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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.
Hatsuboshi Academy “Wildest Flower” Official Music Video - 映像作家: 大橋史Takashi Ohashi
2D animation

Hatsuboshi Academy “Wildest Flower” Official Music Video

2022-2026
00:03:02
A music video created for an in-game song from Bandai Namco Entertainment’s social game The Idolmaster Gakuen. The character Hanami Saki was a top athlete in track and field before aspiring to become an idol, and she has a past in which, due to being a late bloomer, she confronted the limits of her abilities at a young age and suffered setbacks. The song’s theme portrays her “setbacks and challenges,” making for an absurd tale in which she moves back and forth between the reality of the setbacks she experienced in the past and the uncertain glory of the future. In the end, she attempts to break through her own limits. To make this pulp-fiction-like story convincing, we aimed for a meditative music video in which the past and future are suspended, combining the image of sequential photographs that draw the viewer’s consciousness back into the past with animation that propels her into the future to the sound of drum and bass. The spirit of craving victory that she cultivated in her years as an athlete, caught between ideals and reality, shakes off notions of records and victory created by others through the act of “running.” By adopting abstract smear frames and a rough, painterly style, we sought to convey, in a sensory way, her spiritual rebirth as an idol (a performer).
Pokémon Card Game “Mega Charizard X ex” - 映像作家: shinodatoshitaka
3DCGAnimation

Pokémon Card Game “Mega Charizard X ex”

2025
00:02:22
A promotional video for the Pokémon Card Game, unveiled at the Pokémon World Championships 2025 (WCS2025). It spatially depicts battles between Mega Charizard X, Mega Lucario, Mega Gardevoir, and Legendary Pokémon. The 3DCG and character animation were handled by Eallin Japan, and the motion graphics were created by Shuji Hirai. The hand-drawn animation scenes were created by Takeshi Kishimoto. ©2025 Pokémon. ©1995-2025 Nintendo/Creatures Inc./GAME FREAK inc. Pocket Monsters, Pokémon, and Pokémon are registered trademarks of Nintendo, Creatures, and Game Freak.
NHK General "The Day of Resurrection: If You Could Meet the Dead" - 映像作家: whatever
3DCGTV

NHK General "The Day of Resurrection: If You Could Meet the Dead"

2019
Only Image
"Revival Day" is a program that gives people the chance to reunite, just once more, with someone who is no longer in this world. In the program, the reunion between Tetsuro Degawa and his biological mother, who passed away eight years ago, is recreated. Whatever was responsible for planning and technical direction, art direction, and the production of the making-of movie "Behind the scene." ーーー [Creator's Comment] What I paid the most attention to on the art direction side was keeping television-style direction to a minimum, so that viewers could focus on the conversation between Degawa and his mother, Yasuko. For that reason, I proposed an extremely simple set design consisting of only chairs and a monitor. On the technology side, the biggest challenge was the complete lack of reference photos and footage. A few low-resolution printed photos, and a lucky find: about 15 seconds of footage of Degawa and Yasuko appearing together for the only time. There was almost no audio data. Under those circumstances, recreating a person from the past with CG was an extremely difficult task. The CG production process used Autodesk Maya for modeling; VICON + Faceware + IGS + MotionBuilder were integrated and rendered in Unreal Engine; grading was done in DaVinci Resolve + MISTIKA; and compositing was done in Nuke. However, unlike ordinary CG production work, we repeatedly made small adjustments while tracing the family's memories and checked them over and over, gradually bringing Yasuko closer to life. Degawa's brothers and sisters helped us an extraordinary number of times. I would like to take this opportunity to express my sincere gratitude to them. Whatever Producer Yusuke Tominaga

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LioLan 「nanikasa」Official Music Video - 映像作家: Ichiro_Komiya
Music video

LioLan 「nanikasa」Official Music Video

2023
00:03:52
Description: Concept of the work NUTRO A fusion of the present and the future, meaning a “new past.” Retro-future. We visualized epoch-defining backgrounds such as personal computers, the internet, smartphones, social media, the metaverse, and AI, and created an impactful, stylish image. Method We refined the filming, editing, and compositing. Using AI image processing, we repeated trial and error many times and spent a great deal of time creating the ideal visuals. Within a runtime of about four minutes, we aimed to create a music video that would never bore the viewer. We put our heart and soul into this work. We would love for many more people to see it.
2 Works
4 Works
maco marets 「D.O.L.O.R.」 - 映像作家: masakiueda
Music video

