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Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series - 映像作家: YuyaTsuji_G2
2D animationCMMotion graphicsPromotionWeb CM

[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series

2022
00:09:00
This piece features “Kei,” who calls himself a Poké Card doctor, carefully explaining the series of rules for the Pokémon Card Game to a boy named “Ren,” who has just obtained Pokémon cards, and is structured so that the new rules are explained to viewers as well. While following the structure and animation style of the previous explanation series, we were mindful of pacing and subtle character animation, deliberately avoiding excessive expression, effects, and animation so that viewers could stay engaged until the end while understanding the rules. Also, on a more detailed directorial note, this time voice actors Chisaki Kimura and Sako Ogawa added nuanced emotions at key moments, and I feel this resulted in an explanatory video that also lets viewers appreciate the delicate vocal performances they bring to the work.
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
NHK Morning Drama "Come Come Everybody" Opening Video - 映像作家: kirameki-inc
Opening movieStopmotionTV drama opening title

NHK Morning Drama "Come Come Everybody" Opening Video

2021
Only Image
Opening sequence for NHK’s serialized morning drama “Come Come Everybody,” which began airing on November 1, 2021. This 100-year family story follows three generations of women—Anko, Rui, and Hinata—as they each find their own way of living through love, work, and marriage, across the changing eras of Taisho, Showa, Heisei, and Reiwa. With the theme of “connection,” the visuals were created in papercraft with a warm texture so that viewers could feel both the bonds between people and the links between eras from the opening sequence.

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35 Works
Kataage Potato Support Club 10th Anniversary Special Project Promotional Video: Kataage Support Club 10th Anniversary Edition - 映像作家: lighttheway 6 days remaining
2D animation3DCGADAdvertisementAnimationArt workBrand movieCMConcept MovieEventGraphic designIllustrationImageMotion graphicsMotion logoMoviePromotionPVSocial projectTitle movieTVTV-CMWebWeb CMWeb movie

Kataage Potato Support Club 10th Anniversary Special Project Promotional Video: Kataage Support Club 10th Anniversary Edition

2026
00:00:36
For the 10th anniversary special project of the “Katayage Potato Supporters Club” operated by Calbee, Inc., I was responsible for the direction, design, and editing of the promotional movie. The piece was structured around the supporters club’s passion, cultivated together by Calbee and its members, as well as its 10-year journey. By filling the screen with warm messages from members in bold typography and interspersing live-action potato chips dancing through the frame, the film expresses the unique sense of unity born from the co-creation between Calbee and its members. While celebrating the 10th anniversary together, it also deepens the connections among members and serves as a starting point for that passion to spread to new companions.
HENNGE K.K. | New Product Launch Event HENNGE Unveiled 2026 Opening, Pre-Show Video - 映像作家: lighttheway
3DCGADAdvertisementAnimationArt workBrand movieCMConcept MovieEventGraphic designImageMain VisualMotion graphicsMoviePromotionPVShort filmTitle movieWeb movie

HENNGE K.K. | New Product Launch Event HENNGE Unveiled 2026 Opening, Pre-Show Video

2026
Only Image
I was responsible for the direction and editing of the opening and pre-show videos for HENNGE Inc.'s new product launch event, “HENNGE Unveiled 2026.” Based on this event’s theme of next-generation zero-trust strategy, I expressed the idea of new solutions in an uncertain era through ever-changing visuals, where contours dissolve and then reemerge. By reworking the key visual into a dynamic sequence and using continuously transforming shapes, the piece conveys the company’s forward-evolving stance and anticipation for the new product.
WingArc1st Inc. | MotionBoard Concept Video - 映像作家: lighttheway
2D animation3DCGADAdvertisementAIAnimationArt workBrand movieCMConcept MovieEventImageMotion graphicsMotion logoMovieOpening moviePromotionPVSignageTitle movieVPWebWeb CMWeb movie

