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XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOOTING STAR” - 映像作家: cosmiclab
3DCGLive actionMotion graphicsR&DReal-time Graphics

XG 1st WORLD TOUR “The first HOWL” FINAL Landing “SHOOTING STAR”

2025
The Tokyo Dome performance held as the finale of XG’s first world tour, 【XG 1st WORLD TOUR “The first HOWL”】. COSMIC LAB created the content by building a unique system that seamlessly and freely integrates live camera footage with motion graphics and real-time VFX. It was an electrifying stage worthy of the finale of a world tour that spanned nearly a year, and a night that made the future of live camera direction feel within reach.
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve

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9 Works
JRA / Today, My Story Runs. - 映像作家: dadadaworks
2D animationAdvertisementCM

JRA / Today, My Story Runs.

2023
Only Image
Description: A Thoroughbred grows into a racehorse through its interactions with people from a wide range of professions. This film portrays the journey of a single racehorse heading toward the grand stage of a G1 race through the diverse perspectives of the people involved, each of whom watches over it while carrying their own thoughts and feelings. Overflowing emotions, the movement of the heart, hopes entrusted to it. The bond between a Thoroughbred and the people it has connected with is depicted through an all-original animation set to a newly written song by Aimer.
3 Works
Chemical Glitch – OUR LAW - 映像作家: J_ChemicalGlitch
3DCGMotion graphicsMusic video

Chemical Glitch – OUR LAW

2024
Description: I am the vocalist and also handle composition in the band Chemical Glitch, and basically I do everything myself in a DIY way, from the visuals to the music. This song was released on 2024/3/1. The concept is: is it really right to lose your true self and what you once believed in by bending yourself to fit the many words found in various philosophers’ works and self-help books, just for the sake of believing in “our own rules” and moving forward? This is a work that lays my own will bare. I kept the production process as minimal and simple as possible. The only software I used was FCPX and Blender. The rendering was done in Eevee. It really comes down to a battle of ideas.
4 Works
3 Works
A Story of a Drop of Water - 映像作家: rxn03167@nifty.com
AnimationArt work

A Story of a Drop of Water

2022
An animation that personifies water. In this fantasy, “water,” born in the sea, becomes “clouds” and rises into the sky, then returns to the earth as “snow.” The personified characters were created as follows: water was drawn in Illustrator, while the clouds and snow were hand-drawn, scanned, digitized, and colored in Procreate and Photoshop. The backgrounds and sea creatures were painted with paints (transparent watercolor and acrylic), then composited with the characters in After Effects.
4 Works
LioLan 「nanikasa」Official Music Video - 映像作家: Ichiro_Komiya
Music video

LioLan 「nanikasa」Official Music Video

2023
00:03:52
Description: Concept of the work NUTRO A fusion of the present and the future, meaning a “new past.” Retro-future. We visualized epoch-defining backgrounds such as personal computers, the internet, smartphones, social media, the metaverse, and AI, and created an impactful, stylish image. Method We refined the filming, editing, and compositing. Using AI image processing, we repeated trial and error many times and spent a great deal of time creating the ideal visuals. Within a runtime of about four minutes, we aimed to create a music video that would never bore the viewer. We put our heart and soul into this work. We would love for many more people to see it.
2 Works
4 Works
maco marets 「D.O.L.O.R.」 - 映像作家: masakiueda
Music video

maco marets 「D.O.L.O.R.」

2019
00:04:12
Filmed in Paris, this piece was inspired by Sagane’s “Good Day, Sadness,” a work by a Parisian writer. The pain and helplessness of confronting sorrow and regret are universal struggles of being human. From this song, I felt a positive message: that fleeing from such struggles and confronting them head-on, however clumsily, are both deeply human, and that this raw honesty is what makes us beautiful. Together with the dancers, I translated that feeling into the performance. The protagonist struggles alone with loneliness, sublimating those feelings only to fall back into doubt, repeating the loop of suffering again and again until exhaustion finally brings them to the ground. Unable to speak of it to anyone, they suffer in a world of their own, yet by pulling back and seeing the city lights, they sense the existence of many others. Surely the people within those lights are wrestling with the same feelings; this is not your burden alone, but a struggle shared by everyone. With that concept in mind, we found the perfect location. ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ 　If you were lucky enough to have lived in Paris as a young man, 　it stays with you, for wherever you may go for the rest of your life, 　Paris is a moveable feast. 　――Ernest Hemingway ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ These are Hemingway’s words, and it is said that Paris contained everything in the world. The “hope” in the light of Paris reflected across the river, and the protagonist sitting alone may seem contradictory at first glance, but I hope you will feel something in the beauty of that figure, illuminated by the city lights.
3 Works
11 Works
TGS2023 × Crazy Raccoon Cup STREET FIGHTER 6 Main Title - 映像作家: nim
2D animation3DCGMotion graphics

