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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
[Anime] Just Right! Word Office - 映像作家: onakatakeshi
2D animationAnimationComedy

[Anime] Just Right! Word Office

2026
Only Image
An anime packed with “relatable civil servant moments,” made for civil servants by civil servants. A short anime that takes a peek into the daily lives of the staff working at the ward office in the fictional Chitoku Town Village’s “Hodora Ward” Hodoyoku! Word Office is a short anime aimed at civil servants working in local governments and public institutions. This series reunites director Takeshi Onaka, who teamed up about 10 years ago on Neko to Mata, with voice actors Tasuku Hatanaka and Takuma Nagatsuka. Set in Hodora Ward Office, the comedy centers on rookie staff member Shinji (CV: Tasuku Hatanaka) and his senior colleague, the protective-cat Neko-yama-san (CV: Takuma Nagatsuka), with the banter built around “civil servant relatability” portrayed as a comedic dialogue-driven story (from Animate Times) (↓Featured article) https://www.animatetimes.com/news/details.php?id=1776676732 Available now on Jichitai Works.com https://com.jichitai.works/video/
NHK "Masterpiece Analysis Classroom" Track 3 - 映像作家: maruakari
2D animationAnimationMusic video

NHK "Masterpiece Analysis Classroom" Track 3

2026
Only Image
We created an animated music video based on Kubo Saki’s “Ihoujin.” It is based on Daisuke Nakagawa’s interpretation. “Masterclass in Song Analysis” If we examine the lyrics of a classic hit in depth, what kind of message will emerge? In this program, young people of the Reiwa era thoroughly analyze beloved songs from the Showa and Heisei eras through a modern sensibility! The stories born from that process are then turned into brand-new music videos.

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14 Works
WE ARE NOT ALONE (40th Anniversary Stop-Motion Celebration of Transformers' Arrival in Japan) - 映像作家: watanabesaori
CMPromotionPVStopmotionWeb CMWeb movie

WE ARE NOT ALONE (40th Anniversary Stop-Motion Celebration of Transformers' Arrival in Japan)

2025
00:07:42
Description: In the previous work, “ONE another,” while Optimus Prime and Megatron were battling inside a robotic vacuum cleaner, at the very same time, the room itself was also thrown into chaos by the runaway vacuum cleanerーーー. A crisis looms over all the Studio Series figures lined up on the shelf! Released in 2025, this film came out in the memorable year marking the 40th anniversary of Transformers’ arrival in Japan. It is an original story that incorporates many elements from 40 years of Transformers history and a wide range of previous visual works. All Studio Series Transformers are lined up on a shelf based on blue, the brand color of Studio Series. It became a rare opportunity for characters from across the history of Transformers movies and animation to gather in one place. We also paid film-level attention to every detail of the music and sound effects. Please take a look at their 40-year history that goes beyond what meets the eye. For the first part, “ONE another,” a story that unfolds on the same timeline as “WE ARE NOT ALONE,” please see here 🔻 https://eizo100.jp/video/90484
ONE Another (Transformers/ONE Release Commemorative Stop Motion - Studio Series -) - 映像作家: watanabesaori
PromotionPVShort filmStopmotionWeb movie

ONE Another (Transformers/ONE Release Commemorative Stop Motion - Studio Series -)

2024
00:05:13
Commentary: This high-quality stop-motion features Optimus Prime, leader of the Autobots, and Megatron, leader of the Decepticons, from Transformers: One, the latest film in the Transformers series and a new-dimensional real CG movie. To complement the theatrical title Transformers: One, the title of this work is “ONE another,” which carries the meaning of “with one another.” The year this work was released, 2024, marked the 40th anniversary of Transformers, making it a milestone year. This original story incorporates many elements drawn from the 40-year history of Transformers and various video works released over the years. All Studio Series Transformers are lined up on shelves based on blue, the brand color of Studio Series. Great care was also taken with the details of the music and sound effects. Please look for more than what is visible—their 40-year history. The story that unfolds in the same timeline as “ONE another,” the second half, “WE ARE NOT ALONE,” is available here🔻 https://eizo100.jp/video/104769
Chukyo TV Corporate Movie - 映像作家: watanabesaori
Concept MovieStopmotionWeb movie

