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Brand movie

Kyoritsu Women's University Concept Movie

2022

00:01:50
Kyoritsu Women's University Concept Movie
Client : Kyoritsu Women’s Educational Institution.

Agency : Diamond Graphic Co., Ltd.

Image Director : shuntaro
Director : Tomonao Sakurayashiki
Cinematographer : Daisuke Abe / Ryusuke Honda
Gaffer : Hirotsugu Hamada
Editor / Colorist : Kyo Kuboyama
Prop Stylist : Emi Kawamura / Haruna Toyodome

Copywriter : Takayuki Ohno
Hair&Makeup : Eri Ito
Stylist : MORIYA
Narrator : Eriko Hirata
Filmed and produced a concept movie for Kyoritsu Women’s University and Kyoritsu Women’s Junior College, which uphold women’s independence and self-reliance as the founding spirit of the institution. By seamlessly integrating the four elements of location, leadership, practical learning, and support, the film expresses what sets the university apart from others. It also aims to convey the image that, by graduating from high school and becoming a student at Kyoritsu Women’s University, each student can experience a truly one-of-a-kind campus life.

People

D Daisuke Abe unverified Cinematographer E Emi Kawamura unverified Stylist E Eri Ito unverified Hair & Makeup E Eriko Hirata unverified Narrator H Haruna Toyodome unverified Stylist H Hirotsugu Hamada unverified Lighting K Kyo Kuboyama unverified Editor / Colorist M MORIYA unverified Stylist R Ryusuke Honda unverified Cinematographer shuntaro Director T Takayuki Ohno unverified Copy Writer T Tomonao Sakurayashiki unverified Director

Other Works by bird and insect

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Gloaming -before the haze-

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A prequel to “Gloaming - haze -”. It depicts the story of the girl from haze, back when she was still wearing a mask, and follows her up until the moment she removes it. The home environment is also a closed-off one, and the work suggests that the same kinds of circumstances depicted in haze exist there as well. Other works in the “Gloaming” series are available here↓ https://www.youtube.com/playlist?list=PLaiMJFjmtsX80qqnhTwLuXy5QEldVNtxP
THE SPELLBOUND “May Everything Be There.” MV - 映像作家: bird_and_insect
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THE SPELLBOUND “May Everything Be There.” MV

2022
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THE SPELLBOUND, a rock band formed by Masayuki Nakano of BOOM BOOM SATELLITES with Yusuke Kobayashi of THE NOVEMBERS as vocalist, was responsible for producing the music video (MV) and TV spot for “Subete ga Soko ni Arimasu You ni.” The song was written specifically as the ending theme for the fourth season of the TV anime Golden Kamuy. Having previously streamed live performances with a single camera, this work adopts an idea proposed by the band members and is composed as a single-take edit shot with one handheld camera. By focusing on lighting and movement, the piece was designed to place greater emphasis on the song and the band members, expressing a sense of immediacy and forward momentum reminiscent of a live performance.
Vertical Mystery Drama "The One Who Ends It" - 映像作家: bird_and_insect
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Vertical Mystery Drama "The One Who Ends It"

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Only Image
Directed, shot, and edited the mystery drama “The One Who Ends It,” distributed on “VISION,” the video content platform of “LINE NEWS” operated by LINE Corporation, and released by the vertical-video content label “JOGE KANKEI W (World).” This is our representative shuntaro’s first drama as a director. This mystery follows police officer Takuya Shimizu (Tetsuji Tamayama), who, together with his younger partner Kyoya Hasui (Aoi Okuyama), pursues the truth behind a gruesome murder case in which a corpse and a mannequin are fused together. As the story unfolds, it gradually connects with the meaning behind the title “The One Who Ends It,” creating a new kind of drama. JOGE KANKEI W (World) “The One Who Ends It” Official Website↓ https://jogekankeiworld.com/owaraserumono/
Panasonic Connect Co., Ltd. Theater Video - 映像作家: bird_and_insect
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Panasonic Connect Co., Ltd. Theater Video

2022
00:04:20
To coincide with the renewal of Panasonic Connect Co., Ltd.’s experiential facility, the “Customer Experience Center,” we filmed and produced an ultra-wide theater video. With a focus on the experiences gained through the use of software, we aimed to let viewers feel them sensorially rather than through an explanatory presentation of the video content. By incorporating graphic expressions and taking advantage of the theater’s ultra-wide format to create horizontal expansiveness and spaces that can only be conveyed through video, we sought to achieve an expression that can be experienced only here.

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Exploring a variety of expressive approaches through different techniques, such as digital drawing that looks like pen-and-ink or pencil-and-watercolor illustrations, animation compositing with photorealistic 3D, and creating and compositing animation with analog ink. Outside of reels, I also work on planetarium pieces and other projects using hand-drawn 3D created with VR painting.