maco marets 「D.O.L.O.R.」

2019
00:04:12
Filmed in Paris, this piece was inspired by Sagane’s “Good Day, Sadness,” a work by a Parisian writer. The pain and helplessness of confronting sorrow and regret are universal struggles of being human. From this song, I felt a positive message: that fleeing from such struggles and confronting them head-on, however clumsily, are both deeply human, and that this raw honesty is what makes us beautiful. Together with the dancers, I translated that feeling into the performance. The protagonist struggles alone with loneliness, sublimating those feelings only to fall back into doubt, repeating the loop of suffering again and again until exhaustion finally brings them to the ground. Unable to speak of it to anyone, they suffer in a world of their own, yet by pulling back and seeing the city lights, they sense the existence of many others. Surely the people within those lights are wrestling with the same feelings; this is not your burden alone, but a struggle shared by everyone. With that concept in mind, we found the perfect location. ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ 　If you were lucky enough to have lived in Paris as a young man, 　it stays with you, for wherever you may go for the rest of your life, 　Paris is a moveable feast. 　――Ernest Hemingway ＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿ These are Hemingway’s words, and it is said that Paris contained everything in the world. The “hope” in the light of Paris reflected across the river, and the protagonist sitting alone may seem contradictory at first glance, but I hope you will feel something in the beauty of that figure, illuminated by the city lights.
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TGS2023 × Crazy Raccoon Cup STREET FIGHTER 6 Main Title - 映像作家: nim
2D animation3DCGMotion graphics

TGS2023 × Crazy Raccoon Cup STREET FIGHTER 6 Main Title

2023
00:00:41
Produced the opening video for TGS2023 × CR CUP Street Fighter 6. This event was held offline as a special main stage event at Tokyo Game Show 2023. Centering on the fist monument that symbolizes Crazy Raccoon Cup Street Fighter 6, this cinematic video was created around the theme that “one’s own pride, along with the feelings of teammates and supporting fans, is too heavy to bear alone, but only by turning that pressure into strength can one reach the top.” It tells the story that, because the first tournament drew such tremendous excitement, the memories of that moving event gave rise to the floating land in the sky. For the typography, the goal was to fuse the rawness of street culture with the formality of a grand stage. As an element of street culture, we created team tags and other tags using a graffiti technique known as tagging. In the animation, the overall look is elegant and chic, based on the design concept and the atmosphere of the typefaces used, while the tagging is given a sense of speed to serve as an accent. For the music, Trap EDM forms the foundation in order to incorporate the modern atmosphere of the game itself and its street-culture sensibilities. In the opening, fragmentary synth sounds inspired by the game’s BGM create tension, while deep reverb effects evoke a spacious environment suited to the visuals. In the scene where the floating land rains down upon the city, melodic dubstep elements are added while retaining the Trap EDM feel to express supernatural power, depicting the determination and passion of those taking on the tournament through pounding rhythms and melodies that surge violently up and down.
Brazen Blaze – Alpha Announcement Trailer - 映像作家: nim
2D animation3DCGMotion graphics

Brazen Blaze – Alpha Announcement Trailer

2023
00:00:58
Created a trailer announcing the alpha test for the VR competitive action game “Brazen Blaze.” Brazen Blaze is a new VR game developed by MyDearest under the concept of “fulfilling desires that are forbidden in real life, but that you’ve always wanted to try.” This piece is structured in two parts. In the first half, the game’s world is expressed through full-cinematic 3DCG. While respecting the game’s overall image, the visuals make use of cinematic expression to create shots that heighten the viewer’s excitement. For the ambient sound, multiple layers of audio with different perceived distances were used so that changes in the subject’s distance between cuts can also be felt through hearing. Sounds for gauntlet activation and destruction effects were designed by concentrating slightly excessive peaks in volume at the height of the on-screen motion, then distorting them with distortion and delaying the signal phase with an all-pass filter, resulting in a crisp sound often heard in weapons and other effects in recent games. The short story of “a rebel protagonist destroying a stone statue that symbolizes authority” was inspired by the protagonist’s desire to become president and change the world, as well as the gameplay that allows players to smash everything on the map with their fists. To emphasize the exhilaration of the concept of “smashing things apart,” the buildup from tense cuts toward the punch scenes was especially important. In the second half, motion graphics introducing the game’s overview and the creators were combined with mockup footage. Centering on the violence where everything is decided by strength, the video was produced to convey a rough, edgy impression while also incorporating the digital feel of VR games and the sporty energy of esports. In impactful cuts, changes in tempo and dirty, distressed effects were used to depict the violent world of Brazen Blaze. The music was also crafted to feel rough and aggressive, with a Trap-based EDM sound that emphasizes heavy bass. For the segment introducing the staff involved in development, the track shifts into energetic, distorted sounds. By incorporating melodic phrases there, it reflects the ambition to make a great game, as well as the invincible superstar-like aura created by the gathering of such talented creators.
Destiny MV - 映像作家: nim
2D animation3DCGMotion graphicsMusic video