TGS2023 × Crazy Raccoon Cup STREET FIGHTER 6 Main Title

2023
00:00:41
Produced the opening video for TGS2023 × CR CUP Street Fighter 6. This event was held offline as a special main stage event at Tokyo Game Show 2023. Centering on the fist monument that symbolizes Crazy Raccoon Cup Street Fighter 6, this cinematic video was created around the theme that “one’s own pride, along with the feelings of teammates and supporting fans, is too heavy to bear alone, but only by turning that pressure into strength can one reach the top.” It tells the story that, because the first tournament drew such tremendous excitement, the memories of that moving event gave rise to the floating land in the sky. For the typography, the goal was to fuse the rawness of street culture with the formality of a grand stage. As an element of street culture, we created team tags and other tags using a graffiti technique known as tagging. In the animation, the overall look is elegant and chic, based on the design concept and the atmosphere of the typefaces used, while the tagging is given a sense of speed to serve as an accent. For the music, Trap EDM forms the foundation in order to incorporate the modern atmosphere of the game itself and its street-culture sensibilities. In the opening, fragmentary synth sounds inspired by the game’s BGM create tension, while deep reverb effects evoke a spacious environment suited to the visuals. In the scene where the floating land rains down upon the city, melodic dubstep elements are added while retaining the Trap EDM feel to express supernatural power, depicting the determination and passion of those taking on the tournament through pounding rhythms and melodies that surge violently up and down.
Brazen Blaze – Alpha Announcement Trailer - 映像作家: nim
2D animation3DCGMotion graphics

Brazen Blaze – Alpha Announcement Trailer

2023
00:00:58
Created a trailer announcing the alpha test for the VR competitive action game “Brazen Blaze.” Brazen Blaze is a new VR game developed by MyDearest under the concept of “fulfilling desires that are forbidden in real life, but that you’ve always wanted to try.” This piece is structured in two parts. In the first half, the game’s world is expressed through full-cinematic 3DCG. While respecting the game’s overall image, the visuals make use of cinematic expression to create shots that heighten the viewer’s excitement. For the ambient sound, multiple layers of audio with different perceived distances were used so that changes in the subject’s distance between cuts can also be felt through hearing. Sounds for gauntlet activation and destruction effects were designed by concentrating slightly excessive peaks in volume at the height of the on-screen motion, then distorting them with distortion and delaying the signal phase with an all-pass filter, resulting in a crisp sound often heard in weapons and other effects in recent games. The short story of “a rebel protagonist destroying a stone statue that symbolizes authority” was inspired by the protagonist’s desire to become president and change the world, as well as the gameplay that allows players to smash everything on the map with their fists. To emphasize the exhilaration of the concept of “smashing things apart,” the buildup from tense cuts toward the punch scenes was especially important. In the second half, motion graphics introducing the game’s overview and the creators were combined with mockup footage. Centering on the violence where everything is decided by strength, the video was produced to convey a rough, edgy impression while also incorporating the digital feel of VR games and the sporty energy of esports. In impactful cuts, changes in tempo and dirty, distressed effects were used to depict the violent world of Brazen Blaze. The music was also crafted to feel rough and aggressive, with a Trap-based EDM sound that emphasizes heavy bass. For the segment introducing the staff involved in development, the track shifts into energetic, distorted sounds. By incorporating melodic phrases there, it reflects the ambition to make a great game, as well as the invincible superstar-like aura created by the gathering of such talented creators.
Destiny MV - 映像作家: nim
2D animation3DCGMotion graphicsMusic video

Destiny MV

2023
00:03:59
Produced the music video for V.W.P’s “Sadame” (Fate). V.W.P is a virtual artist group brought together by five cyber witches from KAMITSUBAKI STUDIO: KAF, RIM, Harusaruhi, Isekaijoucho, and Koko. Built on a narrative, cinematic 3DCG foundation, the piece incorporates typography at key moments, such as striking dialogue-driven sections and inserts. For the 3D compositing and character setup, we pursued a look that would harmonize the photorealistic background CG world with V.W.P’s characters. Based on the song’s content, we conceived it as a battle against oneself. The story unfolds through exchanges between witches in the present and the past, existing on different worldlines. In the first half, they physically confront another version of themselves; in the second half, the focus shifts to scenes where they face their own inner selves. Masks and hoods are used to distinguish the worldlines, with some scenes representing the past and others the present. Drawing from the concept of characters who exist across two worldlines, the present and the past, as well as a world where stable and collapsing states coexist, we also emphasized contrast in the composition and scenes. The logo and graphics were finished in a solid style to match the feelings of the witches resisting fate. In the logo animation, we added distorted afterimages with broken edges to express a world in collapse, while the dynamic in-and-out animation embodies V.W.P’s determination to defy fate.
2 Works
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