Popular

SEE MORE
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
Hatsuboshi Academy “Wildest Flower” Official Music Video - 映像作家: 大橋史Takashi Ohashi
2D animation

Hatsuboshi Academy “Wildest Flower” Official Music Video

2022-2026
00:03:02
A music video created for an in-game song from Bandai Namco Entertainment’s social game The Idolmaster Gakuen. The character Hanami Saki was a top athlete in track and field before aspiring to become an idol, and she has a past in which, due to being a late bloomer, she confronted the limits of her abilities at a young age and suffered setbacks. The song’s theme portrays her “setbacks and challenges,” making for an absurd tale in which she moves back and forth between the reality of the setbacks she experienced in the past and the uncertain glory of the future. In the end, she attempts to break through her own limits. To make this pulp-fiction-like story convincing, we aimed for a meditative music video in which the past and future are suspended, combining the image of sequential photographs that draw the viewer’s consciousness back into the past with animation that propels her into the future to the sound of drum and bass. The spirit of craving victory that she cultivated in her years as an athlete, caught between ideals and reality, shakes off notions of records and victory created by others through the act of “running.” By adopting abstract smear frames and a rough, painterly style, we sought to convey, in a sensory way, her spiritual rebirth as an idol (a performer).
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.

Movies

Direction
Production
Camera
Lighting
Art / Styling
Post Production
CG / Visual
Animation
Sound / Music
XR / Interactive
Artist
Technical / Engineering
6 Works
ZONe × UNDEFINED "Zonko 3D Model Open Source Project" - 映像作家: marirui67
3DCGCMPromotionPV

ZONe × UNDEFINED "Zonko 3D Model Open Source Project"

2022
00:00:33
Explanation: In recent years, with the rise of short-form videos on social media, I had come to believe that creating short yet engaging elements in CG visuals was key. When we were approached for this project, I felt it could be an opportunity to take on an experimental challenge, so we created a work that UNDEFINED had never done before: something “cool, but humorous.” Having previously produced the CM video for ZONe QUICK BOOST, we built this video based on that same world. In terms of its look, we crafted it as a cinematic 3DCG world, while the content was distilled into a comedic story: “Zonko tries to buy a vending machine, but it turns out to be a trap, and she is suddenly chased by a flood of cans pouring out toward her.”
3 Works
Oni and Yanari House Rattler - 映像作家: Shinobu_Soejima
AnimationLive actionShort filmStopmotion

Oni and Yanari House Rattler

2018 ~, 2019
00:06:27
For a long time, every house in this country was inhabited by the yokai known as Yanari, or “house-rattlers.” But as wooden houses gradually fell into decline, they came to be inhabited only by the hard of hearing elderly, and the voices of the house-rattlers could no longer be heard. The house-rattlers sometimes feel lonely about that. The protagonist of this work is a small yokai, only a few inches tall, called “Yanari,” which appears in Japanese folklore. It has long been believed that the strange creaking and other mysterious sounds sometimes heard inside houses are the work of these beings, who try to startle the residents. In Japan, people have long believed that the homes they live in, like the house-rattlers, contain unseen shadowy aspects, and they have feared them, calling them “oni” and treating them as something distant from everyday life. Today, this culture is fading, and the residents who once sensed “oni” have grown old, as if living on the side of the oni as shadows of modern, bright society. This work is a video piece that depicts the figures of elderly people being left behind by contemporary society and creatures from folklore, using effects of shadow and light. This is an animated work shot by physically moving dolls on location in my grandmother’s 80-year-old house in a depopulated port town. That house had long accepted and seen off many residents over its 80-year history, and because it still bore traces of the lives they had lived there, I always felt the presence of something “uncanny” whenever I heard a house-rattler in the house, and as a child I was always afraid. In this work, faint natural light, shadows, and the contrast of light and dark shining through the transom were used to create effective boundaries between bright and dark areas inside a Japanese house. I attempted to recreate the folklore creature moving between light and shadow using actual dolls, making it seem as if it truly existed. By filming the dolls at their actual size as the scale of “Yanari,” I aimed to blend our everyday world with the world of animation, and to visualize the eerie presence lurking within the Japanese house.
The Heads of Cairn - 映像作家: Shinobu_Soejima
AnimationArt workShort filmStopmotion

The Heads of Cairn

2017 ~, 2018
00:07:12
The Spirits of Cairn is a story imagined as a possible afterlife for a child who died young. The destination is a world between heaven and hell, with neither joy nor sorrow, something found in various religions, such as Sai no Kawara or the limbo of infants. The protagonist feels remorse for having died early, but remembers only the emotion itself, like an echo, and does not know how long he has been there, what he is there for, or the true nature of his lingering attachment. His task of mourning the countless heads resting in the ground continues endlessly.
7 Works
7 Works
1 Works
9 Works
2 Works
1 Works
1 Works
6 Works
Mood Hall -side B- | Mood Hall [side B] - 映像作家: kawaiokamura
3DCGAnimationArt workExperimental filmOriginalShort film

