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Hakushi Hasegawa Q13

2021

00:17:12
Hakushi Hasegawa Q13
  • Hakushi Hasegawa Q13
出演（声）：長谷川白紙
企画 : SPACE SHOWER TV
演出 ／映像制作 : 釣部東京（松永昂史, 村上由宇麻,渡部克哉）, 平井 秀次（dep Management）
プロデューサー : 早川文子, 髙吉旭, 發田新芽 （SPACE SHOWER NETWORKS INC.）
A special video piece that delves into Hakushi Hasegawa as a person by turning his interview audio, in which he answers 13 questions, into newly shot visuals. By watching 13 loosely unified omnibus segments created with a variety of techniques—2D motion graphics, full CG, live action, and more—alongside Hasegawa’s elusive words, the work becomes something that can be interpreted in many different ways, both in terms of what he says and what he does not say.

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松 Takashi Matsunaga unverified Director 平 Hirai Shuji unverified Director 早 Ayako Hayakawa unverified Producer 髙 Akira Takayoshi unverified Producer 發 Shinga Hatta unverified Producer Tsuribu Tokyo Director H Hakushi Hasegawa unverified Actor K Katsuya Watanabe unverified Director Y Yuma Murakami unverified Director

Other Works by 釣部東京（Tsuribu Tokyo）

IKEBUKURO PARCO – NEW FRIENDS - 映像作家: Tsuribu Tokyo
3DCGAnimation

IKEBUKURO PARCO – NEW FRIENDS

2026
00:00:30
Responsible for the creative direction of Ikebukuro PARCO’s largest renewal campaign since its opening. With the theme “NEW FRIENDS,” we drew on the motif of the “pond,” which is also said to be the origin of the name Ikebukuro, and created graphic designs using a technique that combined animals produced in 3DCG with live-action footage of nature, then re-shot the resulting collage through water in live action. In the film, that impression was recreated once again in CG. By mixing a variety of media, we expressed the city of Ikebukuro and Ikebukuro PARCO as a place where beings that transcend various boundaries cross over.

Explore 2D animation

Wednesday Campanella "Seven Lucky Gods" - 映像作家: オタミラムズOTAMIRAMS
2D animationAnimationMusic videoPV

Wednesday Campanella "Seven Lucky Gods"

2023
00:03:18
Wednesday Campanella released the music video for “Shichifukujin” today at 7:29 a.m. on Saturday, July 29. The song is also used as the CM song for Pizza Hut’s “Hut Melts.” The track is included on their second EP, RABBIT STAR ★, which was digitally released on Wednesday, April 26 and physically released on Wednesday, May 3. It features a memorable riff built around heavily used voice samples with a deep, gritty tone, and it was one of the songs that got the crowd going at the recently held RABBIT STAR ★ TOUR, thanks to the driving force of its bass and beat. The music video released today is a sequel to the “Momotaro” music video released during the Kom_i era, when she served as the original lead vocalist and performer. It was directed by OTAMIRAMS, who also handled the “Momotaro” MV. In the story, the “Seven Lucky Gods” go up against an “evil organization? The Gikichiku Party” in an election. And then, in a surprising twist, it is revealed that Hoteison was actually the former Momotaro... Whether true or false, this comical yet message-driven work can be enjoyed as an alternate story that expands beyond the song “Shichifukujin.” At the end, the three letters “to be continued” appear once again; the truth behind it is currently unknown, but it leaves us looking forward to what comes next.
Lonely Eyes - 映像作家: shotayamauchi
3DCGArt workInstallationVR

Lonely Eyes

2019
Only Image
In this work, the VR participant is exhibited in the venue as a “sculptural work.” The viewer wears a VR headset and a full set of VR walking apparatus (Virtuix Omni) mounted on a pedestal, and experiences the work while holding a gun-shaped controller. This shooting-game-style piece allows the viewer to shoot a gun to gradually open up their field of vision and acquire the scenery before them. Toward the end of the experience, a treasure chest appears deep inside the museum; when it is opened, the Medusa painted by Caravaggio leaps out. The viewer, gazed upon by Medusa, is turned into a stone statue, and the experience ends with them displayed on a pedestal as one of the museum’s exhibits. This work does not merely invite participation in a game, but turns the very situation of viewing a VR work into the work itself.