Destiny MV

2023
00:03:59
Produced the music video for V.W.P’s “Sadame” (Fate). V.W.P is a virtual artist group brought together by five cyber witches from KAMITSUBAKI STUDIO: KAF, RIM, Harusaruhi, Isekaijoucho, and Koko. Built on a narrative, cinematic 3DCG foundation, the piece incorporates typography at key moments, such as striking dialogue-driven sections and inserts. For the 3D compositing and character setup, we pursued a look that would harmonize the photorealistic background CG world with V.W.P’s characters. Based on the song’s content, we conceived it as a battle against oneself. The story unfolds through exchanges between witches in the present and the past, existing on different worldlines. In the first half, they physically confront another version of themselves; in the second half, the focus shifts to scenes where they face their own inner selves. Masks and hoods are used to distinguish the worldlines, with some scenes representing the past and others the present. Drawing from the concept of characters who exist across two worldlines, the present and the past, as well as a world where stable and collapsing states coexist, we also emphasized contrast in the composition and scenes. The logo and graphics were finished in a solid style to match the feelings of the witches resisting fate. In the logo animation, we added distorted afterimages with broken edges to express a world in collapse, while the dynamic in-and-out animation embodies V.W.P’s determination to defy fate.
2 Works
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TV Anime “Detective Conan” Non-Credit OP × WANDS “RAISE INSIGHT” - 映像作家: spirot
2D animationAnimationMotion graphicsMotion logoMovieOpening movieTV

TV Anime “Detective Conan” Non-Credit OP × WANDS “RAISE INSIGHT”

2023
00:01:56
I was in charge of directing the opening sequence for the TV anime “Detective Conan.” Rather than simply putting together an opening, I thought about how I could somehow incorporate a “mystery.” Based on the fact that the mysterious character revealed in this work was a one-eyed man, I decided to embed a message in the animation when the left eye of the main characters appearing in the video is closed. In addition, in order to connect it with the film title, I structured the opening so that Conan-kun runs from Shibuya to Takeshiba Pier, and within that route I came up with a gimmick where text appears when half of the screen is mirrored and copied. During the broadcast period, I couldn’t quite relax because it felt like I was being chased by many detectives, but it seems that many people took on this mystery-solving challenge, and as a result it became a very enjoyable opening sequence for me personally as well. I was extremely anxious because I couldn’t find the “W” and “T” for a long time, and I remember feeling a strange mix of joy and relief when I finally found them at the intersection of the Shibuya pedestrian overpass and Shinichi’s bridge. I would be happy if those who watched it would take a moment to think about what kind of mystery might be hidden within it.
TV Anime “Detective Conan” Non-Credit OP × WANDS “RAISE INSIGHT” - 映像作家: spirot
2D animationAnimationMotion graphicsMotion logoMovieOpening movieTV

TV Anime “Detective Conan” Non-Credit OP × WANDS “RAISE INSIGHT”

2023
00:01:56
I directed the opening visuals for the TV anime Detective Conan. Rather than simply putting together a standard opening, I wanted to somehow incorporate a “mystery,” and after thinking it through, I based the concept on the fact that the mysterious character revealed in this film is the one-eyed man, and decided to embed a message in the visuals when the left eyes of the main characters appearing in the footage are closed. To tie in with the film title as well, I structured the sequence so that Conan runs from Shibuya to Takeshiba Pier, and came up with a gimmick in which letters appear when half of the screen is mirrored along that route. During the broadcast period, I couldn’t help feeling like I was being chased by many detectives, so I couldn’t relax, but it seems many people took on the challenge of solving this mystery, and as a result it became a very enjoyable opening sequence for me personally as well. I was quite anxious because I couldn’t find the letters “W” and “T” for a long time, and I still remember the strange feeling of joy and relief mixed together when I finally found them at the intersection of the Shibuya pedestrian overpass and Shinichi’s Bridge. I would be happy if those who watched it would take a moment to think about what kind of mystery might be hidden within it.
Jizo Sonzai name-less "Danzai Democracy" GAME MV - 映像作家: spirot
3DCGAnimationMotion graphicsMotion logoMusic videoVR