WingArc1st Inc. | MotionBoard Concept Video

2025
00:01:43
We were responsible for the direction, design, and editing of the concept movie for “MotionBoard,” the business intelligence tool provided by WingArc 1st. The new version of “MotionBoard,” equipped with generative AI, makes analysis and board creation more intuitive and has evolved significantly in usability, enabling not only engineers but also frontline staff to develop business applications and leverage data in-house with greater ease. In the video, we depict data spreading through an abstract world and being handled with light, effortless operations, expressing its freedom of use and sense of innovation. Furthermore, by using soft colors and a friendly tone, we soften the rigid and difficult image often associated with BI tools, creating an impression that is approachable and easy for anyone to use.
Fuji Television Network, Inc. | "If the World Were a Stage, Where Would the Dressing Room Be?" Teaser Video - 映像作家: lighttheway
2D animation3DCGAdvertisementAnimationBrand movieBroadcastCMImageMotion graphicsMoviePromotionPVSocial projectTVTV drama opening titleTV-CMWeb CMWeb movie

Fuji Television Network, Inc. | "If the World Were a Stage, Where Would the Dressing Room Be?" Teaser Video

2025
Only Image
We were responsible for the direction, design, and editing of the teaser video for Fuji Television Network, Inc.’s drama If the World Were a Stage, Where Would the Dressing Room Be? This serial drama, for which Koki Mitani is writing the script for the first time in 25 years, is an ensemble coming-of-age story set in Shibuya in 1984. Centered on the theater that holds the key to the story, it features a single-take composition in which Kube, played by Masaki Suda, looks straight into the camera. A parallax effect that makes the cast names appear to float in space evokes the scale and atmosphere of the stage. We brought the world of the drama to life through fonts and designs reminiscent of the Showa era.
16 Works
1 Works
15 Works
ANGERME - 映像作家: BONJIN
Art workMotion graphics

ANGERME

2022-2026
00:04:02
モノクロの静かな表情と、光があふれる鮮烈な色彩。対照的な映像を行き来しながら、愛を信じたい気持ちと、嘘に揺れる心を描いたミュージックビデオです。 カメラに向けられるメンバーのまなざしや、儚さと力強さによって「愛が愛のままであってほしい」という願いを鮮やかに表現した作品です。 BONJINの特徴である目まぐるしいカッティング芸とアイドルの同居を目指した作品です
8 Works
8 Works
3 Works
6 Works
Oita Childcare Passport - 映像作家: KeijiroHayashida
2D animationWeb CM

Oita Childcare Passport

2025〜
00:00:16
【課題・背景】 ・「おおいた子育て応援パスポート」の認知拡大、登録&利用拡大のため（WEBCM動画を配信する） ・店舗側から「利用いただいていない」という声が多かった 【実施内容】 以下の５つのポイントをターゲットである子育て世帯のママ（ママ友）の会話で訴求し、認知拡大を企画しました。 ①「おおいた子育て応援パスポート」という名称の明確な発信 ②優待や特典が受けられる子育て世帯限定のサービスということ ③使い方はパスポートを見せるだけ ④登録料は無料 ⑤登録、検索への誘導 ⑥対象：大分県内在住、１８歳未満のお子さんがいる家庭または妊娠中の方がいる家庭 １８歳未満までパスポートが使えるというすごく便利なサービスです。私は福岡県在住ですが、大分県在住の方はぜひ利用していただきたいです。本当に羨ましい…。
きみはどう対処する？ - 映像作家: KeijiroHayashida
2D animationWeb CM

きみはどう対処する？

2024〜
【背景・目的】 福岡県は令和４年の大麻検挙者数は３４９人と高い水準にあり、３０歳未満の若年層が７割。動機は「誘われて」が６５％という状況を踏まえ、県内の若年層に大麻から身を守る４つのキーワードのＲＥＡＬの原則［Refuse断る Explain伝える Avoid避ける Leave立ち去る］に対応した「大麻の誘いへの対処法の啓発」を目的とした広告をコンペにて募集。当社が受託致しました。 【実施内容】 ・今までの薬物乱用防止広告はそのほとんどが「恐怖訴求」で薬物乱用の怖さや「ダメ。ゼッタイ」というコピーから違法性が伝わる一方、若年層の99%が「関係ないこと」 であり、広告自体に興味関心を持たれていないのが課題だった。 その課題を解決し、まずは先入観なく本広告を閲覧してもらい、「大麻の誘いへの対処法」を伝えるため、大麻乱用防止啓発広告であることが最後に分かる構成になっています。CM、ポスター共に「何の広告だろう？」と興味を引き、見続けると実は「大麻の誘いへの対処法」だったと後から気づきを与える内容になります。 ・REALの原則を用いた「大麻の誘いへの対処法」を伝える４本の大麻乱用啓発CMとポスターを作成。​ ・WEBCMは、若年層が興味を持ち、MVでトレンドのリリックビデオの手法を取り入れた１５秒のアニメーションCMとなっており、短時間で大麻の誘いからの対処法に興味をもってもらう内容となっています。 ・YouTubeチャンネル「No Drugs Fukuoka」で公開。YouTube・TikTokに広告を配信し、若年層を動画の視聴に誘導。若年層に深くアプローチできる下記オンライン、オフラインの広告施策で全方位から啓発広告を行ました。
Fukuoka Carbon Credit Club — Making You a Little Prouder - 映像作家: KeijiroHayashida
2D animationCMWeb CM

