMurakami
Audio visual performanceCodingEventExperienceGenerative ArtInstallation

Expo 2025: Wakayama One Hundred Views — “Blending, Connecting.”

2025
00:01:00
Description: Set against Wakayama’s profound history and magnificent natural scenery, this 30-minute audiovisual installation explores the theme of “mixing and binding” — the fusion of different religions and genres, as seen in shinbutsu-shūgō. It offers a visual and musical experience projected onto eight totems, each 4 meters high, evoking the towering ancient trees of Kishu, and reflects Wakayama’s “spirit of tolerance” found in places such as Koyasan, the Kumano Sanzan, and in the thought of Minakata Kumagusu. Drawing inspiration from the Kumano pilgrimage, the work portrays Wakayama’s character — its acceptance and coexistence beyond differences in religion, social status, nationality, and ideology — as a journey through future, past, present, and once again into the future. This journey is an experience of “rebirth,” a space where Japanese tradition and digital expression, the real and the virtual, the West and the East intersect, reflecting the spirit of shinbutsu-shūgō.
There, Minakata Kumagusu’s belief that “truth lies in between the two” comes alive. Drawing inspiration from the Kumano pilgrimage, the work portrays Wakayama’s character — its acceptance and coexistence beyond differences in religion, social status, nationality, and ideology — as a “journey of rebirth” through future, past, present, and once again into the future. Symbolic order of the Kumano pilgrimage and its blessings Kumano Hongu Taisha — Future Kumano Hayatama Taisha — Past Kumano Nachi Taisha — Present Kumano Hongu Taisha (Return) — Future / Rebirth The video installation is composed of these four parts. 01. FUTURE The opening moment where anticipation and spirituality intersect.
Through flickering light, pulses, and shifting colors, it depicts a world on the verge of creation. 02. PAST A journey into the origins of Wakayama.
Tracing the land’s deep memories through historical elements such as volcanic activity, nature, and mandala scrolls. 03. PRESENT A chapter that moves through the diverse landscapes that could be called the hundred views of Wakayama.
It captures the culture, daily life, and beauty alive in modern Wakayama. 04. FUTURE / RESURRECTION A dreamlike finale centered on the theme of “rebirth” leading into the future, using reverse-playback imagery.
As a symbol that transcends the boundaries of religion, gender, and nationality, totems appear and visually embody the “spirit of tolerance.” About the event movie The five great elements of esoteric Buddhism at Koyasan — fire, water, wind, void, and earth — are translated into visual expression,
making visible the flow by which they merge to form the universe.
It conveys the spiritual depth of Wakayama in a visual and sensory way. What does “Mixing, Binding.” mean? The word “musu,” found in Takamimusubi-no-Kami and Kamimusubi-no-Kami, two of the three creator deities in Japanese mythology,
means “to give birth” or “to produce,” and represents the power to generate new life and relationships.
As seen in words such as musuko and musume,
“musu” has long been a core concept in Japanese, meaning “generation” and “bonding.” Shimenawa and shide, seen at shrines and sacred sites, are symbols of “binding” that sanctify space and invite the gods. We chose this “musu (Musubu)” as the theme of this work because it is a word that symbolizes the spirit of Wakayama, which has passed down Japan’s oldest culture to the present day.
Soul/Soil by Ricoh: Soul Motion - 映像作家: YusukeMurakami
AnimationCodingDataExperienceGenerative ArtInstallationInteractiveMain VisualMotion graphicsReal-time Graphics

Soul/Soil by Ricoh: Soul Motion

2025
00:01:12
SOUL MOTION is an interactive map that uses location tags embedded in uniforms. The sensors capture real-time data and also display records of the past three days, such as weather, total communication volume, visitor numbers, and individual trajectories. When visitors approach the “soil” or “sofa” zones, virtual microbes swarm to those locations, showing how they multiply or decline depending on environmental conditions. A light touch on the sensors makes them scatter, revealing a constantly changing, dynamic map. By visualising invisible processes such as microbes, technology, and the delicate rhythms of human relationships, SOUL MOTION prompts us to reconsider the hidden environments around us and creates an opportunity to rethink the connections between people and between people and nature.
1 Works
4 Works
Rakuten GirlsAward 2025 SPRING/SUMMER OPENING MOVIE - 映像作家: 小野哲司Tetsuji Ono
2D animationAnimationMotion graphicsOpening moviePixel Art

Rakuten GirlsAward 2025 SPRING/SUMMER OPENING MOVIE

2025
00:01:13
Opening video for "GirlsAward 2025 SPRING/SUMMER," one of Japan’s largest fashion and music festivals. Theme: "Play Your Style −8bit Dreams−" Inspired by the world of 8-bit games, the excitement of a fashion show is expressed through pixel art animation. The stage leading to the runway is treated as a "game stage," using dot-based characters, UI, effects, and transitions to create an immersive experience that makes the audience feel as if they have stepped into a game. By combining the nostalgic texture of 8-bit visuals with a contemporary sense of pop culture and street style, the message of "choose your own style and play it" is brought to life visually.
JUMP MV /『Dr.STONE』×『Good Morning World!』| BURNOUT SYNDROMES - 映像作家: 小野哲司Tetsuji Ono
2D animationMusic videoPVWeb movie

JUMP MV /『Dr.STONE』×『Good Morning World!』| BURNOUT SYNDROMES

2024
00:01:39
A collaboration MV project between Weekly Shonen Jump and Sony Music. This work reconstructs the story of the anime Dr. STONE around a single axis of time: the time shared by the protagonist Senku and his father, Byakuya. Thousands of years of time, severed by petrification. And yet what was passed down was knowledge, will, and hope. The visuals were designed around the theme of “the future” handed down from father to child.
15 Works

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