Jizo Sonzai name-less "Danzai Democracy" GAME MV

2023
00:03:18
I directed the music video for Jizou Sonzai name-less’s “Danzai Democracy.” We created an actual playable game, captured its gameplay footage, and used it to compose the entire MV. To suggest that words of justice can, before long, end up hurting people, the opening begins as a game about freeing people, but by using cheats it is reversed, and people end up being restrained instead. This is our first attempt to express the artist’s distinctive background through the medium of a game.
5 Works
KITTE OSAKA | JP TOWER OSAKA CONCEPT MOVIE - 映像作家: mamikawashima
2D animationAnimationBrand movieConcept MovieMotion graphics

KITTE OSAKA | JP TOWER OSAKA CONCEPT MOVIE

2023
Only Image
In Umeda, Osaka, “JP TOWER OSAKA” is scheduled to open in March 2024, followed by “KITTE OSAKA” in July 2024. This teaser concept movie serves as an invitation to the opening of KITTE OSAKA. A place where connections between people, cultures, and all kinds of people, things, and events begin. Using postage stamps as a motif, the film begins with a single sheet of paper and incorporates actual stamps in use, while combining stop-motion, collage using archival photos from the time of the first Osaka Station and the former Osaka Central Post Office, and live-action footage.
Blue Marble – Brand concept movie - 映像作家: mamikawashima
3DCGAnimationArt workBrand movieMotion graphicsMotion logoOriginalStopmotion

Blue Marble – Brand concept movie

2022
00:01:00
Concept movie for the creative community “Blue Marble.” “Respect all creations.” “We do not say ‘impossible.’” “Why not?” “Be a marverick.” “Life is a journey.” In tandem with the concept words of “Blue Marble,” which supports a wide range of making and creation, the film expresses the community’s mindset. Using everyday materials such as clay, balls, and marbles, it was produced with a variety of techniques, from live action and stop motion to CG. The music was created with an emphasis on spontaneity, performed improvisationally while the finished visuals were being played back. With respect for all creation.
"The Journey of Making Sake and Bringing It to Life" MIYOSHI HANA - 映像作家: mamikawashima
2D animationAnimationBrand movieMotion graphics

"The Journey of Making Sake and Bringing It to Life" MIYOSHI HANA

2021
00:04:22
Concept movie for sake MIYOSHI HANA. Released to commemorate the 2021 international competition CINVE, where MIYOSHI Green won Gold and MIYOSHI Blue won Silver. Every step in the process—from how the sake is made to how it reaches someone and is enjoyed—was individually expressed through graphics and animation. Just as the sake is carefully crafted over time, we focused on creating the movie with the same level of care and attention.
1 Works
5 Works
Urashima Taro Returns to Earth in 16 Seconds - 映像作家: hattorigraphics
AnimationPixel Art

Urashima Taro Returns to Earth in 16 Seconds

2024
00:00:17
As the second installment of the “Time-Efficient Folktale Series,” which challenges itself to compress information to the absolute limit by using low-resolution pixel-art animation techniques and the familiarity of Japanese folktales, this parody video of Urashimataro ends in just 16 seconds from start to finish, following the first installment, “Momotaro That Ends in 20 Seconds.” A song based on the folk song “Urashima Taro,” deconstructed to the point where only traces of the original remain, was produced and used as the background music.
Momotaro Ends in 20 Seconds - 映像作家: hattorigraphics
AnimationPixel Art

Momotaro Ends in 20 Seconds

2024
00:00:20
Created as the first installment of the “Time-Efficient Folktale Series,” which challenges the limits of information compression by using low-resolution pixel-art animation techniques and the familiarity of Japanese folktales, this is a parody video of Momotaro that ends just 20 seconds after it begins. The background music was composed by deconstructing the folk song “Momotaro” to the point where only the barest trace of the original remains.
Hattori Graphics Low-Resolution GIF Series 2022 (First Half) - 映像作家: hattorigraphics
2D animationAnimationArt workExperimental filmOriginalShowreel

Hattori Graphics Low-Resolution GIF Series 2022 (First Half)

2021 ~
00:03:17
A digest video featuring 13 distinctive low-resolution GIF works released between late 2021 and early 2021. “The Footman”…the sole of a foot staring back at you “CROW”…something like the concept of a crow “TAXI”…the taxi never stops “Fried Rice”…a man stir-frying fried rice with all his might “Drinking Milk”…drinking milk energetically “Rabbit”…eating a carrot energetically “DENGEKI”…an electric man “A Sushi Restaurant Popular with Crocodiles”…a sushi restaurant where crocodiles line up “Negation and Affirmation”…negation and affirmation “Thief”…what happened to an old-fashioned thief “The Panda Throwing Candy at You”…a nightmare “Icarus”…melted wings “GIF of People”…the awakening of humankind

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