Fukuoka Carbon Credit Club — Making You a Little Prouder

2024〜
00:00:16
【課題・背景】 福岡県が推進する住宅用の太陽光発電設備等共同購入推進事業において直近２年以内に太陽光発電設備等を導入した家庭などを対象に「福岡カーボンクレジット倶楽部」への加入者を増やす取り組みが行われるにあたり、同事業の広報と加入者を増やす企画の公募があり、ADMOVEが提案を行い採用され、動画を制作致しました。 【登場人物】 環境保全を推進する妖精エコちゃん 太陽光発電を設置し、福岡カーボンクレジット倶楽部に入っている佐藤家（画面左） 太陽光発電を設置し、福岡カーボンクレジット倶楽部に入っていない田中家（画面右） 【ストーリー】 お隣同士の佐藤家と田中家は両家とも太陽光発電設備を設置しています。しかし佐藤家だけはＱＵＯカード5千円がもらえ、田中家がなぜかもらえないという状況。その理由は佐藤家は「環境保全に貢献する参加料無料の福岡カーボンクレジット倶楽部に入っていたから」でした。 【構成の狙い】 冒頭の「福岡県です」というナレーションで信頼を提供。その後歌とダンスに入ることで記憶に定着させ、認知拡大を狙っています。 また、両家同様に太陽光発電を設置しているにもかかわらず佐藤家しかプレゼントがないという状況を強調することで視聴者にも疑問を持たせ、福岡カーボンクレジット倶楽部に入っているからＱＵＯカードプレゼントがあるという気づきを与え、理解させ、記憶に定着→福岡カーボンクレジット倶楽部に入りたいという気持ちに誘導する狙いです。 また、人は特典があっても理由がなければ「なにか裏があるのではないか…」と怪しんですんなり加入することはありません。ですので「環境保全に貢献する参加料無料の取組です」という倶楽部の存在意義をナレーションを最後に構成することで、疑いが晴れ、倶楽部に入ろうと考えていただく狙いです。検索窓上部の「あなたをちょっと誇らしくする」というコピーも倶楽部に入ることで変化する心理的メリットを表現し、検索を後押ししています。
When Love Turns to Fear... - 映像作家: KeijiroHayashida
2D animationAIWeb CM

When Love Turns to Fear...

2025〜
00:00:16
【課題・背景】 女性に対する暴力を防止するための啓発と、相談窓口周知のため。 大分県内の若年層が、女性に対する暴力等について知り学ぶ機会を設け、考えるきっかけづくりとするとともに、被害者支援につなげる相談窓口周知を行う。 【実施内容】 ●データに基づいた具体数の広告コピーや気づきを与える広告コピーとビジュアル ●最後まで見ると納得できたり衝撃的な気付きがある ●ターゲット層の若年層の女性に親和性の少女漫画タッチでの表現 デートDVの本質である「力による支配」から逃れるため、また、気づきを与えるため、DV被害を受けている人（や周りの方）に恋人や恋人の言動、行動などが「こわい」と感じるようになったのであればデートDVかもしれないという気づきを与えるコピーを構成。DV被害者は、恋人が好きだから、嫌われたくないから仕方ない、自分が悪いんだという洗脳にも近い心理状況だそうです。そんな心理状態の方に、恋愛の中にDVはひそんでいる可能性があることを「こい」「こわい」の言葉のようにたった一文字変わるだけで恋がこわい＝DVの意味合いになる比喩を用いて表現しています。
14 Works
NHK Minna no Uta "The Town Where Sunset Is Born" Animation - 映像作家: izumiogawa
2D animationAnimationBroadcast