Chukyo TV Corporate Movie

2023
00:01:34
This is a co-directed work with Hideyuki Kojima. Based on the world of papercraft, we carefully shot the film in stop motion, moving through a series of scenes: first, Chukyo-kun and motifs from Aichi, Mie, and Gifu are cut out from paper to create a flat world; then Chukyo-kun transforms into a three-dimensional form, creating a more tactile, dimensional world; and finally, the perspective expands further as the paper world bursts into live action. The transition from the paper hand to the live-action hand was actually filmed in reverse order from what appears on screen. We first shot the stop-motion hand, then converted the hand footage into contour data and cut it out from paper, and finally replaced the paper hand and shot it again in stop motion. Lighting was also quite challenging. Because all of the paper used was the same “white,” if we didn’t use subtle changes in light to create shadows and convey depth, shadow color, and distance between objects, it would simply become an all-white world. We carefully crafted the lighting so that, no matter where you paused the video, it would form a beautiful still image. The live-action scenery is the familiar Nagoya Port. That scene was also done in stop motion, and we shot it while praying for clear weather. On the day of filming, it was a violent storm like a typhoon, and just when we thought everything was hopeless, we carried the camera up to the rooftop—and somehow, the sky cleared up all at once. It was a strange and wonderful moment.
22 Works
KIRINJI - Room Dancer feat. Tomomi Oda - 映像作家: suzkikenta
Music video

KIRINJI - Room Dancer feat. Tomomi Oda

2026
00:03:42
A minimal visual work that neutralizes the solitude of the urban dweller through the private ritual of dance. It coolly documents the rough, impulsive movements of a lone girl—gestures intended for no one's eyes but her own. The surreal lexicon scattered throughout the lyrics is rendered via AI-driven 'video-to-video' synthesis. Shunning overt sentimentality, the visual design maintains a detached, almost clinical gaze upon this personal indulgence, yet manages to evoke a strangely intimate proximity.
9 Works
7 Works
6 Works
8 Works
Algorithms from A to Z - 映像作家: kitasenjudesign
Generative ArtMotion graphics

Algorithms from A to Z

2026
00:00:57
I searched for algorithms whose names begin with each of the 26 letters from A to Z, and used them to create animated typography. Since the rise of NFTs, the genre of generative art has been undergoing renewed reevaluation. Although I have spent many years writing code and making works myself, when asked, “What is generative art?” I often find myself unsure how to answer. At the core of generative art are algorithms. Of course, one can create one’s own, but there are already many “masterpiece” algorithms in existence. In this work, I reimplemented those algorithms in JavaScript. Through this project, I want to think about the appeal of coding and algorithms, apart from art or design. It is also an attempt to place value on the process, which is often overlooked in the age of AI, and to once again draw out the joy of implementation.
20 Works
The Beast Tale - 映像作家: keisukesatoh
AnimationConcept MovieExperienceExperimental filmMotion graphicsOriginalPaper craftR&DShort filmSocial project

The Beast Tale

2026
00:02:15
This video is a re-edited vision piece based on the invasive species Reeves’s muntjac, which causes agricultural damage and affects ecosystems on Izu Oshima, and on the practices and narratives surrounding the regional utilization of its meat. It reconstructs, as a single story, the narratives gained through an interactive workshop consisting of a booklet-based understanding of the current situation and problem-posing, a dissection demonstration, tasting, and dialogue, along with insights obtained through fieldwork. It visualizes, in narrative form, signs of aversion, hesitation, reevaluation, and sharing, depicting the process of rethinking a pest not merely as a target for extermination, but as part of the region’s food culture through the act of gratefully and deliciously consuming life. It presents the issue surrounding the Reeves’s muntjac as a subject for reconsidering the relationship between the region, life, and social coexistence.
Nabtesco Corporation: “Nabtesco, by Everyone’s Side! (Cacao Edition)” - 映像作家: keisukesatoh
3DCGAnimationBrand movieConcept MoviePromotionWebWeb CM

Nabtesco Corporation: “Nabtesco, by Everyone’s Side! (Cacao Edition)”

2026
00:00:31
This project was designed to deliver Nabtesco’s “move and stop” technologies—those indispensable, behind-the-scenes strengths—as a visual experience that the general public can grasp intuitively. In this work, the Nabtesco Monsters were brought to life in 3DCG, and the structure was designed so that viewers could receive the message as something personally relevant, beginning with a family conversation. Kakao, who is incredibly large and strong; Pista, who is dexterous, flexible, and even capable of transforming; and Berry, who uses long arms to carry out detailed tasks with speed, all appear in a composition that connects technologies working behind the scenes of society to familiar everyday scenes.
Nabtesco Corporation: “Nabtesco, Close to Everyone! (Pista Edition)” - 映像作家: keisukesatoh
3DCGAnimationBrand movieConcept MoviePromotionWeb CM

Nabtesco Corporation: “Nabtesco, Close to Everyone! (Pista Edition)”

