A music video released as a unit with composer Silentroom. Based on Gottfried Keller’s poem “Evening Shower,” it was adapted into a visual work. By switching scene by scene between graphics intentionally reduced to low resolution and given a mosaic-like treatment, and CG packed with intricate detail, the video expresses the song’s dual nature: weighty yet delicate and emotional. The aim was to create sharp musicality and imagery that stays true to the motif.

A full-CG music video that expresses the world of the song across multiple spaces. The lyrics were placed in 3D space as objects with mass, and the camera work was controlled procedurally. In post-production, we employed databend techniques that intervene in the very structure of the video codec, pursuing the material texture hidden within digital media and the aesthetics of glitch.

Second Trial MV for the viewer-participation music project “MILGRAM.” A work that aimed to fuse film-like lighting expression in animation with typographic direction, while staying aligned with the character’s emotions.

Theme: “Joy, anger, sorrow, and delight / twists and turns, and life goes on.” Life is full of all kinds of emotions and many twists and turns. Through it all, time keeps moving forward, leading toward the future. I wanted to depict that journey as a drive, introducing a variety of motifs through collage and tracing the path all the way to space. First, I drew a map and structured the piece as if traveling through those places. The map used as the foundation shows the route from my parents’ home to downtown Hiroshima, but places with special meaning for Taiking, such as Enoshima, also appear. As this is meant to evoke a road movie, the piece also draws heavily on films by Wim Wenders.