NHK Minna no Uta "The Town Where Sunset Is Born" Animation

2025
00:00:55
NHK Minna no Uta, broadcast from April to May 2025 This animation was created to accompany the song “Yūyake ga Umareru Machi,” by Ikimono Gakari meets Humbert Humbert. It was made with feelings of love for one’s hometown where one was born and raised, the resolve to keep moving forward on one’s own path, and pride in the life one has walked so far. The video posted here is an excerpt without audio. Please be sure to watch the full version with audio on the broadcast.
.ENDRECHERI. Tsuyoshi Domoto "Machi. . . ." Lyric Video - 映像作家: izumiogawa
2D animationAnimationLyric videoMusic video

.ENDRECHERI. Tsuyoshi Domoto "Machi. . . ." Lyric Video

2024
00:02:18
.ENDRECHERI. Tsuyoshi Domoto’s heartfelt rearrangement of “Machi,” the singer-songwriter debut song he released in 2002, revisited 22 years later in 2024. Starting from Nara, Tsuyoshi’s hometown, the piece depicts each scene with the image of moving eastward through Osaka, Aichi, and Tokyo. It was mainly produced as 2D cutout animation with digital drawing, and the two opening shots of the character’s movement were created using rotoscoping.
10 Works
3 Works
Sandbox - 映像作家: yukikimura
InstallationInteractive

Sandbox

2025
00:01:10
I have continued working on cross-disciplinary production, such as pictorial images with cinematic qualities and painterly animation. This work, *Sandbox*, is an experiment in replacing painting and animation with a game engine. In this work, I used a game engine to create an “electronic sculpture” and attempted to visualize a non-tactile sense of reality. By following afterimages that traverse space, it aims to unsettle the viewer’s bodily perception. At the same time, an autoplay function was built in so that the game would assimilate into the environment like ambient music, becoming a “passive game / background game.” It is an interaction/installation in which the viewer/player can seamlessly move back and forth between “play,” controlled with a controller, and “viewing,” without using a controller.
6 Works
CRMC - 映像作家: kojiaramaki
3DCGMusic VisualizationOriginal

CRMC

2024
00:01:00
This research work is a reworking of a video that was shown as a SIGNIF reel at Motion Plus Design Tokyo 2024. By incorporating the unique silhouettes of ceramics and sculpture as motifs for motion graphics, we aimed to achieve both a graphical image and a tactile feeling clean coldness and craftlike warmth. The overall structure of the work, which progresses in an intertwining sequence of multiple patterns, is a motion graphics analogy of the production process of ceramics, from the chaos before the shape is determined, to the determination of the shape, to the change of material through firing.
Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening - 映像作家: kojiaramaki
Animation

Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening

2019, 2020
The second opening for the TV anime Fate/Grand Order - Absolute Demonic Front: Babylonia. Set against the backdrop of the ancient Mesopotamian civilization of the BCE era, the animation features an organic visual direction that blends earth and sand with the gold and wealth of Gilgamesh, one of the story’s main characters. For the chorus section, the team explored new ways of combining key animation, motion graphics, and CG, aiming for visuals in which character animation, hand-drawn effects, and particle expressions influence one another. The production team consisted of the members who had previously worked on the opening of DARLING in the FRANXX, with Shun Yamaguchi, Kita, and Hanasaka joining the team to handle their respective parts.
Promare Avant Title - 映像作家: kojiaramaki
AnimationOpening movie劇場映画

Promare Avant Title

2019
Responsible for the TRIGGER corporate logo, avant motion graphics, and title logo animation for the feature film Promare. In the avant, we used motion graphics to abstractly express the spread of the Burnish as a phenomenon, serving as a prelude to the main story. In terms of the look as well, rather than simply using an old film look, we developed new shooting processes specifically for this project and applied special gradient treatment. The title logo animation was designed with the transition from the avant to the main film in mind, directly translating the energy of Promare into motion.

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