Mood Hall -side B- | Mood Hall [side B]

2022
00:33:34
“33 minutes and 33 seconds needed before the world ends” A dying Earth. A strange game played by the survivors: “Mood Hall.” A mysterious middle-aged gentleman and a beautiful woman, appearing and disappearing. Little people. Giants. A party. A desert. The bottom of a pool. Dance. Day and night, repeated again and again. Experimental, artistic, adventurous, half sci-fi, half mystery: a densely layered labyrinthine world made of sketches. A masterpiece of film that strips away words and leads you into a world of seeing and hearing alone! ・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・ In 2016, “Mood Hall” was presented as the latest installation in Kawaiokamura’s retrospective exhibition. It was Kawaiokamura’s first new work in nine years, with sound direction for the entire solo show handled by Mariko Harada. In 2019, “Mood Hall” was completed as a film work, and in 2020 it was released theatrically at Demachiza, a cinema in Kyoto. The music, of course, was by Mariko Harada. It brought the richly layered 33-minute-and-33-second world of image and sound to the screens and speakers of the movie theater. In 2022, the music for “Mood Hall” was completely rewritten by Kazumichi Komatsu. It was made neither as an installation nor for a cinema, but as a composition intended for streaming. Reading the visuals like a score, he struck the sound against the images so powerfully that they changed, and linked each segment through a distinctive sense of floating weightlessness. Reconstructed through Komatsu’s bold interpretation, “Mood Hall” was named “Mood Hall side B.”
Mood Hall - 映像作家: kawaiokamura
3DCGAnimationArt workExperimental filmOriginalShort film

Mood Hall

2019
00:33:34
Japan | 2019 | Color | DCP | 16:9 | Stereo | 33 min 33 sec | Animation, Experimental, Mystery | No dialogue A dying Earth. A strange game called “Mood Hole,” enjoyed by the surviving people. A mysterious middle-aged gentleman and a beautiful woman who appear and disappear. Little people. Giants. Parties. Deserts. The bottom of a pool. Dancing. Repeated day and night. A dense labyrinthine world woven from experimental, artistic, adventurous, semi-SF, semi-mysterious sketches. A masterpiece that strips away words and leads us into a world of seeing and hearing alone!
Hecohyon Nine | Ficfyon Nine - 映像作家: kawaiokamura
AnimationArt workShort filmStopmotion

Hecohyon Nine | Ficfyon Nine

2009
Only Image
Hekohyon Nine | FICFYON NINE [2009 remix] | Re-edited in 2009 (original version produced in 2006) | 5 min. 48 sec. This work was planned and produced in conjunction with participation in “Toride Art Project 2006.” Except for the puppets in the work, the riverbank, buildings, river, sky, and other elements are all real things filmed while staying in Toride City. By collaging these elements and layering model animation, a “landscape of memory” that does not actually exist was reconstructed. The exhibition presented at “Toride Art Project 2006” was a video installation (image projection on walls) in a former sewage treatment tank space within the site of an abandoned sewage treatment plant called “Shuumatsu Shorijo” (“Final Processing Plant”). The excessively wide aspect ratio of the screen was determined by the proportions of the concrete wall at the time. (Width: 7 m; using three projectors) For a solo exhibition the following year, in 2007, a first “re-edited version” was produced. Materials obtained during a trip to the Spring Koshien tournament (people, national flags, audio, etc.) were added. In 2009, a second re-edited version of this work was produced. With music and sound design by Morihiko Hara, all audio was replaced.
AIRS - 映像作家: kawaiokamura
AnimationExperimental filmShort filmStopmotion

AIRS

2005
Only Image
AIRS｜2005｜9 min 11 sec｜Animation A puppet animation centered on text read aloud by a middle-aged gentleman. The hybridization of “educational television” and sci-fi imagery is an experiment that continues from Hekohyon 7 (2004), while the number of cuts is reduced and the music has been removed, leaving only ambient sound, making this a static work with an aesthetic in contrast to the previous piece. It mainly employs hand-made techniques such as stop-motion animation using original model figures, sets, and background paintings, while also mixing in motion graphics and compositing using the video editing software Adobe After Effects. “Girin Art Project 2005” (2005) Girin Award winner (double feature with Hekohyon 7)
5 Works
Koyasan: 1,200 Years of Light - 映像作家: ColoMuller
3DCGAudio visual performanceEventGenerative ArtInteractiveLive actionPerformanceProjection mappingReal-time Graphics