2026
00:00:31
This project was designed to deliver Nabtesco’s “Moving. Stopping.” technology—an unsung, behind-the-scenes force—as a visual experience that the general public can understand intuitively. In this work, the Nabtesco Monsters were rendered in 3DCG, and a pathway was designed to help audiences take it in as something personally relevant through a family conversation as the entry point. Kakao, who is very large and strong; Pista, who is dexterous, flexible, and even capable of transforming; and Berry, who uses her long arms to handle detailed tasks briskly, all appear in a composition that connects the technologies working behind the scenes of society to familiar everyday scenes.
Nabtesco Corporation: “Always by Your Side, Nabtesco! (Berry Edition)” - 映像作家: keisukesatoh
3DCGAnimationBrand movieConcept MoviePromotionWeb CM

Nabtesco Corporation: “Always by Your Side, Nabtesco! (Berry Edition)”

2026
00:00:31
This project was designed to deliver Nabtesco’s “move, stop.” technology—an unsung but essential force—through a visual experience that the general public can grasp intuitively. In this installment, the Nabtesco Monsters were rendered in 3DCG, and a pathway was designed to help viewers receive the message as something personally relevant, using a family conversation as the entry point. Kakao, who is extremely large and strong; Pista, who is skillful, flexible, and even capable of transforming; and Berry, who uses long arms to efficiently handle delicate tasks, all appear in a composition that connects technology working behind the scenes of society with familiar everyday scenes.
12 Works
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.
11 Works
Coloso Bloom - 映像作家: tsubasamurahama
2D animationAnimationArt workConcept MovieMotion graphicsOriginal

Coloso Bloom

2026
00:00:35
Dive into a treasure chest of knowledge and absorb inspiration. This motion graphic captures the positive learning experience on Coloso. By making full use of After Effects 2026’s new “Parametric Mesh” feature, it creates a highly flexible abstract and dreamlike space. In the end, the built-up energy bursts all at once, translating the moment your own originality blooms into a pop-inspired visual world.
Marketing AI Agent "ENSOR" Concept Movie - 映像作家: tsubasamurahama
2D animationAnimationConcept MovieMotion graphicsOriginalPromotion

Marketing AI Agent "ENSOR" Concept Movie

2025
00:01:01
Description: With the product launch, we were commissioned to create a video that expresses the brand’s world view. 1. A dynamic, immersive visual experience that expresses the worldview of the new brand and instantly draws viewers in. 2. A feature introduction that clearly explains what the product can do, which is essential for a launch. We created a video that blends these two elements in a 50:50 ratio.
RENDER - 映像作家: tsubasamurahama
2D animation3DCGAnimationCompetition workMotion graphicsOriginal

RENDER

2025
00:00:16
This work was submitted to the VGT category of the VGT Motion Award 2025. The theme was “Create a promotional video that conveys the appeal of VGT ONLINE 2025, centered on Create Synergy.” The concept links the anticipation of people waiting for the event to begin with the excitement creators feel in the moment before a render is complete. By incorporating an expression that combines 2D motion graphics in After Effects with physics-based simulations in Blender, the work embodies “synergy” through a new approach to the production process as well.
18 Works
Expo 2025: Wakayama One Hundred Views — “Blending, Connecting.” - 映像作家: YusukeMurakami
Audio visual performanceCodingEventExperienceGenerative ArtInstallation

Expo 2025: Wakayama One Hundred Views — “Blending, Connecting.”