Koyasan: 1,200 Years of Light

2015
00:04:38
Using the latest visual technology that fuses 3D projection mapping and lasers, this is a performance of shomyo, imagery, and light linking the monk, the pagoda, Kobo Daishi, and Dainichi Nyorai. Celebrating the 1,200th anniversary of the founding of Koyasan, a World Heritage site, it is a prayer of gratitude and thanksgiving dedicated to Odaishi-sama, themed on “Namu Daishi Henjo Kongo.” http://www.koyasan1200-hikari.jp/
Hakushi Hasegawa - Intro ~ Look at Me (Live Video) at "FLYING LOTUS presents THE HIT" - 映像作家: ColoMuller
ARAudio visual performanceExperimental filmGenerative ArtMusic videoReal-time GraphicsXR

Hakushi Hasegawa - Intro ~ Look at Me (Live Video) at "FLYING LOTUS presents THE HIT"

2021
00:06:51
Participated as an XRVJ in the performance by Hakushi Hasegawa, the young musician drawing global attention, on “THE HIT,” the music program hosted by Flying Lotus. By integrating LiDAR and ARKit into COSMIC LAB’s XR live system, an audio-reactive VFX performance was improvised as live VJing, transforming the musician’s physical presence.
QUASAR XR – COSMIC LAB feat. DJ YASA & NAO-K – in EXPANDED - 映像作家: ColoMuller
3DCGARAudio visual performanceEventGenerative ArtInteractiveLive actionPerformanceReal-time GraphicsVRXR

QUASAR XR – COSMIC LAB feat. DJ YASA & NAO-K – in EXPANDED

2021
00:01:31
A showcase using “QUASAR,” a musical instrument developed by COSMIC LAB that plays sound and visuals simultaneously. A live session with Plant Records, led by DJ YASA, formerly of KIREEK, who achieved the remarkable feat of winning the DMC World Championship five years in a row. YoshimiO (OOIOO) and TOKIO AOYAMA also took part in this work.
FINALBY( ) / FUJIROCK FESTIVAL’21 - 映像作家: ColoMuller
3DCGARAudio visual performanceExperimental filmGenerative ArtInteractiveLive actionOriginalPerformanceReal-time GraphicsXR

FINALBY( ) / FUJIROCK FESTIVAL’21

2021 ~
00:02:37
EYE (BOREDOMS)'s new project "FINALBY( )" with COSMIC LAB & Niimi Taiki & Kanta Horio COSMIC LAB, which explores the expansion of perception through spatial expressions where the visible and invisible intersect; Kanta Horio of the art-engineering group Ponoor Experiments, who explores the relationship between sound and machines based on physical phenomena through art and system development; programmer Taiki Niimi, who handles everything from circuit design to sound synthesis; and Shinji Mashiko, who has worked with BOREDOMS for many years as sub-director—through this collaboration, they create a new audiovisual experience centered on device objects. It made its debut on the WHITESTAGE at FUJIROCK FESTIVAL’21.
3 Works
maco marets-Torches - 映像作家: takachrome
2D animationArt workExperimental filmMusic videoPVShort film

maco marets-Torches

2020
Only Image
This track, produced by TiMT (PEARL CENTER / Mime / Pistachio Studio), is a modern rap song that calmly captures the mood of young people living in the same era. The music video also features 10 young people who have the potential to become opinion leaders of their generation. Based in Tokyo, they come from diverse backgrounds, including sexuality, race, and gender. The visuals portray the emotional ups and downs of staying at home, reunions with friends, overwhelming happiness, and the realities they continue to face. Filming took place at an apartment and Sasazuka Bowl, and was shot entirely on 16mm film.
Atrophied - 映像作家: takachrome
2D animationArt workExperimental filmFashion filmOriginalShort film

Atrophied

2022
Only Image
The video is titled “Atrophied.” Yet in contrast to that name, the blind figures in the video become animated and begin to move dynamically after encountering others and experiencing something akin to opening their eyes. So what, then, is the concept of “Atrophied” that the artist presents? It may be understood as a movement of the heart born through encounters with others. A person does not shrink when alone. When meeting someone new, the heart trembles, and in doing so, it can also atrophy. At times, one may even feel that it would have been better not to have met at all. Yet it is precisely when we overcome that and connect heart to heart with another person that catharsis is born. This video work is an experimental piece that records the performer’s physicality by entrusting its narrative to the body, as a re-experience of the artist’s own meditation practice and the act of relentlessly sharpening the senses and observing.

Loading...

No more content

Error loading content

More

Loading...

No more content

Error loading content

More