2025
00:01:00
Description: Set against Wakayama’s profound history and magnificent natural scenery, this 30-minute audiovisual installation explores the theme of “mixing and binding” — the fusion of different religions and genres, as seen in shinbutsu-shūgō. It offers a visual and musical experience projected onto eight totems, each 4 meters high, evoking the towering ancient trees of Kishu, and reflects Wakayama’s “spirit of tolerance” found in places such as Koyasan, the Kumano Sanzan, and in the thought of Minakata Kumagusu. Drawing inspiration from the Kumano pilgrimage, the work portrays Wakayama’s character — its acceptance and coexistence beyond differences in religion, social status, nationality, and ideology — as a journey through future, past, present, and once again into the future. This journey is an experience of “rebirth,” a space where Japanese tradition and digital expression, the real and the virtual, the West and the East intersect, reflecting the spirit of shinbutsu-shūgō.
There, Minakata Kumagusu’s belief that “truth lies in between the two” comes alive. Drawing inspiration from the Kumano pilgrimage, the work portrays Wakayama’s character — its acceptance and coexistence beyond differences in religion, social status, nationality, and ideology — as a “journey of rebirth” through future, past, present, and once again into the future. Symbolic order of the Kumano pilgrimage and its blessings Kumano Hongu Taisha — Future Kumano Hayatama Taisha — Past Kumano Nachi Taisha — Present Kumano Hongu Taisha (Return) — Future / Rebirth The video installation is composed of these four parts. 01. FUTURE The opening moment where anticipation and spirituality intersect.
Through flickering light, pulses, and shifting colors, it depicts a world on the verge of creation. 02. PAST A journey into the origins of Wakayama.
Tracing the land’s deep memories through historical elements such as volcanic activity, nature, and mandala scrolls. 03. PRESENT A chapter that moves through the diverse landscapes that could be called the hundred views of Wakayama.
It captures the culture, daily life, and beauty alive in modern Wakayama. 04. FUTURE / RESURRECTION A dreamlike finale centered on the theme of “rebirth” leading into the future, using reverse-playback imagery.
As a symbol that transcends the boundaries of religion, gender, and nationality, totems appear and visually embody the “spirit of tolerance.” About the event movie The five great elements of esoteric Buddhism at Koyasan — fire, water, wind, void, and earth — are translated into visual expression,
making visible the flow by which they merge to form the universe.
It conveys the spiritual depth of Wakayama in a visual and sensory way. What does “Mixing, Binding.” mean? The word “musu,” found in Takamimusubi-no-Kami and Kamimusubi-no-Kami, two of the three creator deities in Japanese mythology,
means “to give birth” or “to produce,” and represents the power to generate new life and relationships.
As seen in words such as musuko and musume,
“musu” has long been a core concept in Japanese, meaning “generation” and “bonding.” Shimenawa and shide, seen at shrines and sacred sites, are symbols of “binding” that sanctify space and invite the gods. We chose this “musu (Musubu)” as the theme of this work because it is a word that symbolizes the spirit of Wakayama, which has passed down Japan’s oldest culture to the present day.
Soul/Soil by Ricoh: Soul Motion - 映像作家: YusukeMurakami
AnimationCodingDataExperienceGenerative ArtInstallationInteractiveMain VisualMotion graphicsReal-time Graphics

Soul/Soil by Ricoh: Soul Motion

2025
00:01:12
SOUL MOTION is an interactive map that uses location tags embedded in uniforms. The sensors capture real-time data and also display records of the past three days, such as weather, total communication volume, visitor numbers, and individual trajectories. When visitors approach the “soil” or “sofa” zones, virtual microbes swarm to those locations, showing how they multiply or decline depending on environmental conditions. A light touch on the sensors makes them scatter, revealing a constantly changing, dynamic map. By visualising invisible processes such as microbes, technology, and the delicate rhythms of human relationships, SOUL MOTION prompts us to reconsider the hidden environments around us and creates an opportunity to rethink the connections between people and between people and nature.
19 Works
Like a Daydream - 映像作家: okadaakinori
Art workFashion filmMusic videoOriginalShort filmStopmotion

Like a Daydream

2026
00:03:46
Thank you for watching. ◻︎Concept / Overview From an everyday life that feels somehow cramped and hard to breathe, to a daydream world of my own where I can breathe a little easier. I didn’t really find anything I was looking for, and yet my heart felt full, and it seemed like I caught a glimpse of a tiny ray of hope. …This kind of inner landscape is expressed through hand-made stop-motion (pixilation). By spending time filming analog-style in the creator’s hometown, I wanted to capture the atmosphere of the city, the gentle sunlight, and the soft breeze— things that cannot be fully conveyed by AI works generated in an instant— and bring into the film that somewhat nostalgic feeling that exists in everyone’s heart. While calculating changes in the weather and the timing of the sunset, filming frame by frame was challenging, but through dialogue with nature, I was able to rediscover the joy of creating as a human being. This work is an independently produced original short film. Including the preparation period, it took about five months to complete (October 2025 to February 2026). A lyric-driven MV version is also currently in production. I also post short videos on Instagram, so please check them out if you’re interested. Instagram: @New age ESPer Thank you very much!
Traveler of 10 Billion Light-Years - 映像作家: okadaakinori
Art workMusic videoShort filmStopmotion

Traveler of 10 Billion Light-Years

2018 ~, 2025
00:10:36
Description: A bird wanders through the forest, continuing to search for precious memories. Before long, it gets lost in a mysterious world inside a tree hollow. There, it finds a strangely shaped dead tree. On that tree, the bird begins fishing toward the sky, trying to catch a star where memories sleep. Using its own feathers as bait... The finite body, and the world of memories and imagination, invisible to the eye yet holding infinitely expanding possibilities. Which, after all, is more important? The work is expressed through special stop-motion techniques, including puppetry, flat sand art, and casting paint shadows onto washi paper. Production began independently in 2016. After editing, it was completed in 2025.
1 Works

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